Everything You Want Is On The Other Side Of Cringe - Zack Telander
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In this episode, Zack Telander and Chris Williamson explore the concept of cringe through a nuanced lens, arguing that pursuing one's hopes and dreams is inherently linked to being perceived as cringeworthy by critics who have abandoned their own aspirations. They discuss how irony serves as a defensive mechanism or "force field" for those unwilling to engage earnestly with life, creating an asymmetry where criticism thrives on distance rather than sincerity. Telander emphasizes that while failure and cringe are aligned in the eyes of detractors, true growth requires accepting vulnerability and moving forward despite these labels. He illustrates this by sharing personal anecdotes from his time as a new father, describing how he balances intense gratitude for small moments—like enjoying Fanta or watching a butterfly—with an unyielding drive to pursue ambitious goals like making music. The conversation shifts to the cultural definition of "cool," which Telander and Williamson analyze through psychological profiles showing that coolness is associated with traits such as extroversion, hedonism, power, adventurousness, openness, and autonomy, whereas being "good" aligns more with conformity, warmth, and conscientiousness. They argue that the modern digital landscape has narrowed the path to success by compressing it into a single aperture of online attention, making authenticity difficult for those without significant status or influence. This dynamic is exemplified by artists like Sleep Token, who maintain their cool through aloofness and mystery rather than traditional promotion, contrasting with established stars like Denzel Washington or Beyoncé who have largely exited social media to preserve their mystique. The hosts note that trying to manufacture cool often backfires because it lacks the necessary autonomy and originality that define genuine status in a corporate world. A significant portion of the discussion addresses the tension between making a "dent in the world" through ambitious projects versus finding joy in the present moment, with Telander admitting he feels like he is borrowing current happiness to invest in future accolades. He reflects on how his routine as a content creator can feel like a hamster wheel that interrupts genuine connection and gratitude, noting that while consistency is vital for achievement, it often comes at the cost of spontaneity and emotional fulfillment. The hosts contrast the visceral nature of live performance—where fans offer immediate, tangible appreciation—with the detached experience of streaming music or reading books online, suggesting that direct human interaction provides a unique form of positive reinforcement that algorithms cannot replicate. They conclude that while results can silence critics who call things cringe, maintaining an inner peace amidst external pressure remains one of life's most difficult challenges for high-achievers. Ultimately, the episode serves as both a critique of performative online culture and a heartfelt affirmation of friendship and authenticity. Telander expresses deep gratitude to Williamson, crediting him with helping him overcome imposter syndrome and believing in his own talent during formative years. This emotional climax underscores their shared belief that true success involves balancing drive with contentment, even if these forces are often at odds within the same person. The dialogue reveals that while society rewards those who break rules or achieve external metrics of success, there is a profound value in acknowledging small miracles and maintaining sincerity in an ironic world. As they wrap up, Telander thanks Williamson for being his best friend and godfather to their daughter Charlie, reinforcing the idea that personal relationships often outweigh professional accolades when defining a meaningful life.
Read the full video transcript
Zack Talander, welcome to the show.
>> It's been a while
>> since I have
been on this show.
>> You've been busy.
>> I have been busy, dude. I've been very
busy. I just want to say also that this
is a perfect representation of you and I
like the autism architects
and then like the degenerate kind of
cowboy
>> way Jennings right here outlaw.
>> I'm trying to subliminally change uh
people's music choices through what I
wear as a t-shirt. I don't think it's
working. I don't think anybody is
listening to any of the bands.
>> I think I feel like they are.
>> I don't know. Yeah, but I'm not gonna
give you I'm not gonna allow you to be
the only person that wears a band
t-shirt in here.
>> That's true.
>> I got I bought this purposefully for
this episode.
>> Oh, nice.
>> Yes.
>> I do love Wayan Jennings. So
>> sick. Uh everything you want is on the
other side of cringe.
>> Yeah. So, I saw actually I made this
post about cringe and a lot of times
people say if you want to like defeat
cringe, you just have to it's like a
muscle you have to flex. You just have
to keep going for whatever it is and
like learn how to take failure. And it's
almost as if failure and cringe are kind
of like aligned. M
>> but my nuance take was it from it was
the people who are calling you cringe or
like the critics like everyone has hopes
and dreams everyone you know it's not
like there are some people who are born
and they're just like I don't want to do
anything with my life ever right but the
critics and the people calling you
cringe
essentially what they're doing is saying
like oh you're pursuant of some sort of
hope and dream
>> how dare Mhm.
>> And so at some point in their lives,
they had to make a decision. Uh, I'm not
going to pursue my hopes and dreams
because that is quote unquote cringe.
>> Which I found super interesting. And so
in this video, I just all I said was
like,
>> you know, the only times that the
critics or the people calling you cringe
can access their hopes and dreams is
when they're sleeping. So then when they
wake up, just make sure they keep
watching you pursue yours. And it's like
for me that that is adds another layer
on top of what you typically hear which
is just like keep moving, keep keep
going, push like fail so you can get
better at failing, stuff like that.
>> Yeah, it seems like there's something to
do with earnestness and sincerity and
sort of ironic speech in here. So I
think when people are speaking
ironically, there's a a distance between
you and your speech. So being sincere
sort of carries a type of vulnerability
right with it. So you're saying this is
my position.
>> This is something that I believe in.
Whereas when everybody is always being
ironic and I think that identifying
something as cringe is like the
non-engaging way of being ironic. Like
say saying that's cringe is the same as
the exact same as saying that's good.
But it that's the same sentence. Right.
And I think um you have this sort of
distance between your beliefs and your
statements. Like you don't actually put
your beliefs out there. You make
statements about stuff that's typically
critical.
>> Mhm.
>> And then you have your beliefs, but your
beliefs are yours. And nobody ever
actually gets to interact with those.
And by not putting your beliefs on the
line, you can never be cringe. This is
one of the uh like interesting
asymmetries. is one of the reasons that
I think critic or the what's called the
critique sphere uh YouTube uh channels
have done so well because it's very
difficult to do a criticism of a
critique sphere video because it's two
levels of irony right
>> that person didn't mean that thing
they're there to take the piss you can't
take the piss out of someone taking the
piss unless they try to take the piss in
this way
>> and but they nobody ever does that
nobody ever says you know
>> this just didn't speak to me it really
didn't speak to I didn't feel anything.
It's like, oh god, you can do a
criticism of that criticism. You know
what I mean?
>> Yeah. Um, irony is the song of a bird
who's never left its cage. I saw that
quote. So,
>> what's that mean?
>> It's basically somebody who's never gone
out and done anything or, you know, they
use irony as the weapon as the song that
they sing. you know, the people calling
others cringe, they use ironic, they use
that as like a it's like a force field
as well as a weapon to attack other
people,
>> but it doesn't allow you to actually
move forward because you're never
opposing anything.
>> Yeah. You know what's wild though is
like on social media you do find that if
you
engage in kind of that in an authentic
way, like I've been rewarded for it,
being like, "Oh, that's cringe." Or or
like being on the side of the critic.
Mhm.
>> I've been rewarded for it. And this is
something that I'm actually super uh
interested in is being able to do two
things at once. Uh almost two opposite
ends of the spectrum.
>> And I wanted to talk to you about this
cuz this happened like almost directly
after having my daughter. It was it's
this idea of like um I had it it was
like gratitude maxing
>> but at the same time being dreampilled
for you Jen's ears right so at the at
one end of the uh spectrum you have
ultimate gratitude like for everything
that in your life and in a certain you
know extent that could equal being
content with what you have and then on
the other side you're not content really
with anything because you have your head
in the clouds,
>> you're dreaming, you're hoping.
>> And what I've kind of been able to do
recently and what I've been what's
helped me a lot is like both
I tell myself every day like I know what
I want in in the m in music. Like I know
and I'm going really hard at it, harder
than ever before. I'm not doing this
kind of like half in halfout thing. I'm
really going hard. But at the same time,
there are moments that I'm like super
grateful for.
>> And specifically, it's funny. I have
this picture is like you and I went to
Nando a couple weeks ago and it was just
like you holding a Fanta and it's like
I'm super grateful for that in on so
many different levels. One, it's my best
friend. We're having Nandos. too. A a
wonderful nectar
comes out of a out of a machine when you
press a button and you just get to enjoy
that.
>> I mean, come on. How could you not be
grateful for that sort of thing, right?
Another example of this, Charlie, my
daughter, wasn't going down to sleep.
Not very easy. Uh it was just like it
was a brutal night. But but Caroline and
I got Fresos, which is our favorite
Mexican food. You've had it before. We
got it delivered. We had margaritas. We
put on Stand by Me. It's a American
classic movie. And we clinkedked
glasses. And I looked at her and I go,
"This is it right here. This is amazing.
This is honestly if this is our base
level, like we're all right." And I
think it's really important for moments
like that to to just say those words.
Two things that I would say is this
rules and this is it. And I feel like
when you and I were living together, we
did that quite a bit.
>> Well, yeah. We had a a little caption
which was these are the golden years.
>> Mhm.
>> Like we're going to look back in however
long when we've got tons more
responsibilities and go, "Dude, do you
remember when we used to live on South
Sixth Street?" You remember? and we'd
just [ __ ] about in the cold plunge and
we'd get up and we'd make some videos
and then we'd order [ __ ] Papa John's
on a Saturday and watch like Red Zone.
>> That that was it. Those were the golden
years. And I I think you're right. It's
a difficult balance. It's probably one
of the most
common perennial challenges that people
who listen to this show bring up at the
live shows that that you're doing. Uh
come and see me and Zach live around the
US and Canada. Uh dates are available at
chriswimson.live. That's right.
>> Um, one of the most common questions is
basically,
I want to achieve big things in my life,
>> but my pursuit of something great makes
me feel a lack in the present,
>> right?
>> And that makes me miserable. And I know
that the present moment or I've heard
that the present moment is kind of all
that really matters. And I feel like I
am borrowing
I'm spending joy that could be achieved
right now in order to try and cash it in
at some point in the future. And I'm
worried that I've kind of got my
priorities wrong. But I also know that I
don't want to let go of my drive and and
moving toward goals. And
>> it's just I if I had to suggest
anything, it's use your senses.
>> Have children. Well,
that that will that's a little bit
bigger, but I would say use your senses
like grounding and and those sort of you
know those things, right? The and like I
swear to God like my brain is just
>> how are we going to make our dreams come
true all day every day. That's my my
head doing
>> I'm going to push back a little bit.
Yeah.
>> How much of this is the fact that you've
had a kid? How much of this is I brought
a life into the world? How old now?
Three months. Uh 10 10 weeks and three
days.
>> Okay, give me credit. That's not far
off. Okay. Two two and a half months.
>> Yeah.
>> How much of this is I'm a new dad. I'm
watching this human that I made
>> slowly get bigger and smarter and all
the rest of it in front of me.
>> How much of it is that
>> I have purpose in a way that I didn't
previously. that not only am I now
providing for a wife, which is
relatively recent wife, long-standing
girlfriend, now even more recent child,
and all of this is just, oh, this is
this is what it was for.
>> Yeah. Well, I I Well, that's good
criticisms, Chris. Very astute uh
criticisms on your on your side there.
Uh I would say it is
always been in me to kind of like be a
space cadet that focuses on like really
little things. So, uh, I was on a run.
This was while Caroline was pregnant. I
remember I was on a run. I even took a
picture of it. I saw, uh, a North
American swallow tail, which is one of
my favorite butterflies, on the side of
the road, and it was, uh, obviously wet,
so it couldn't fly. So, I picked it up
and I put it on the on the fence and I
took a picture of it, and I was like,
"Wow, that is amazing."
>> And it's like that that
>> cute little things.
>> Yeah. And that that took me being a
weird kid that like maybe not weird is
the right answer, but like I I love the
little things. Like I live for the
little things. So to loop this back, I
think a lot of this is what would quite
easily be uh castigated on the internet
as being cringe. that um
>> I I think felt a little bit of shame for
quite a while at taking pleasure in
small things,
>> right,
>> like that. That the fact that
>> um non-g grand
uh relatively insignificant, very normal
things could give me sort of like a cozy
sense of joy. Uh that that was a comment
on how small my life was. Like oh that's
what made your day. Like how
unimpressive, how feeble, how how how um
non-majestic must your life be that
seeing a butterfly or getting to have a
really nice cold glass of Fanta or the
one that I use as this example, which
always works for me. If I throw my gym
towel, the little hand towel I take to
the gym, if I throw it and it goes into
the laundry basket without touching
anything from across the room, I'm like,
>> that was [ __ ] sick.
>> That was sick.
>> And I just I think I had a lot of shame.
I still do have a lot of shame around
that because there's this sense that
life's supposed to be very impressive
and it occurs on a stage. And then I do
think that I have kind of a an inner
cringe critic that isn't me, but is some
imagined third party who's very sardonic
who um doesn't really earnestly engage
with anything and I hear them making a
comment around what I like and that
causes me to not like what I like so
much anymore. Yeah. I think
that that happens to everyone. Okay. But
it's like you have to you have to be
like how
even even just like evolutionary human
things, bro.
If you are thirsty and you take a drink
of water, you're like, "Oh my god, the
miracle of water." Right? That feeling
right there is like really crucial.
And what what I for sure have seen you
do like we've gone to we go to a
Japanese restaurant and I remember being
like Chris this [ __ ] sushi is
amazing. Make say that it's amazing or
something. You know what I mean? We
can't we can't the miracle that went
through getting this unbelievable piece
of fish to you're my plate at what was
that restaurant? I was somewhere here in
town. Sodto. Yes.
>> Yes. And it was like literally from
Japan 24 hours ago to our plate. I'm
like, you know, it's [ __ ] like that that
like you really got to just somehow be
like, what what is the joy that I'm
feeling and why do I feel it? Like, oh,
and then just reverse engineer the
process that got you that feeling and
like you'll be like, wait, this is
amazing, dude.
>> So, you're trying to remind yourself of
the miracle of modernity.
>> Of course. Yes. And and Yes. And like
these simple pleasures that are just
crazy. Like I pressed a button on a box
that I don't know how it works and my
favorite Mexican food showed up. I I
pressed another button on another box
and I had every movie possible.
>> It sounds great, but we habituate,
right? That's exactly what
>> of course and I but we also it's we also
look past it's like how could I enjoy
this when I'm when I haven't reached my
goals yet? You know, when I find that to
be the worst is when we go to watch
comedy shows, and it's usually me and
you. And I always find myself
hoping for the next comedian. And that's
not to say the comedians we're watching
are bad, although some of them are. But
I'm always thinking, "Oh, but the ne the
next one, and then the next and then the
and then and before I know it, I've
nexted my way through an eight person
comedy set and then we're done."
>> That's a perfect
>> would it be analogy for life? the next
what's next.
>> Yeah.
>> But I'm but I'm I mean I say all of this
as if I'm some guy who just like
appreciates everything in life. I wake
up, my eyes go open. I go, "What's
next?" Like that's the first thing like
what's next? How am I like in music? How
am I going to make this happen? You
know,
>> so it's not like it doesn't exist. You
just have to I feel like you you have to
fight
like it's two different things fighting
and you have to place your money on both
>> and like neither of them are ever going
to win and the fight's never going to
stop.
>> I think I I I think there's definitely a
lot of pain in the resistance of that of
thinking why can't it just be the case
that I can take gratitude in the moment
for the things that I love whilst also
pursuing my dreams. And you probably
just need to say well I'm not wired that
way. Basically nobody is wired that way.
In my experience, the people who are the
most effective as in you know successful
objectively, external metrics of success
are the ones who have the most turmoil
internally. Uh and that might not be
true for every single person, but for
the most part it is. And the reverse is
true. The ones who have the most inner
peace, that are the most chill, that
they're the most happy with themselves
are the ones who aren't going to try and
fill some internal void with external
accolades because the internal void
isn't as big,
>> right?
>> And I just in some ways you don't even
get to choose. I think you have to say
this is kind of the way that I'm wired
in to a degree. Yeah.
>> I am a very
outfacing person or I'm a very infacing
person. um sort of peace or goals and
okay given that this is the setup let's
just step one stop resisting the fact
that I pursue things.
>> Yes. Yeah. Yeah.
>> And that I wish I had more peace.
>> So that's what I'm saying though is like
you need to work the other thing
concurrently even though they might
detract from each other.
>> You still can do it.
>> It's a battle. You just It's like
>> you're like a sort of goals bisexual
like a non- monog. But honestly, all of
these dualities that we could think of,
like you have to put equal chips into
both, I think.
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want to I want to go back to that irony
thing. I was watching a an essay from
Joe Folly, unsolicited advice. You've
been on the show. [ __ ] awesome guy.
And uh he's got this great line. He
says, "To profess an honest belief in
anything, especially something open to
challenge is a pretty exposing thing to
do in the public square." And he's
talking again about his issue with
ironic speech that it allows you to care
less about things or at least seem like
you care less about things. And it
doesn't force you to actually engage
with any information earnestly, right?
Earnest being um the bravery to take
your emotions seriously,
>> right?
>> Um and it is insincere. And my issue, I
think, with how much ironic speech there
is at the moment online and and
accusations of cringe was why that
really spoke to me. The the problem that
I have with so many things being called
out as cringe, like everybody's cringe
radar is [ __ ] hyperached. The issue
the issue I have with it is that it
dissuades everyone
from being sincere. So I Chris, I truly
believe that the comment section has
like changed humanity permanently.
If because what right now this
discussion between you and I, if this
was televised in like 1998,
we would be more sincere. Even though
we're still performative and we'd still
have a filter on it, we would be more
sincere. And the only reason we we would
is because there's no chance of anyone
else kind of like coming back unless
they're on the network as well.
>> All right. Okay. One of the three
channels that are available.
>> Yes. And so so bro, I left a comment on
something. It has 65,000
likes
from a [ __ ] comment. That's insane.
That's like, you know, what what that
says is like somebody's response to
somebody who's working out their true
self
>> can be ironic. It can be critical. It
can call it cringe. It can just make as
long as it's contrarian, whatever.
>> Just a quick little response can equal
or have more value than the actual
original person.
>> Well, that's what getting ratioed is,
right? Yes.
>> Getting ratioed is somebody coming in
and it's very rare. How many times in
history has it happened where someone's
got ratioed with a reply that says,
"This is so lovely. I'm so glad you did
this and meant it."
>> Yeah. Right. That's not
>> It's never happened.
>> It's always It's always negative.
>> It's always the contrary.
>> But do you see how like that is
fundamentally changes like
>> how we can do this? How we can make this
happen?
>> It feels like there's someone watching
you at all times. You're kind of you're
you're you're thinking to yourself, is
this I mean you everybody's goal
everyone's goal should be to not turn
into a meme.
>> Like you should if you can thread
yourself through life without trending
on Twitter
>> for becoming a meme at some point. Well,
there's that thing, you know, everybody
on the internet, everyone's going to be
famous for 15 minutes. Fine, but just
not for something that's super super
memey. So, how would you advise, let's
say there's a cringe hyperresponder out
there, somebody who sort of really feels
the scrutiny of others opinions maybe
more than they think that they should or
so much that it's
becoming um restrictive and constraining
to them? What would you what would you
say to to that person?
>> Just be sure of what you want to say.
like be sure like what I see a lot of
times in podcasts um is that people
might learn very surface level things
and then they just kind of bubble off
how conversations usually work
>> just bubble off bubble off and all of a
sudden you're now taking a stance on
something
>> the Ukraine
>> climate change
>> exactly and you're just the thing is
like it's not
you need to understand that the comment
section is going to exist that that the
response world is going to exist. So
like by kind of just bubbling off into
this world like you can get into some
serious trouble.
>> Okay. So understand where your domain of
competence ends.
>> Sure. Yeah. And you know this is this is
the I I like podcasting is scary.
>> It really is because
this is how you know we when we get
locked in this room we can just keep
talking, keep going. Mhm.
>> And we
>> of nicotine and caffeine
>> just Yeah. Like I could start a
business. I just have to do this and
like you know someone be like these guys
are idiots
>> and they're teaching people or whatever.
I do believe like you have to be able to
pontificate on things. You have to be
able to to wonder and to explore ideas
with your friend.
>> Mhm.
>> But you can also get into trouble by you
know and you can be cringe and all those
things. for that person.
>> That's not to say that there is no such
thing as somebody who is wildly unaware
of their own detachment from the world.
Uh for instance, Andy Elliott,
>> right?
Very difficult to look at him. Now,
maybe in the world of sales, I haven't
done a deep dive. Maybe in the world of
sales, he's a goat or something. It
doesn't seem like that's the case. But
from the outside, like a lot of that
stuff, getting people up on stage to
say, "Have you got a six-pack? My wife's
got a six-pack. I'm indicted in a
million lawsuits from the past about all
of this stuff. Think
>> you are flying very You're like the
Icarus of cringe. You're flying very
close to the sun. In order to be able to
do that and pull it off, it's going to
it's going to be really, really, really
hard. Yeah.
>> Even if you're squeaky clean and super
legitimate, and if you've got a huge
[ __ ] criminal history, that's going
to be hard. So, one thing that you said
there was about people kind of getting
out over their skis. Yeah. Yeah.
>> Um there's this idea called the Oxford
manner which is the ability to play
gracefully with ideas and it's
uh letting someone I I a similar idea
from Eric Weinstein is the accuracy
budget. So basically uh the internet is
sort of because of its eye of Sauron
toward cringe and especially toward
hypocrisy or people getting things
wrong.
>> I like that eye of Sauron. That's great.
Do you remember when Huberman mis
tweeted about
uh percentages? He stacked up
percentages over time and did a tweet
about it. He miscalculated the way that
the maths worked and he got he still
gets that brought up now like this is a
doctor who doesn't know how supposedly
the leader of the longevity movement who
doesn't understand how to do a [ __ ]
>> percentage.
That's one thing which is supposed to be
oh this is the tip of the iceberg and
shows that he's you know he doesn't
understand anything below that. Uh the
issue that I have with or the idea of an
accuracy budget is if you're never
allowed to play gracefully with ideas,
which is to talk in public about
something that might be true or might
not be true, right?
>> And you're given a little bit of
latitude. You're given some breathing
room before people say, "Oh, you know,
that's wrong." And you go, "Hey, hey,
hey, just
>> let's hang on a second. May not be an
expert at this." And the the line
unfortunately is so difficult to
delineate between is this person a
it's it's topical as well Chris. So if
this person is discussing like if you
and I are discussing like our favorite
sandwiches
and I get in over my skis because I
start talking about meatballs and stuff
and you know they come from Italy or
whatever that's not a big issue. But if
you're getting out over your skis and
you're talking about cultural relativism
or moral relativism and you start going
real hard, that's when people are going
to be like, "Hey man, uh context or not,
you're a [ __ ] idiot."
>> Y
>> you know,
>> and that's where like okay, you can take
the response of
>> uh what is it? Post and ghost.
>> Totally. But you have to have a finger
on the pulse to know what what and what
to not talk about. M experts only the
position of only people who have uh
credible qualifications and an
illustrious history within this
particular area are permitted to speak
on it.
>> Yeah. So the problem with that ultimate
I I I disagree with that you know it's
it is a sliding scale as well
>> um because then who determines what is
the determining factor on who's an
expert and how far does that go?
>> There's a difference between
>> oh I have my doctorate. Oh, you have
your doctor like you know
>> it depends if you're Sia Khan.
>> Hey
now,
>> uh there's a difference between being an
expert and expertise, right? You know,
you can have you don't have a music
qualification.
>> No,
>> no formal music qualification. You do
have yours is like sport SNC like
[ __ ] Um
>> not bad at music, right? Pretty good at
music. Could probably explain to someone
how to put a track together.
>> So, it's it's two things. It's ideas and
action. So if somebody is take has
really good ideas and takes action a lot
that builds expertise.
>> Mhm.
>> If somebody just has good ideas that's
completely meaningless. You could tell
me what you think would make a good song
over and over again and it might be good
if I went out and I did that but if you
never went out and you never did that
with those ideas are meaningless.
>> Would you Is this not sort of counted by
somebody that's a coach? You say, "Well,
you haven't won any [ __ ] world
records."
>> No, but he's Exactly. So, the the goal
is he's it's not There's multiple
different ways that a coach a coach is
what have you done for yourself? So,
have you at least tried to make a
journey of improvement in your own
performance? Whatever that is. And the
answer should be yes.
>> There's the um the second one is what
have you done for others? And then
again, that is not actually world
titles, any of that. It's just visual
representation of improvement. So in the
sport of weightlifting, which I'm well
verssed in, if you have gotten someone's
total up 20 kilos in like 2 years, like
that's a level of expertise. Okay. And
then the final one would be formal or
informal education. Who have you worked
under? Who's mentored you? What uh
certifications do you have in those
things? And that's the trifecta right
there.
all of those things like if you want to
expand beyond that it's like okay well
if you want certain aspects like we can
go further like that's that's the
umbrella three
>> so I think that works uh in a a sporting
situation so coaches
>> well give me another one
>> well what if you're talking about
contribution to ideas like somebody that
comes up with novel interesting accurate
insights about the world
>> so that is awesome and and I'll the
actors whoever is going to take the
action can take those ideas and run with
them.
>> But that doesn't make the person who
gave the idea an expert.
>> No. Well, I I
>> Right. Wouldn't an expert have to be
some sort of practical
>> Well, okay. So, let me say this.
>> Imagine imagine Alex Okconor didn't have
his degree in philosophy,
>> right?
>> But came up with a really lovely um uh
description, a really lovely summary of
how emotivism works. I believe the
breadth of what he's done outside of
what he did in Oxford was it is so
massive that it like you take away the
Oxford
>> what if it's the first what if it's the
first time the first thing ever
>> yeah and he's like you know someone just
slaps
>> well be prepared I mean you're not
>> debut single right you know that first
idea happens to be a [ __ ]
>> well what if what if somebody who does
know emotivism what if somebody who's
like an absolute G at understanding that
sees it and goes this is brilliant
>> right there. I feel he is now like
>> so you're still having to rely on people
within credibility
>> because something has it's like nothing
can exist without outside understanding
of that thing. Does it have to be from
people that have got credibility though
in that way or can it not just be wow
this like this really improved my life
this understanding improved 1 million
completely unqualified normies lives
>> but there's your qualification right
there
>> okay but that's not coming this is my
point this is my point that at no point
in that transaction has there been an
expert that's so this is the gatekeeping
>> so then so again those three prongs it
probably hits one or two of them
>> and it doesn't hit the final one, which
is good. It's good enough, but I don't
think that people are going to like it.
You know what I mean? Like
>> I I I do get it. I think it depends on
what side of the internet you're coming
from,
>> dude. A good idea is a good idea. I I
swear it doesn't ma like I take if
someone writes well in my com like again
my comment section. I don't know who the
[ __ ] these people are and if they write
well and I'm just like I don't care. I
don't care what they've done, who they
are. That was great writing and now I
feel better because of it. You might as
well be an expert in my mind. But like
this like totality of understanding and
like uh uh being an expert or being
qualified like that takes a little bit
more
>> and that's kind of a
god again another sliding scale of like
how much
>> concern my main concern is that there is
this sort of expertson approach if you
do not have the formal qualification and
the illustrious history behind you.
Well, can we give an example cuz I have
one. Sure.
>> You and I talked about it all the time.
>> Was it Eric Weinstein was on your
podcast?
>> Oh, the one that Coffeezilla brought up.
>> Yes. Yeah. Yeah.
>> You and I Okay, I really want to talk
about this.
>> I I'll explain this. This is this is a
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Coffeey's got his second channel,
Voidzilla. And this is forever ago now,
a couple years ago, I think, when it was
much smaller. And Eric Weinstein
commented on what do modern women want?
And he said, uh, I don't think that the
Malra man, which was showing his age, is
kind of the classic hypermasculine uh,
perspective that most women are looking
for in a partner. And Coffee took this
and said, uh, Eric Weinstein, managing
director at Tail Capital, PhD in pure
mathematics. What the [ __ ] do you know
about what women want? Fat. Completely
fair. Right? If you take the surface
level perspective of experts only, if
you do not have uh credibility in your
history and formal qualification and if
they you're getting out over your skis.
Interestingly, that's the same
conversation that I bring up the idea of
an accuracy budget and experts.
>> Right. Right. Difference being Eric has
been married for 20 years to a woman and
his daughter's 19 years old.
>> Yeah.
>> So perhaps he is actually.
>> But Chris slightly educated and
incentivized to really understand.
>> I'm on the same side as you, but I
wouldn't even acknowledge the argument
from the beginning from the from the
point of being like, "What's Eric's
credibility to speak on this?" And then
you go, "Well, here's his credibility."
I go, "Who are you to question?" Like,
it's a conversation.
It's a conversation. You said you asked
him the question. You said, "What do you
think the modern women want?" And he's
kind of like playful about it. He wasn't
like, "Let me tell." He wasn't like red
pilling everyone equivocating.
>> Yeah. He's just chatting. Doesn't seem
like they're like the Malra blah blah.
>> He didn't even remember he said that,
you know, and like so I wouldn't even
come at it and being like, "Well, he
does have a wife and kid who's, you
know, it's like I wouldn't even go that
far. I'd be like, "What the [ __ ] He's
allowed to talk about potentially what
modern women want.
>> So the problem with that argument, he's
potentially allowed to talk about what
modern women want feels very flimsy on
an internet.
>> Of course it is super on an internet
that is hyper obsessed with pointing out
hypocrisy, cringe, people getting out
over their skis. And this was why the
accuracy budget thing, I think, is
really good. And unfortunately, it'll
never exist. But imagine that everybody
uh everybody in the world you could even
have, but especially people that talk
online, everybody had kind of like a a a
bank account of some kind.
>> And when they uh contribute in areas
that they know well and fairly represent
the truth or the best of the evidence,
the best of our understanding, they sort
of move the conversation forward in that
way. Or they sort of replay existing
parts of the conversation in a way that
represents them fairly. That's good.
That kind of adds to the budget. What
this allows them to do is to withdraw
from that budget when they want to play
with ideas that they're a little bit
less certain about.
>> Right?
>> And what I like about this is that it
doesn't dissuade people who are maybe
coming in from slightly different
fields, different domains from going,
"Huh, I just learned this thing. I just
learned this thing in economics and I
actually think that that really applies
to what we're seeing in the modern
dating market." Or, "I just learned this
thing in AI." Yeah. And I actually think
that that really explains what's going
on with uh China right now.
>> Right. So you Okay. Yes. This this is a
crucial point that so many things have
similarities and so many things are
analogous. And this is like I hate to
bring it back to the hustle culture
bros. They love analogies. They love
them. You and I love analogies. And it's
like, but if you end up using this
analogy for something, people are going
to go apples to oranges, like they're
going to start freaking out on it.
>> Um, but you know,
it it is it's people want to just which
foam finger am I grabbing today? Which
side are you on? Like what are you an
expert in? And that's it. That's that's
the end of this whole thing. And it's
just it is it is flimsy to say well you
should be allowed to to talk about
certain things but then when you say the
wrong thing well you shouldn't have
talked about
>> it is it is strange that the sort of
freedom of speech crowd are one of the
first to jump down people's throats if
they get something slightly wrong. It's
>> well actually
>> but that's also that is the internet.
It's more important to be correct or
it's it's more important to correct
someone than it is to be corrected or to
be correct. Sorry. That's a good That's
a good way to put it.
>> Everyone wants to correct you. They
don't care if they're if you're right or
wrong.
>> This is the reason that ironic speech is
protection, right? That if you're the
person pointing out other people's
flaws, you don't have that eye of
the second level doesn't work.
>> Exactly. You're like, "Hey, hey, hey,
look, I'm here as an arbiter." Don't
worry. I'm here as an arbiter of truth
and I will help you to find out who the
grifters and the shells are. I actually
asked I'll ask you um what is a
good what is your best definition of the
word grifter?
>> Well, I would say
>> or shill.
>> Yeah, for me it's charlatan. It's
usually
a fraud, but somebody who um
claims to have absolute answers for
things. It's usually somebody who is
giving you very clear and concise
one-sizefitsall answer.
>> I think that's a good that's usually it.
>> I think that's a good one for charlatan.
At least the best one that I've heard
for grifter and for shill. Uh grifter
somebody espousing believes that they do
not truly believe themselves.
>> So like I say this thing but I don't
believe it privately. Right?
>> That's a grifter. Yeah.
>> And a shill is somebody who is trying to
sell a product or service that they
wouldn't use themselves.
>> Okay. Would you say that a shill has
been bought by said product or
something? There has to be some sort of
monetary exchange. Yeah. Or maybe
they're doing it for status. I think
those are great.
>> You could you could shill for the
Democratic party uh because it makes you
look good. You're not gaining
monetarily, but you might be gaining in
terms of status. Okay. Um and Grifter I
guess Grifter and Shill kind of
interchangeable. SH feels a bit more
like about capitalism and selling [ __ ]
and Grifter feels a bit more about
ideology and ideas, but I've probably
got this wrong. Anyway, what I really
like cuz I tweeted this ages ago. I was
like, "Hey, I people use this word a
lot.
Tell me people who use this word, what
is your best functioning definition of
this?" And I went through hundreds of
replies and they were all a [ __ ]
mess. And there was one dude that got uh
somebody uh advertising or selling a
product that they would not use
themselves. I'm like, "Okay, there we
have a nice framework." And I think I
think that's pretty good.
>> That's pretty good. Yeah.
>> Um
>> the problem that you have is because so
many people on the internet are grifting
and shilling.
The sensitivity of everyone's radar has
got turned up so much that you get
pattern matched incorrectly all the
time.
>> Yeah. And then
like it is uh constraining to the way
that everybody behaves because you think
well [ __ ] like if I if I do this if I
say this thing like for instance when I
do the ad reads for modern wisdom I'm
always thinking even if this is true
this sounds like something
>> dude this is like this isn't true. Have
you ever been pulled over by a cop and
you're you're totally not doing anything
wrong
>> and you're like
>> [ __ ] nervous?
That's literally how that's what this
is, bro. It's it's it's uh Yeah. Oh my
god. I've done this. This is so funny
because this has happened to me so much.
>> Like like I like I I do believe in this
thing, guys. I swear to God. And now
that I'm arguing that I do believe in
it, you guys now for sure feels more
like a shell.
>> Okay. One time Auggie and I uh we were
at this girl's boutique opening like she
opened this boutique
uh like clothes store in in Chicago.
It's since been shut, you know.
>> Her daddy paid for it.
>> Auggie and I showed up both wearing
Hawaiian shirts
uh about
two bottles of rosé deep. We showed up
and we were just the life of the party,
you know, just and it was, you know,
this grand opening, all this stuff. We
were making jokes and all this stuff. We
left, had a great night, whatever. My
buddy Hank calls me on the phone. He
goes, "Hey, what's this? I hear about
you and Auggie being gay together."
Like, and I'm like,
>> she drank rosé and water and went
>> like, "What are you talking about?" out.
He's like, "Yeah, you know, Olivia was
like, uh, you and Auggie were acting all
gay together at" and I'm like I I was
like, "Now, come to think of it, we were
acting pretty gay, you know, and now I'm
like, dude, I first off, I swear I'm not
gay." And saying that sentence made me
feel gayer. It was like,
you know what I mean? So, I just
stopped. I was like, look,
>> sure,
>> sure. You know, come to think of it, we
were pretty gay on that day, and I would
have suspected the same thing. But, you
know, it's it's just this this denying
the thing that you know, you aren't
>> might make you, you know, more not
complicit, but like make people be a
little not
>> the lady Doth protest too much.
>> Exactly.
>> Uh, okay. So, another one that you've
been talking about recently is cool,
>> right?
>> What makes something cool? What's your
best sort of working model of cool and
how it works? So the actionable thing
about cool is like not talking.
Seriously,
>> you some of the coolest guys in Austin
actually
>> don't talk.
>> You and I are patently uncool
>> because of how much we speak, right?
>> Yeah, that's true.
>> That's it. I mean, that's that's it. We
could go down everything, but it's like
I talk too much. I think too much. You
hear me on this podcast, I'm just
babbling. Not cool. It's not cool. So, I
just I don't try to be cool, you know?
It's the same thing like I'm in music. I
cannot if I try to be cool, I might be
cringe, you know? If I try to be
something I'm not. I can't I can't I got
to just be my authentic self. I got to
talk. I got to worry about things. That
is very insightful. So, there was a a
study done very recently. It came out
about a month ago about what makes
someone cool. So, I'm going to take you
through it. You can jump in whenever
you're ready.
>> Uh, early writing on coolness described
it as emotional restraint, being calm,
composed, and unbothered.
>> This view, rooted in the metaphor of
temperature and emotion, saw coolness,
right? Coolness as a sign of
self-control and mastery. Nice framing,
right? Not bad.
>> Yeah.
>> Uh, they did a study of more than 5,000
people in 12 countries. Each participant
was asked to evaluate nonf famous people
that they considered cool, not cool, and
good or not good. and rate them on 15
values and personality traits,
extraversion, autonomy, warmth,
conscientiousness, stuff like that
across the 12 countries. So huge range
of cultures, different people's cool
gets described in really similar ways.
And you're talking like Africa, Western
countries, Eastern countries. And what
it suggests is that the meaning of cool
has changed. And it's a way to identify
and label people with a specific
psychological profile, right? Because if
it wasn't, they wouldn't converge on
what cool means based on here are a
bunch of different psychological
profiles. So cool people are outgoing
and social, so extroverted. They seek
pleasure and enjoyment, so they're
hedonistic. They take risks and try new
things, so they're adventurous. They are
curious and open to new experiences,
open. And they have influence or
charisma powerful and perhaps most of
all they do things their own way
autonomous. So extroversion, hedenism,
power, adventurousness, openness and
autonomy.
>> Those six things, right?
>> Does that comport
>> to a certain extent?
>> Henism, power, adventurousness,
openness, autonomy.
>> Do you and I talk about this? I think
rare just being scarce
>> if you're too available. I mean, this
was uh I saw a really awesome clip from
one of the guys from Suicide Boys,
awesome rap group, and he was saying,
you know, we we couldn't tell anyone in
our hometown that we were good. They saw
us buying menthols at the, you know, the
QuickMart on a Wednesday. So, we
couldn't be like, "Dude, listen to our
music. I swear it's good." They're like,
"Yeah, whatever, dude. [ __ ] off." You
know,
>> but to people in Russia, we were the
Suicide Boys. We were cool as [ __ ] You
know, it's uh you're a cheeseburger in
your hometown and you're a steak
elsewhere type of thing. That is a level
of cool and it's like rarity. Something
we don't see.
>> Aloofness.
>> Yes. Aloofness. So, this is why you see
like how come Denzel Washington doesn't
have an Instagram?
>> Because if he did, it would only detract
from his cool.
So, you know, this is where like
somebody at your status like might start
playing with cool, meaning aloofness and
all that. The problem is if it's not who
you are as a person.
>> Mhm.
>> Like we said,
>> I'm getting to that. I'm getting to that
that So, that thing that you said before
about authenticity, that bits in here,
too. But I do think you're right. I
think that um
>> we talk too much, dude. aloofness,
distance. It allows people to sort of
suck in speculation and the speculation
is cool. Sleep token president's an even
better example.
>> Yeah. Well, I mean, dude, let's take it
even more Americana here. The new chick
at your school, the new chick shows up
at your school. She's hot. She's cool.
She's different. She's new.
>> You then by like second semester, you're
just like, "Yeah, oh, that's Sarah
Katie." Yeah.
>> [ __ ]
>> Yeah.
>> Boring. Uh, okay. So this is I said
before that there was a difference
between cool and good, right? So they're
asking cool, not cool, good, not good.
And it's interesting because you'd
think, okay, are cool people good? Like
intuitively you think no, but why?
What's the difference between somebody
who is cool and somebody who's good? So
cool people were more likely to be
described as extroverted, hedonistic,
powerful, adventurous, open, and
autonomous. So I think just to break
that down, extroverted, outgoing, very
good. Hedenistic, like yeah, I can see
that too. like sort of short-term
pleasures, powerful. Yeah, you need to
have that in order to be able to sort of
enact your influence. Adventurous. Yeah.
Also true. Open. Adventurous and open.
Very much so. Like doing new things,
trying new things, being creative, and
autonomous, doing things their own way.
So I think that makes sense. Good people
on the other hand were more often
described as conforming, traditional,
secure, warm, agreeable, universalistic,
conscientious, and calm. So this is like
a a cozy, reliable
uh relatively uh predictable um but
hardworking person. And I think one of
the reasons that good and cool are
different for apart from the fact that
there's only like a tiny little bit of
crossover kind of in autonomous
conscientious area. Uh is that the
problem with cool people is they're
unpredictable.
>> They're unpredictable because they're so
extroverted, adventurous, and open and
autonomous. Yeah, they do their own
thing. Yeah.
>> How the [ __ ] are you going to be able to
predict what they're going to do next?
This is exactly why Sleep Token breaks
convention when it comes to and why
they're cool. They're cool because they
do seem to be doing things their own
way.
>> Well, this is this is marketing. This is
the you know cultural industrial process
through all of it is how can we make how
can we popularize cool because like
essentially again we say like cool is
underground different
>> rare scarce okay so how do we make that
popular because that's just like the
opposite they did this with um like the
hippie movement in the 60s they did this
with
I mean essentially if you think of
nirvana Like Kirk Cobain
to a certain extent that's why he killed
himself was because like it he was
incredibly depressed about what Nirvana
became. It became the exact thing that
they didn't want it to be. Um
and like that's it's a counterculture
basically popularizing a counterculture
which could be counterculture is usually
pretty cool.
>> Well, you had a good example of this
represent George Heaton's clothing
company. uh the owner's club, which is
that little thing left breast and then
the big back print was becoming so
ubiquitous and so worn across the UK
that it was maybe going to go the way of
Burberry. You know the Burberry was worn
by Chavs in the UK. Did you know this?
>> No, I didn't.
>> You know what Burberry? It's got it's
kind of like a cross-hatch pattern with
a sort of beige background. Um I don't
know why. I have no idea why, but for
most of sort of the 2000s to the early
2010s,
Burberry was worn by Chabs in the UK and
it was kind of a status symbol presum I
don't know where the [ __ ] it came from
because when you actually think about
the positioning of Burberry, it's like a
classic British brand. It's trench
coats, high collar trench coats. It's
very formal. But anyway, they they
caught on to it and and and ran with it.
Um, I think you have seen the same to a
degree with Stone Island, except for the
fact that Stone Island is actually made
for football hooligans, right? It's like
padded jackets and sort of um crew neck
uh jumpers and stuff that kind of fits
the aesthetic a bit more. Burberry was a
bit more interesting. Anyway,
>> uh represent owners club. And I said
this to George. I was like, "Mate, I'm I
see a lot of people wearing owners club.
Like, hooray for your bottom line, but
are you concerned about overexposure?"
and he said, "Yeah, we're killing the
range. You can no longer buy it starting
in whatever month." He's like, "It's
it's gone. It you it's gonna we're going
to do it because there is such a thing
as too much exposure if you want to be
cool." And I think it's interesting what
what you've added in here because I do
think that that that's a dimension
that's missing when it comes to cool.
How extroverted, hedonistic, powerful,
adventurous, open, and autonomous.
>> Yeah.
>> Aloof for that. But a good question
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Why
would you rather have a cool friend or a
good friend? I would much sooner have a
good friend. M okay. So why is it that
regularly we choose to sort of push to
one side unless we're very mindful,
right? If we're a little bit more
juvenile or immature, we push to one
side things that are good in place of
things that are cool. Like what's the
allure? And there's a an interesting
insight here that says coolness and
goodness are related, but they're not
the same thing. Your grandma might be a
really good person, but that doesn't
necessarily make her cool. The
distinction matters because it helps
explain why we admire people for
different reasons.
one attribute only one attribute which
is being capable right so power on one
and I think conscientiousness on the
other was seen as equally cool and good
and I think that the interesting thing
about being capable is that if you're
unable to be capable you can't enact
your will into the world how can you be
cool if you're at the mercy of the world
and how can you be good if you can't
push back against the world so I was
like huh okay that's pretty interesting
and uh the final bit that loops to what
you said If you want to be cool,
authenticity matters. Previous research
shows that trying to be cool usually
doesn't work. Uh trying to be cool
usually doesn't work and can cause
someone to lose status in the eyes of
others. With wealth, people tend to
respect it more if they believe that
someone worked hard to earn it. So you
can think silver spoon versus self-made
millionaire.
>> Coolness works differently. If people
think you're trying to be cool, you lose
credibility. That's because coolness is
about autonomy, originality, and being
unconcerned with fitting in. And the
fact that so many cultures agree on what
makes someone cool suggests that
coolness may serve some sort of shared
social function. So, it's kind of
adaptive in a way, right? The
evolutionary build side of this, the
traits that make people cool may make
them more likely to try new things,
innovate new styles and fashions, and
influence others. These individuals
often push boundaries, introduce new
ideas in fashion, art, politics, or
technology. They inspire others and help
shape what's seen as modern, desirable,
or forward-thinking. Coolness in this
sense might function as a kind of
cultural status marker, a reward for
being bold, open-minded, and innovative.
It's not just about surface style. It's
about signaling that you're actually
ahead of the curve and that other people
should pay attention. But the um
authenticity thing is a big part. And I
thought that was so funny. We love
people that are self-made millionaires,
hate people that are trying to be cool.
>> Yeah. Yeah.
Authenticity is a wild one, isn't it?
Because it's like you need status to
show off that your authentic self is
worthwhile looking at. At least like in
content creation or or whatever.
>> Mhm.
>> Like somebody's authentic self, like no
one could care about seeing it.
>> There's lots of people that are
authentic but don't have any status, so
they're not respected for their
authenticity.
>> Right. It's one, you know, it's a it is
a amalgamation of a bunch of things as
well. There are like juggernauts in in
music that are like getting older. You
know, you have Beyonce, Jay-Z, Taylor
Swift, they and even like The Weekend.
>> Uh Rick Bott had a big thing on this is
like the the room for cool to come up
and and take over is just like it's much
like
we're much more corporatized with our
pop artists now.
>> And it it seems it seems as like that.
What was the what are some of the last
breakthrough artists written off the
back of cool in your opinion?
>> Oh man. Well,
like current like current breakthrough
artists like
>> I mean Billy Eyish is super cool I
think. Um but she's a juggernaut and
she's been around
>> breakthrough is not due to being cool.
Right. Right.
>> I don't I don't know if I don't know.
>> Red Clay Strays.
>> I wouldn't even say they're like I'm
talking huge. Sure. I I look it's like
um Bob Dylan was just cool, dude.
>> Like I don't think a Bob Dylan could
exist now. And
>> why?
>> It's just too like the world is just too
like corporate and and like like I hate
I don't want to sound like a hippie on
this, but like the process of growing
from an independent artist to
becoming a Bob Dylan is just too
difficult
>> really. I would have
>> It's too It's too different. I would
have thought that the market would have
just rewarded whatever the market wants.
That gatekeepers, the gatekeepers are
there. But if you can say, "Hey,
>> put me in a [ __ ] spangly blue unard
and let me do a backflip off this
[ __ ] Benson Boon sign." People are
going to people are going to like it.
Then they'll go that way. Or if they
say, "We're not going to tell you our
names masks on." They're going to go
that way.
>> It used to be like, "Man, I heard this
band is really good. We got to go check
them out." and like it would be a record
label or an ANR guy from a record label
or something to go check them out. Like
they don't have to do that anymore. They
just check Tik Tok, see who's trending.
>> So then now the filter is like, okay,
well, who can put the together the best
video for that sort of potential to
exist.
>> Well, because the route to success
has been sort of narrowed down through
this one aperture, which is Attention
Online, right? That's it. Like what was
the last I I don't even know what this
is. The last band that came up the old
way by playing live gigs with no online
presence simply doesn't exist. Yeah.
Right. Uh you mentioned Rachel McAdams
is another good example of this. But
Denzel Washington uh two big uh film
people that don't have Instagram. Name
me the biggest band on the planet that
doesn't have Instagram. Oh wait, it
doesn't exist. It doesn't exist.
>> It doesn't exist. It can't exist. I'm
sure that there's an outlier that going
to make my [ __ ] hat.
>> Yeah. Yeah.
>> But largely the point being promotion is
the name of the game. eyes, attention,
that is how you grow and move through
the industry. Uh so
>> it is in that way that makes sense
because
>> if the only sort of path to success is
squeezing yourself through attention
online,
there are only so many ways that you can
do that. Right. Right. the the the rules
of the game online are more compressed
than they are when you're just listening
to a song and saying, "Do I like this
thing or not?"
>> Or going to see a show live and saying,
"Was that good or not?" As opposed to
>> did this particular video or post
manipulate the small number of levers
that work the algorithm in a manner to
be able to get them to gain attention.
Right? So, it's like taking something
from 4K to 360p or full color to black
and white. There's only a few ways to do
it and people can try and be innovative.
Like the world of brand at the moment,
all of the biggest brands, Newtonic
included. But
>> the uh photos are all like here's a
thing that's going on and oh, there's a
product over there. Here's a thing
that's going on and oh, there's a
product over there. Because the world of
sort of front marketing has kind of died
and now it's all about lifestyle
marketing. It's like what's the life
that you live alongside this product.
>> Yes.
>> And the it's just the game that you need
to play.
>> Yeah. I the
So the typical kind of music thing is to
do a performance online, you know, and
then post that.
>> Mhm.
>> But if you have a song coming out, you
can keep doing performances of your song
like pre-save here, check out my new
song, all this stuff. Already tired just
saying that. It's like boring, you know?
And I've I've done a bunch of live
performances on my Instagram and only
one or two of them have like broken
through. I've probably done 40. It's
like countless hours of trying to like
just play a song and here listen to my
stuff and like two of them have broken
through. So, I I one time made just
[ __ ] videos on things that I was
thinking like I don't just nonsense for
30 days and I got 19.9
million views, gained 30,000 followers.
Not one of them had to do with music.
>> It was just me talking about life and
people were like, I like that blah blah
blah, you know. So, that window is so
much easier to grab people's attention.
It is really difficult to
>> the problem that you have and it's great
and congratulations for [ __ ] crushing
it on Instagram, but
>> you now need to somehow convert those
people that came for the vibe.
>> Yeah.
>> Into a viewer.
>> And here's the thing. I'm not even going
to try. I'm just going to say if you
guys want it, here it is. Because I
because like I can't make people do
anything. You can't make anyone do
anything. But but the few that go,
they're going to be like, "Damn, this is
really good."
>> And I have had a lot of that.
>> There's a line between
how much are you sort of how much are
you growing whatever it is that you do?
We used to do this in nightife where the
cool kids from around town are the hot
girls or whatever. They're the ones that
you want at the launch of your new event
and you'd be befriending them and you
know asking them if they want to go for
coffee or like checking in about how
their [ __ ] football team or like
whatever like some [ __ ] that you
don't care about to then cash in the
favor that you've built up this sort of
social equity that you and this person
have acred or that you feel like you've
acred with this person by doing favors
for them or whatever. And then you want
them to bring their 15 hot girl friends
to this event that you've got that's
launching on Friday night at [ __ ]
Tubtop Palace in Newcastle or wherever.
And uh that was very tip for tat. I
think that it made me see a lot of
marketing and sort of that side of
social dynamics is very transactional.
It was kind of a little bit like being a
stripper. A little bit like being a
stripper like an only fans, you know. Um
>> but that and what you're doing here is
basically the same thing. It's just a
much longer game with no, you're not
asking someone to come to the nightclub
at the end of it. And I think when it to
sort of loop it all back to
authenticity,
what people can fall in love with is
somebody like Dry Creek Dwayne,
>> right?
>> That uh Wrangler guy that I had on the
show about a year ago, and he is
somebody who is so authentic or or the
Rizzler, right? The better example. You
were waiting for him to come up, weren't
you? Uh the Rizzler. Why is that kid
interesting? Because it seems like he's
being himself. And when did it get
cringe? When they started doing like
dance videos and stuff, it felt like it
was contrived. Like, I want to watch
>> this 32 BMI
12-year-old.
>> I want to watch him
>> do goofy silly things.
>> Be him. Be him. He's like,
>> I don't want to see him do brand
partnerships.
>> Yeah. He's charming and funny and silly
and like I'm going to like and and going
to die early and I want to
>> like I mean he there needs to be an
intervention but
>> that would be sick. What an arc that
would be the Rizzler weight loss
>> arc.
Did you see Serena Williams got loads of
stick
>> for but yeah cuz of her husband.
>> Um man
I mean I don't even
>> She looks great. Say what you want. She
looks great on a Zmpic. [ __ ] stacked
abs and everything.
>> Yeah. I mean, she's got insane genetic.
She's got the best genetics.
>> Yeah. But also has always been a thicker
girl.
>> Yeah. But there's been a ton of muscle
underneath that. Whatever, you know. So
then
>> she's black sunny web.
>> Yeah. So female.
>> You take a GLP1 and you're always been a
jacked person. You just have a little
bit extra body fat. You look great. But
if you take a GLP1, you've never worked
out a day in your life. You look
terrible.
>> Horrible. Awful.
Disgusting.
>> Yeah,
>> you look awful.
>> I mean, look, that's the the biggest
takeaway has been that most people who
have an issue with people losing weight
through GLP1s are not fat.
People that have actually done the work
the natural way because they feel like
they're being threatened,
>> right?
>> Like fat. You would think you could
imagine a different world where it was
there was
>> well see but this this is why this is
why performance matters more than
everything you know you could you can I
know this is going to again this is
going to like what's your 5k bro like
what's your can you like go up a set of
stairs without huffing and puffing can
you just walk around like
>> yeah you you took a bunch of GLP1s to
lose you know 30 lbs but like are you
capable physically and the answer is no
you're not so it's Like I still am, you
know, that's that's at least what people
could hang their hat on who did it the
right way.
>> That's true. Yeah. Well, I mean,
>> performance will always have to be at
the forefront of weight loss in my
opinion.
>> That's because in order to achieve a
calorie deficit without GLP1s, you need
to create the deficit through moving
more as well as opposed to just eating.
>> And it's and it's likely going to be a
better process and a more fulfilling
process if that added movement has
performance metrics attached to it. Oh,
I'm lifting more weights this week. Uh
or or like my, you know, mile time has
gone down. These sorts of things like
>> there's something happening inside other
than just fat loss and actually a little
bit and actually probably a little bit
of bone density losses.
>> Yeah. I mean, the most healthy way to go
about this is to just say the weight
loss or looking better or feeling better
is just uh secondary to your performance
increase. Well, in that in that case,
does this make an argument that people
who are already training
should be the ones that go for GLP1s the
most?
>> Maybe. Sure.
>> Because they already understand what it
is to do the things that mitigate the
muscle loss and the bone density and all
the rest of the stuff.
>> I mean, yeah. I mean, the the the
question then is is like, you know,
performance-enhancing drugs as well.
It's the same thing. I'm pretty sure are
GLOPs allowed in sport? I don't even
Yeah, I don't know. Oh, I should know
that cuz like that would be a huge game
changer.
>> Want you to go move down a weight class.
>> Oh, for sure. Or anything that requires
lower body weight, which is like
>> running.
>> Yeah. Many different sports.
>> Like lower body like run a marathon,
lose 10 pounds, run a marathon again.
It's like going to be easier the second
time.
>> Do you know Magnus Midpo?
>> Yes. The rock climber.
>> [ __ ] me. I was watching him do the
Norseman, which is this
extreme triathlon. I think it's a maybe
a 5k swim, 140k bike ride, and then a
marathon at the end of it. But the
elevation change,
>> okay,
>> is [ __ ] absurd, right? And the water,
you jump into the water at 4 in the
morning and it's in a freezing lake in
wherever the [ __ ]
>> Wait, I uh Fergus did this.
>> Maybe the Norseman it's called.
>> Yeah. And you can choose different paths
depending on the weather. Have you seen
that one?
>> I don't think this is the same.
>> They both suck. But like you have to
depends on like where the clouds are cuz
like you literally can't see it.
>> No, no, no. It's not this one. This one.
This one. The first 160 people uh that
get past this point get a black t-shirt
because they have to do what's called
zombie hill, which is the the uh steep
incline at the very end. And the
remaining people get a white t-shirt.
Anyway, I just watched I mean that rock
climber guy. I I've studied being served
his [ __ ] online. He is a [ __ ] freak.
There is nothing he can't do. French
Foreign Legion selection process. Walked
it. Trained for 14 days. He trained for
14 days to do the Norseman. Came in 79th
out of hundreds of people that had been
training for over a year. And they did
his V2 Max as a part of this thing. V2
Max came in at 59.
>> Holy [ __ ]
>> Is crazy.
>> Yeah. Cuz he's probably late 30s, right?
Yeah. Age is a huge huge factor for V8.
>> They're like elite.
>> I got to get mine tested, bro, cuz I've
been I've been chirping my comments
section. Show V2 max.
>> Just show V2, [ __ ]
>> Mhm.
>> I mean, it's it's pretty base response,
you know, like what's your total was my
previous one response. And now show V2
is another one, too. Um,
>> you haven't done your V2.
>> No, I got to go do it. But I do think
like
>> we can do it at uh Neutrabot.
>> Yeah, I know.
>> Eric will do it.
>> Yeah.
>> Yeah. kind of nervous for that.
>> I I fear that I would suck a lot. Is it
so V2? Is that built through low low-end
zone 2 stuff or
>> No, there's different tests, but they
always peak. Always increase
>> in terms of building it in terms of the
work that you do to build it. Is it both
your your slow runs and your fast runs?
>> I'm again, I'm way out of my
>> accuracy budget.
>> Yeah, give me that accuracy budget,
baby.
>> Okay.
>> But I would imagine it's everything.
It's like an amalgamation of stuff. But
I do think that like okay the Nordic 4x4
thing, Norwegian 4x4,
>> the idea of like threshold pace and then
like not full recovery but like damn
near full recovery and then threshold
like it's just that threshold work just
getting your heart going and pumping
just constantly without fully maxing out
and like cuz once you fully max out the
session's over, you know, and I'm
talking fully full like session's over.
I asked I asked Andy Galpin about this
because what I'd been doing was
threshold. So I'm right in saying
threshold is like just pulling below
anorobic, right? Sure. It's it's like
>> not completely killing yourself so that
you basically can't come back from it
and holding the highest average pace
that you can for 3 minutes off. Four
rounds of that. So four on three off,
four on three off, four on three off,
four and three off. Assault bike is by
far for the people that want to try it.
As a salt bike is by far the easiest way
to do this because you don't have to
start or stop anything. You don't have
to get on or get off anything. You can
speed up and slow down as much as you
want. And Rhonda Patrick when she came
on the show said that uh this reversed
two decades of heart aging in the study
that this was done. Two decades of heart
aging is done and I think it was once a
week
>> in untrained individuals for one year.
One or two years once a week. So it's
like 104 either 52 or 104 sessions and
that's the the effect. But I spoke to
Andy Galpin. He was like, "No, no, no,
no. I want you to end yourself as fast
as possible and then try and hold on.
End yourself." Like, spike that heart
rate as high as you can and then just
hold on. And then he said, "When the
second one comes along, it's like you're
going to do the same thing, but it's
just going to be lower." And then the
third one comes along, you can do the
same thing and it's going to be lower.
It might it what what you might run into
is kind of it it the same thing occurs
like the breadth of intensity over the
course of the session might be the same
>> you know it's like
>> it's going to be higher peaks.
>> Yeah. Or you you're just your
performance goes down but you had a way
high performance in that first bout
>> so the later bouts are worse. Before we
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That's functionhealth.com/modwisdom.
What have you learned from running for
100 days?
>> Oh, dude, I have a great analogy for
this. I was thinking about this on the
way here. Uh, it's like showing up to a
classroom. So, your mind is the class of
kids. Let's say like 16-year-old kids,
and you show up and you're the
substitute teacher. Those kids are not
listening. They're like, "Fuck you." You
You can't even be like, "All right,
guys. Put your phones away." They're
like, "No, [ __ ] you, dude. That's your
first run." For me, my mind was like,
"This is terrible. This is terrible.
this is the worst thing ever. We're
going to stop. And I'm like, uh, you
know what? Screw it. Like, we'll get out
of class early. That was day one. You
know, day 50, you're like, phones are
away. Kids are still interrupting.
You're kind of able to like get out the
work that needs to be done, but the kids
are still not listening. By day 100
today, which is amazing. I already did
my It's like you can look at the kids
and be like, "All right, we're doing
what we need to do." And everyone's
like, "Yeah, I know." and they they look
up and they're like, "Can we get our
phones out?" You're like, "No."
>> What do you mean by the kids? What are
they?
>> It's like that's your mind being like,
"This is so annoying. I really don't
want to do it." It is a distinct This is
why I truly believe like when I say the
word run, go for a run or running almost
universally the response is, "Oh god,
no. No way." Because when you start,
your heart rate goes up, your muscles
fatigue, and you want to stop. Period.
You just want to if you're on a bike,
you can sit and you can go a little bit
slower. You know, rower, you're sitting,
you know, it's
>> something distinctly about running that
is just brutal in that way. And so my
approach to this and I have since I
think it's a million views. I was like,
"Guys, I'm a running influencer now."
Uh, and I call it gaslighting yourself
into becoming a runner. Essentially, if
we look at what running is, it's hopping
from one foot to the other. Just doing
that. So, what I want you to do is as
little effort as humanly possible,
hopping from your left foot to your
right foot and then doing that in
succession. Really minimal effort. Now,
we're just going to lean forward a
little bit and move forward. I don't
give a [ __ ] what your pace is. I don't
care at all. I want you to do that for
20 minutes and like accidentally you're
gonna run like a mile and a half and
you'll look at me and you'll be like I
have not run over 400 meters in two
decades, bro. I go exactly this is what
it is. So I started and I was just like
I'm just going to see if I can hop for
40 minutes. I didn't even look at how
far I ran, but it was always over like
two and a half miles or whatever. And I
just kept doing that over and over
again. And then someone would be like,
"Hey, do you want to run with me?" I'd
be like, "I'm not very good, but yeah."
And I would go and I would die because I
could try to keep up with them. And it's
just like you're just constantly over
you're overreaching and you're coming
back. And I'm just a noob. I don't know
what the [ __ ] I'm doing, dude. Like I'm
not I'm new to this. But I had to
eliminate my ego entirely. There was no
pace. There is no Zack the Runner.
There's no gear that I have to buy.
There's no nothing. It's just hop from
one leg to the next for 40 minutes.
>> Why is running taken off so much at the
moment, do you think?
>> I think um influence, you know, I
I would be remiss if I said that I'm not
hopping on a trend, but the reason I
started was I had this idea. I was
taking a [ __ ] and I was like, "Hey, it'd
be really cool to run a mile in 10
minutes and then tomorrow try to run it
in 950 and then the next day 9:40."
That's why I started posting and that's
why I started running every day. And
today is the hundth day of doing that.
And not not the mile thing obviously. I
gave up on that 22 days in and just
continued to run and continue to post.
But the reason why I think it's trending
is yeah influence like just it's it
looks cool. The bodies are cool that are
doing it. And we could get into the
hybrid thing too. Um but the reality is
you're taking this aspect of fitness
that everyone once you go to the gym and
once you grow muscle you're like this
aspect of fitness I'm genuinely not
going to like the cardio aspect the the
and it's hugely important scientifically
like it is the biggest you know you've
had if you talk to Peter on here that's
his thing too it's like uh CRF
cardiorespiratory fitness is like the
most important thing period. Um, also
having muscles as well. And once you
have muscles, you're like, I don't want
to do this. So, what the runners have
figured out or the people who want to
run is like we have hacked our brains
into like kind of like competing to get
better times and to see how far we can
run. And now we have this aspect of our
fitness that is now taken care of
because we're we're legitimizing it in
our mind, if that makes sense.
>> It's helped me for sure. I'm in the best
shape that I've been in in years. Uh
because I'm like, I want I want to see
if I can get my 5K time down,
>> you know, and I just train the [ __ ] out
of my upper body and like I normally
would.
>> It feels a lot like the hybrid thing has
kind of come and gone already. I'm not
sure.
>> Maybe I think, you know,
>> I think fewer people post about high
rocks and more people post about just
running.
>> Yeah, that it's hard to know like what
what's happening. culture am I being
exposed to on [ __ ] tiny corner of the
internet?
>> Yeah. Yeah. But I will say this, like
the the hybrid shtick that everyone
loves to hate on is like, "Oh, so you're
a shitty bodybuilder and you're a shitty
runner." And it's like, "Oh, look at F,
our boy Ian, right? He's not a he's what
everyone wants to look like him, okay?
Takes his shirt off, everyone goes,
yeah, that's that's pretty [ __ ] solid
right there." So right there, bad
bodybuilder says who. Okay. Then he
posts like his Strava. It's like 8 miles
at a 608 mile pace. That's really good
for for you know an average runner or a
shitty runner as everyone says. So it's
like okay well that is a a guy who's a
gym bro who has now um hacked his way
into like getting his cardio in and
maintaining leanness.
>> Has the fake natty debate come for
running yet?
>> Oo I don't know. I don't see it because
you can't really fake your straa thing
unless you're going to jump on a bird
[ __ ] skateboard. It would
>> be awesome.
>> You did 22 miles an hour for a lot of
this run. Uh but I'm just wondering, you
know, because the only anchor that I
have for this is the world of
bodybuilding and fitness
>> and uh the equivalent would be well his
physique versus his physique. the the
this particular trend,
performance-enhancing drugs, age, all of
this stuff. Um, but the running
community, I guess, well, running is an
Olympic sport, so there's going to be
doping, right? At at the highest level,
there's going to be doping. And then at
amateur levels, sure, you know, and
that's this is how like Icorus started
was amateur level doping is like huge
cuz amateur races are huge. Amateurs
love to go as hard as they can, you
know? It's like they're a yepy during
the day. They're just like working on
their computers, day trading, and then
they're like can't wait to post their
Straas, you know, and go try and beat
their homies in in marathon stuff.
They're just hyper competitive people.
So, naturally, peeds are going to fall
right into that. And that's how Icorus
started. People like forget that. like
it was not initially a um documentary to
expose the the Russian doping plan. It
was a documentary to see. He was like, I
wonder if I can like get my time to be
better by
>> getting drugs.
>> Supervised drugs. It just so happened
that Rajenkov was his supervisor
>> who was like the lynch pin of of like
Russian doping. Yeah.
>> And it ended up being an incredible
documentary because of it.
>> I love that documentary. It was He did a
second one, right? But it wasn't like a
serious
>> I don't know.
>> He did. They the dude that did it went
on to go and do a second one. Yeah. It's
uh
>> I've been watching Tour to France
Unchained on Netflix and uh there's
three seasons of this. It's basically
Drive to Survive the Formula 1 thing but
for Tour to France.
>> Bro, it's so [ __ ] compelling. Like
that is that is so hardcore what those
guys do. It is unbelievable.
>> Yeah. Isn't there like a stud right now?
Uh there's a couple of there's a Tatty
Pagatcha uh who is one and Yonas
Fingerot who are the kind of the the two
>> guys that are trading back and forth.
One of them had a really bad fall over
the last 12 months and then came back I
think that was the Gro Ditalia and then
didn't have a long time to turn himself
around ready for the tour and uh just
struggled. But yeah, these guys are
freaks. And it's
>> it's a sick, disgusting sport, cycling.
>> Yeah. To see the reason I really really
like it is that the
protracted
uh suffering story is really compelling
um in a way that Drive to Survive or
even Thor Bjönson just broke the
deadlift record again,
>> right?
>> Super impressive. 510 kilos just keeps
going up. Unbelievable.
But there's no story. There's no story
around the pursuit. All of the story is
in the preparation of the pursuit. When
you're watching
>> uh Unchained,
>> tour to France on Netflix. It is like
it's so
>> How about I mean, let's go simple with
it. How about the art of traveling
through space and time like on a cycle?
These guys are up in like beautiful
Italian Alps cruising through
Switzerland. Of course, it's it's
poetic.
And it's like it's been poetic, bro.
>> You mean that Thor sniffing [ __ ] nose
nose?
>> Yeah. Like just sitting like I can't I
shouldn't move cuz I need to deadlift
today. So, I'm just going to sit and eat
food and then I'm going to deadlift.
Like Yeah. It's not as romantic
remotely as romantic. And just thinking
of like, bro, '7s tour to France racing
is like the most poetic [ __ ] ever. Some
guy like smoking a cigarette like
getting a bike ready for this guy's
like, "Are you ready for the race
tomorrow?" Like, you know what I mean?
Like in somewhere in [ __ ] Milan or
whatever.
>> That is romance.
>> You will race very fast tomorrow.
>> We're going to race tomorrow. It's a
bigger race.
>> Baby, you know? Well, it's either that
>> I love dude this
>> that or 2000s where you want to get
fired up.
>> You want to get me fired up on [ __ ]
It's like romanticism of things that may
have no romanticism around it what
whatsoever. For instance, Billy Strings.
Do you know Billy Strings?
>> No.
>> So, there's a style of guitar, it's
bluegrass. Um, and it's kind of flat
picking. So, you like almost pick every
note. You do a lot of hammer on. So you
go like, you know, and you hammer on,
pull off. But a lot of, you know, these
guys would be great in metal. In fact,
Billy Strings, I think, was just on a
[ __ ] metal tune, which was amazing.
But he was talking, I think it was on
Theo Von, and he was like, I did meth
and I stayed up for two, three days
playing guitar. That was it. That was
all I did. I don't I don't think I went
to the bathroom. I don't think I did
anything but played guitar. And I was
like, did this just make meth romantic?
Am I just like, you know what I mean?
Like if there is a story, I'm just a
story [ __ ]
>> You know what I mean? Anything, anything
like that. Like cocaine can be
romanticized.
>> Well, certainly some of the stories that
you hear about that, like when you hear
uh Charlie Sheen, right? He's just got
this new series that's coming out at the
moment and uh
>> I feel like I've seen clips from that.
>> Yeah. Um but he was, you know, I was
banging seven gram rocks and finishing
them. You're like,
>> you're like, "Yeah,
>> good story. That's that's cool." I mean,
until your life falls apart, that's
cool,
>> right? Right. Yes.
>> Uh, but no, you are right. I There's
certainly something about
>> It feels a little sterile now to have
everything so dialed.
>> Yes.
>> Yes, bro. This is like
the There's a meme about We can talk
about running again. It's like there's
the the like just got into running,
pretty good at running, and then like
the badass runner. And the badass runner
is like same shoes from 1996, like
shitty shorts, like Casio watch, and
just like some shitty hat. He's like, "I
don't know, dude. I just ran like a 230
marathon. I don't know. Whatever."
That's romance right there. We love
that. And it's, you know, to go back to
the tour, it's like, well,
we can't science everything.
It just always comes back to suffering,
which is so romantic. I'm going to put
myself through hell and then it's going
to feel awful and everything's going to
be telling me no, and I'm going to keep
saying yes and yes. That was one of the
reasons that the uh Kip Chig uh two
breaking two thing was awesome, but
actually a little bit less awesome
>> for sure
>> than it should have been.
>> He had people he was drafting off of
>> and a Tesla in front of him that he was
pacing off of and lasers on the floor
and they', you know, done specific
genetic testing to work out precisely
the fall off of glucose in his muscles
and this is the the mixture that's at
this point. This is the mixture that's
at this point and that's sick. And it's
basically
>> it's exciting in its own way.
>> It's treating a human like a Formula 1
like like an engineering project to be
mastered. And that's really beautiful.
But
>> I don't know whether you would
necessarily look at that.
>> Chris, this is another duality. We have
practicality and we have the [ __ ]
story, dude.
>> And
so much of this podcast and so much of
what you do is like demands
practicality.
>> It demands uh optimization. It demands
all these things. But at the end of the
day, bro, the way I know you, the way
that you think is it's up in the cloud.
Like you
>> Yeah. And you It's like you feel like
you're in a movie.
>> Mhm.
>> And you know, things can uplift you in a
way like looking at your vlogs from your
tour shows. Those are not that's not
optimization. That's just
love and like the hero's journey. And we
all have to dig into that.
And so much of the content and
everything that we're wrapped up in all
the time is like here's the best way to
do this. Here's this this this. And it's
like we at the end of the day just shut
the [ __ ] up. Let me just feel this story
and at least believe in something that
might not even even exist.
>> Is that not the lure of somebody like
David Gogggins or Cameron Haynes? Sure.
>> Sort of a blunt instrument that's kind
of I I I don't really uh I saw Truit do
the Leadville 100.
>> Yeah. and uh he does this video and he's
talking about how he's got are they
called drop bags maybe or grab bags or
something. It's the the aid station
prefabricated this much glucose and this
bar and this other stuff and he's
they're already made like little pack
lunches I guess for your run and they're
at each of the different stations or
whatever and his
>> his dad had left Cam had left
>> and didn't have anything and he and he
said uh yeah dad uh dad dad dad left the
house and he didn't have any drop bags
um he'll probably just go to a you know
gas station like
>> night and just find like see if there's
anything there that he likes the look of
like some beef jerky and the RX bar or
something.
>> Uh yeah, I just thought I think that
that is part of the allure. But even
within that people are so quick to jump
on the cringe thing, right? Because
that's
>> Yeah, but results Yeah, but results can
beat the [ __ ] out of that.
>> [ __ ] that off. Totally.
>> Well, that's a good that is a good part.
>> Results are so underrated. It's crazy
>> as a [ __ ] salve.
>> Yeah. Cringe.
>> Shut the [ __ ] up. Here's my results.
[ __ ] off. Like,
>> well, I mean, that's the same thing as
the Sleep Token stuff, right? That you
say, "Who are these [ __ ] homos in
masks?"
>> What are these [ __ ] theater kids
doing in masks?
>> They are theater kids. That's great.
Okay. Yeah.
>> But results.
>> Yeah.
>> Same as same as Noah from Bad Omens.
>> Yeah.
>> You go,
>> I mean, yeah.
>> Too aloof. You don't talk enough. I I I
want to see more forward facing stuff.
And you go, we we we break records all
the time. We're like big one of the
biggest rock bands in the world. Do you
where where do you feel
like you could improve as far as um just
where where do you feel like you could
improve?
>> Okay,
>> how about that?
>> How about that for a question? I'm flip
the script on this
>> endless list of things.
>> If we stay on topic then
>> uh I think I would be significantly
happier and significantly better at the
things that matter most to me if I cared
less about the opinions of others. Uh, a
lot of
>> Yeah, but bro, you don't realize how
little you care about people's opinions
because I I see it. And this is this is
the thing. This is my job is to be like
like for instance, your Tik Tok, dude.
There was a video where I'm not kidding
you. There were thousands of comments
just
[ __ ] bore in your Tik Tok, bro. And
you're like, "Oh, I I forgot I had a Tik
Tok."
>> Yeah.
>> That you don't know how little you
actually care.
>> That's easy. But that's easy to do when
you're that's there's a difference
between not caring and being ignorant.
>> Okay. I was ignorant about that. Had
that ever I mean this is a great a great
example. I'm glad you brought that up.
>> When that happened and it's happened a
lot when that one happened.
The first thought in my head was how
silly for me to care about this fural
[ __ ] meltdown that's happened on this
this stupid little platform that I don't
even you know like how silly. Yeah.
>> And then immediately my next thought
was,
>> "Oh, that's all of them.
>> That's all of them. That's the whole
thing."
>> But had it happened, had it have
happened on my YouTube or had it have
happened in my Spotify comments, had it
have happened as a response to my email
that I sent, [ __ ] If it was in my email
inbox, right, the one that I sent three
minute Monday out from, uh, then I would
have been,
>> oh, oh, that the I've done I've done
gone [ __ ] [ __ ] myself here. Um, so,
okay, you may disagree, but um, caring
less
>> not fully not fully
>> caring less caring less about or at
least fearing fearing the sort of
judgment stuff,
>> right?
>> Um, would would make a big difference
because I think there's lots of things
that I like the idea of doing. Um, but
for fear of
looking silly, uh, for fear of
criticism, for fear of getting it wrong,
uh, I don't move as quickly as I should
do. uh I take I I'm very sort of
deliberate, which is good because it
means I kind of rarely fail at most
decisions that I make, right?
>> But it also means that I'm leaving so
much on the table by going so slowly
with things. And uh there's levels to
this game, right? Like I'm comparing
myself to people that move really really
fast and break [ __ ] all the time
>> and other people who might move more
slowly, whatever, whatever. Um so that
would be one thing I think sort of the
opinions of others. Um
the uh this is kind of associated to it,
but the the bravery to
the the bravery to believe that you've
sort of got the support of uh people
even if you're not continually putting
stuff in front of them. Uh so like
continuing to be prodigious at like the
pace that stuff goes out. you know,
quarter of a million words written on
the newsletter over the last five years
and and that goes out every single
Monday and and and the the pod and all
the rest of this stuff. Uh but because
there is a little bit of a hamster wheel
that you get on with regards to that,
which I love.
>> A big part of the reason there's 150
episodes a year is because I want to
have 150 conversations and if I drop
down to two a week, I only get 100red
and that's a lot less and that sucks.
Yeah,
>> I want to have this many conversations,
>> but
>> you don't get to do the aloof thing,
>> right? At what point do you think that
you
will have the results that you want that
you can step back and
not try less hard but
work less hard?
>> I don't know what that means. Like I
understand that mean that maybe means
publish fewer podcasts but that means
for me I have to have fewer
conversations and that would that's like
100 a year 100 I get 100 so each
person's 1%.
Yeah, that's a lot.
>> Hard. That's hard. That's like for me
because that's what I've got used to and
so much of it's anchoring buyers. You
know, you look at um guys that do one
episode a week and that's you one one
week is 2% of their whole inventory for
the whole year. And I'm like, oh my god,
unbelievable. I do like that you're
doing like these live events because
that can
it's the big push. It's a big spike.
Like I got to do something extra. I got
to push myself a little bit.
>> So that's that's actually a really good
point. Um I am a creature of routine uh
as you know.
>> Yeah.
>> And uh that has been a huge benefit and
I think that people who don't have
routine will regularly have their lunch
eaten by people that do because there's
not there's basically nothing that you
can achieve in this world that doesn't
require consistency.
Even the greatest one hit wonder like
Gangdom Style or whatever the [ __ ] I
bet that guy had spent or whoever wrote
that song did not just do it out of thin
air. Yeah.
>> The construction of that particular
[ __ ] cultural moment
>> was not just conceived of overnight and
then published the next day. That's not
the way it works.
>> Uh however, if you're the sort of person
who has a a disposition, I like routine.
I sort of get into this. It becomes the
groove that you sink into quickly
becomes like a valley that you can't
climb out of and you get locked into
ways of operating, ways of thinking.
>> But how does that make you feel then?
Like if it if it's interrupting your
your you interrupting the very person
you are, do you feel like do you feel
like you're okay? You know what I mean?
Do you feel like like do you ever feel
like you're swimming in deep waters
because of the amount of work that
you're doing or the amount of
>> Sometimes sometimes I do. Um it doesn't
get super overwhelming. It hasn't gotten
the most overwhelming it was was last
year. Last year was the most
overwhelming. This year's been
overwhelming for a different reason
because I've been trying to have two
jobs at once. One which is my job and
the other which is fixing my health. Um,
but last year was the the sort of
closest I came. There's a vlog from LA
when I do all these episodes back to
back to back to back to back in the
[ __ ] car garage and I'm in between
two of these episodes.
I've got my head sort of resting, my
eyes are resting in the heels of the
palms of my hands and uh I was like,
"Yeah, that guy's you're that's too
much. That's that's you're sort of
pushing too hard." But on the flip side
of that,
this is the perennial question that we
sort of started with. People want to
really [ __ ] I want to make a dent in
the world. I really want to make a dent
in the world and I want to enjoy my time
too. And how do I find this balancing
act?
>> It's a silly pursuit though make trying
to make a dent in the world, but you do
it anyways. Everyone does. So Frank
Zappa, there's a really interesting
interview. I I don't know who was asking
the question. And I think it might have
been either like Barbara Walters or
Katie Kurrick. They're like, "How do you
want to be remembered when you die?" And
he's like, "What? I'm dead. You talking
about I don't There's no remembering
there. There's no me."
>> Mhm.
>> And he died. I mean that he he like knew
he this was a premonition he had.
>> Mhm.
>> And I saw it and I was like, "Oh, that's
you know the that's the reality of this
whole thing."
>> Oh yeah. If if by making a dent that
sounded like leave a legacy, that is not
what I meant. I I I simply meant I want
to feel like I happened to life
>> and that when I get to look back I'm
like [ __ ] like yeah like I did a thing I
really did a thing and there is a a mark
that was left as opposed to me kind of
just coasting through. All that being
said you're right with what you say
about
>> doing the live show sort of rips you out
of the hamster wheel. It rips you out of
that sort of um regularity. It's the
reason that you know I was in I
basically lived in New York for a month
last month and then went and did uh
London straight from there then I'm back
then I'm back to London for the health
conference then I'm doing the roast of
Andrew Hume in LA then I'm doing Tony
Robbins then I'm back and then we're on
tour and that's the rem the final third
of this year is just [ __ ] trips to
the UK LA and tour. That's it. Yeah.
>> So imagine you have a theater full of
people. They're all bright brighteyed
and ready to watch you and they're there
to listen to you.
>> And you and you finish up and it was
great. You finish up and you go, "You
guys, this experience that you had, me
talking to you didn't matter because my
eyes are on my future and I want to make
a dent in the world."
>> That's what they offer is like you could
you would never say that. Mhm.
>> You know, we live in a digital space
where you you can have an impact on
people and a comment will come, thousand
comments will come. Holy [ __ ] Chris. Oh
my god. Even in, you know, but because
maybe it happens so much and maybe your
eyes are set on the next what's next,
what's next? these people
that are coming up to you that is these
this is like the ultimate
um gratitude max that you need to work
on.
>> So low impact. This is this is one of
the things I think that we see one of
the reasons that you see creator burnout
online and it's so strange to look at
whatever percentage of primary school
children want to be a YouTuber or a
content creator or an influencer or
whatever for a job and you are going out
of your way to pick a job which has a
really huge asymmetry between the level
of gratitude that people think they will
have before they get into it and the
level of gratitude that people have when
they do get into it. So, um, there's a
few examples like this. New Orleans, a
place that is one of the most fun for me
to visit, that is one of the least
enjoyable that I would like to live.
Pickle ball, one of the most fun to
play, that is one of the worst to
spectate, right? Things that from the
outside are different. George Max's got
his Call of Duty versus War thing,
right? What does Call of Duty looks
like? Being in a band. Being in a band
from the outside looks fantastic. You're
on the road. You get to have loads of
fun. You're playing in front of crowds.
People sing your songs. All the rest of
it from the inside. You don't have a
routine. Your sleep's all over the
place. Your health's [ __ ] You get to
eat a square meal. And your relationship
is in the toilet. Like that. That's the
reality of it. Call of Duty versus War.
One of the things that when you look at
and a unique category, right, because
it's swallowed up so many other
umbrellas of other other bits of work.
Musicians are also content creators and
[ __ ] news anchors are also content
creators and poets and you know um it is
the least
in many ways the most sterile and least
gratifying form of having a massive
amount of impact in terms of your
positive feedback from not to say that I
or anyone you anybody else that's sort
of in our circle are ungrateful for how
[ __ ] amazing it is that people love
what we do but that for how much people
love what we do.
The level of felt sense is just so I we
did when I was doing the tour with James
2 years ago when we did our first like
live tour, we played to 350 people in
Edmonton, right? And it was [ __ ]
freezing cold. Like actually freezing
freezing cold. We went outside to this
porter cabin thing and there was pizza,
actually quite nice pizza and and warm
diet Sprite. Warm diet. I remember warm
diet Sprite and pretty good pizza.
>> And then I went out and I did my half
hour and I came back and James did his
thing and that was so and I remember the
drum and bass DJ that came on after us
and I remember
and the same thing just is not true in
the same way. And I think that humans,
the way that we're built to feel
gratitude and embibe memories and like
encode the [ __ ] that we've experienced
is much more visceral and felt and yes
in person.
>> I have a great example of this. Do you
remember meeting me at the bar here and
I was like, "Bro, some I went up
uh I I went up to the bartender. I said,
"Do you guys have any non-alcoholic
beers?" And they're like, "Actually, we
don't." I was like, "That's fine. I'll
just get a Rambler." He comes up and he
goes, "I love your music. This one's on
the house."
>> Mhm.
>> And you showed up after it.
>> And I was like, "What do you mean you
you love my music?" Like, he's like,
"What do you mean? What do I mean?" I'm
like, "Well, do do you follow me on
Instagram?" He's like, "No, dude. I just
saw your music on Spotify. I recognized
you."
>> That had never happened to me before.
Ever. Ever. I took a picture of that
rambler.
>> You showed up and I told you about it at
that moment.
that is if that's not gratitude I don't
know what is and that is a interpersonal
relationship right there that is it
touching reaching out and touching them
>> and that yeah that I say that actually I
say that about the influencer thing but
I have to assume that authors you know
you spend all of this time writing this
big treatise thing and this is forever
this is [ __ ] hunchback of notice
everything right and you write this big
tome and then it goes off and it gets
printed and people read it or buy it.
You see the money and then maybe charts
or whatever and maybe you even see sort
of tweets and all of this stuff back and
forth. These people have spent hours
hours immersed in this very interactive
relationship between what you put and
them and their the unique thing about
reading it's the only pursuit really
that you can do now as a recreation that
is a uh it's a mono pursuit. So while
doing it, you can be doing nothing else.
>> Right.
>> Right. Even rolling Brazilian jiu-jitsu,
you can be thinking about your [ __ ]
relationship.
>> Yeah. Right.
>> While you're reading, unless you're
doing that thing where the you're
scanning the words and then you just
have to go back, but that's not reading.
>> Uh
>> you can't do anything else.
>> You can't do anything else. So it's a
really unique this person's like lived
or you you the writer, the author is
lived inside of this person's [ __ ]
mind. Like it's some weird par. Why,
bro? It's why I pursue music so hard.
And
I love, you know, it's like the the guy
who does those sculptures, the sand
sculptures, and or not even sand
sculptures, like ice sculptures, things
that just go away. Beauty. People, you
you admire the beauty, but the
>> the fact that there's a time limit on it
is makes it even more beautiful.
>> Bonnie Blue, time limit on it.
>> Your 10 minutes are up, sweetheart.
Goodbye.
>> I got 900 to go. No. So like playing
playing for people who don't know who I
am,
who are like, "Oh, this is awesome."
In that moment, and then they just leave
and never think of me again. Like, I
actually think that's amazing.
>> I think that's awesome.
>> How how much less awesome would it be if
that was just on shuffle on Spotify or
was on the radio or was
>> a thousand times less.
>> Yeah. because they don't you don't get
to see the for those 3.5 minutes while
you're playing the song, you don't get
to feel the the positive reinforcement.
So, yeah, I think it's a
>> a huge missing uh component. Um that
sense of sort of positive reinforcement
to the thing.
>> You got to reach out and touch
>> grass. Yeah.
>> Well, you got to touch grass, but you
have to reach out and shake hands with
people.
>> You have to. Holy [ __ ]
>> Yeah. Zack Talender, ladies and
gentlemen, where should people go? Check
out all the [ __ ] you're doing.
>> Uh,
check out my music. It rules. Any
streaming sites, just search Telander.
Spotify, Apple, all that good stuff. Uh,
Instagram, Zack_Telinder,
and YouTube, Zack Talender. Uh, wait,
Chris, I have one thing. I have
>> Hit me.
>> Hit me with it.
>> Don't end the show.
>> There's a rhythm stick. Hit me.
>> Okay.
Okay, this one's gonna be
get serious here for a second. Okay,
>> Chris,
so much of the good in my life has
occurred because you've been in it.
You've taught me lessons I couldn't
teach myself. You inspired me to work
harder.
You have been an incredible influence on
me these uh five very formative years of
my life. Because of you, I believe in
myself. Because of you, I believe I'm
smart enough to speak freely in front of
audiences. Because of you, I believe
that I have enough talent to perform my
songs for crowds I wouldn't dream of
playing for. Because of you, I know what
it means to have a friend. In a time in
a man's life when the rubber hits the
road, the friends from child childhood
start to peel away, the conversations
between them become fewer and fewer and
far between. I expected this in my life
and then you came along. You have been
my biggest fan and not because I tried
to make you one, but because you believe
in me. I don't care if you're a
successful podcaster. I don't care if
you have a million subscribers and
followers. I care about you. I care
about your happiness. Ultimately, I want
you to win more than anything. You're my
best man, the godfather to my beautiful
daughter, Charlie, and you're my best
friend. I love you, man. I love you.
>> Love you, too, bro.
>> That's it. That's a wrap.
>> Thank you. Wow. What a way to finish.
Thank you very much for tuning in. If
you enjoyed that episode, well, first
off, congratulations for making it to
the end. You have the staying power and
lack of ADHD that you should be very
proud of. But there is an episode with
Underath all about music, touring,
mental health, performance anxiety, and
a ton of other stuff right here.
So watch it.