Enormous Ancient Mine "Predates The Indians" In Nevada? 😲

Just how old is human civilization? It should be clear to anyone who has spent any length of time perusing our channel that the majority of our antiquity, no matter how astonishing, is according to modern academia all built by our less capable ancestors placed considerably more recently within human history. During our extensive research, we have often unearthed overwhelming evidence for an immensely larger human timeline. Additionally, we feel there is strong evidence to suggest that more than one period of prosperity has been experienced in the past. We have realized that this record of past global inhabitancy is merely limited to its resistance to erosion. Put another way, there appears that many past civilizations have come and gone going back beyond what is now still in existence. The human species, it seems, has outlived the existence of our oldest ruins here on Earth. Many ruins we have explored are now argued as geological formations. This authoritative subjection is merely testament to their immense age and also begs the question, what other ruins may have been lost to erosion? How much older does human civilization actually reach back in time? And just how advanced have past civilizations become? One clue to this answer lays within the ruins themselves. Astonishing feats of engineering that not only indicate a high level of intelligence, but also technological prowess. Extraordinarily refined works which can still be found in the less inhospitable environments of Earth. One of these lesser shared sites is undoubtedly Warangal. Located within the South Indian state of Telangana, it was predictably once snapped up by our less capable ancestors, possibly claimed as their own, subsequently becoming their capital. Home of the Kakatiya dynasty from the 12th to 14th centuries, this inhabitation, we feel, has then been used regardless of the ancient ruins in question to age the stone carvings which can be found at the site. Stone monuments carved with such accuracy, skill, and precision that they evade any logical explanation as to how they could have been completed with any of the technologies we know were available to the Kakatiyans specifically within the 12th century. The site clearly demonstrates tremendous skill and also technological prowess. These stone monuments were clearly not only created to express an artistic message, but they were undoubtedly created to display the creators capabilities encapsulated in time, quite possibly for the exact purpose of people like us to recognize them as they may have with similar ruins that were possibly in existence during their own lifetimes. There is a greatly more interesting and extensively larger story to tell regarding the history of our planet. However, as long as those in power feel inadequate simply saying, "We don't know." ignorance and lies will continue to plague our species. Lake Mead within Nevada, home to the famous Hoover Dam, one of the largest man-made concrete structures on Earth, and what many [music] feel will be the last surviving remnant of our civilization's existence on this planet. Although it is also home to a number of other lesser known, yet just as astonishing feats of human engineering. Similar to that of the incredible finds we have previously covered, an ancient mine, and although we know it was created for the collection of salt, the date of its creation remains a mystery with evidential examples of activity within this mine, not only by a now lost civilization, but one that easily predated even that of the Native American himself. As mentioned in the Scientific American of 1926, quote, "Mines were operating in Nevada many centuries before the days of Aurora and Pioche [music] of Virginia City." One of the discoveries made by archaeologists now delving into the ruins of Pueblo Grande many centuries is putting it mildly, for the finds show that mining was in progress at the beginning of the Christian era, some 20 centuries ago, and there are strong indications which [music] point to work created at an even earlier period. End quote. Mysterious circular carving reminiscent of those of Baalbek, Aswan, Bas de Caves, Longyou, et cetera, are present within the mine, and although it is claimed these were made with stone picks, a true explanation as to the real technology or tools used to liberate [music] this salt is yet to be discovered. Yet the reasoning behind such circular carving has seemingly been unravelled by a find at the bottom or oldest parts of the mine. The salt was seemingly isolated in these circular carving marks as they became deeper and deeper. Then the center block of rock salt was believed to have been broken off by hand and taken out by the miners. What is truly astonishing about this mine is its size. Although initial investigations of the cavern were to identify its purpose, this salt mine has since [music] been bought by industries invested in salt production due to its quality. Yet the mystery surrounding how these ancient people discovered this vault of salt, or indeed how they carved their way through an entire mountain in its pursuit, if we assume them to have been primitive in nature and ability, remains an absolute enigma. However, if one were to allocate such feats to a more developed human state, identifying this huge deposit of salt, and indeed the adaptive stone cutting technologies [music] we feel were clearly used elsewhere, incorporated into this mining process, and explain how they managed to dig to such depths here, and indeed at other astonishing ancient sites the world over, are rather easier to explain. Yet, I digress. Regardless of our own suspicions as to how this incredible mine was created, its existence alone, we feel, is proof that those responsible had far more knowledge and capabilities than modern man gives them credit for. It is an incredibly ancient mine, one in which we, and indeed many others within our field, find incredibly compelling. Jordan, a precious area of our planet with a number of jewels still surviving from what we claim is a lost antiquity. Baalbek, with megaliths which, if not in perfect placements, would simply be unimaginable as the ancient objects used [music] to create these enormous temple complexes, littered with numerous blocks estimated at well over 1,000 tons in size. It is a site whose explanation for construction is, predictably >> [music] >> avoided by modern archaeology. Although once dismissed by academics as immovable, the stone of the pregnant woman, for example, has since, due to more modern digging, been proven to [music] in fact be merely a block part of another temple, which is now still mostly buried under millennia of strata. Another incredible find, and one that pushes the sizes of what these ancient [music] civilizations were capable of, is an enormous stone upart, known as the colossal [music] hand of Hercules. Excavated in Amman, and due to the find's proximity [music] to what is now known as the Temple of Hercules, it is now thought to have been a hand of a gargantuan [music] marble statue of Hercules himself. However, regardless of identity, when one begins to estimate the past size of the statue in relation to the hand, the statue itself would have been many, many thousands of tons in weight, undoubtedly towering into the sky. There exist many legends of statues [music] built in many other parts of the world. Some in docklands, some in capital ancient cities, some toppled, such [music] as the Obelisk of Axum, again over the thousand-ton in weight mark, and many unfinished. Yet this statue would have dwarfed [music] all in size. And the fact that it was found in Jordan, a boiling pot for unexplained antiquity, a simply gigantic [music] stone megalithic site, its discovery is made all the more intriguing, and we feel can be legitimately used to argue, or rather push the capability of this lost civilization's capabilities of moving ancient stones, even more advanced and astonishing in capability. Unfortunately, we feel, due to the sheer age of the statue and the fact that it lived through a catastrophe of global proportions, [music] only this fragment of hand and a portion of the elbow exists, subsequently found at the site. But, reiterating the sheer size of other artifacts at the site again gives credence to the past existence of a complete statue. And regardless of whether it was indeed once of the mythological character, Hercules, we find the hand and indeed its possible [music] origins as highly compelling. We have, in the past, explored some truly remarkable ancient ruins that can be found within Russia. Some of the largest blocks to be found anywhere on Earth can be found within this enormous country. Along with many other intriguing and spectacular finds, still left to be publicly documented, [music] most notably within the notoriously hostile and extremely eerie Ural Mountain Range, a place long rumored to be the home of the elusive snow yeti. Left abandoned for untold millennia, laying within a Siberian lake, far from modern civilization, rests one of the most scientifically baffling sites to be found anywhere on planet Earth. Claimed to be only a mere 1,300 years old, yet any compelling evidence to back [music] up such predictable claims by certain bodies within historical academia are not forthcoming. Additionally, they harvest no real logical explanation for the site's clear antiquity, reason for abandonment, or indeed construction. It seems with very little to go on, certain groups within constructive learning practices would like the world to believe that this [music] perplexing site was built a mere 1,000 or so years ago. Known as Por-Bajin, it is [music] a 3.5 hectare artificial man-made island located in a remote, unnamed Siberian lake between the Sayan and Altai ranges, about 3,800 km from Moscow near the Mongolian border. The site was first discovered in 1891 and the purpose of the island has still not been explained over a century later. It is still a mystery for {quote} experts to explain. Although they still strongly insist it was [music] constructed no more than 1,400 years ago. An in-depth archaeological exploration took place in 2007 with archaeologists discovering clay tablets of human feet and faded colored drawings on the plaster. >> [music] >> These were subsequently used to date the site to quite recently within antiquity allowing experts to say that the island was built during the period of the Uyghur Khaganate between 744 and 840 AD. However, they severely lack any clear [music] explanation as to what their motives would have been for constructing such a fortress in such [music] a solitary place so far from trading routes, their own civilization, or indeed [music] anything else of interest. As with many other confusing and as yet unexplained ruins around the world, the archaeological strata most preferred to academia's currently upheld story in regard to chronological events will always be preferred and the controversial and often strong evidential datings are ignored or destroyed. [music] Is Por-Bajin a far older and once far more advanced site than we are led to believe. With the advances in technology allowing us to venture further and further into the wilderness, it is only a matter of time before a self-funded, inquisitively minded individual gets a chance to take a really good look at this amazing place. Neolithic man is often talked of as if he were a very different being to that of the modern [music] man. Throughout the modern era, a well-funded, close-knit, often aristocratic academia has portrayed neolithic man as an illiterate figure, often leopard print toga wearing, club wielding, bearded nincompoop, a grubby, forceful, filthy beast who had barely managed to master the art of creating fire, let alone complex language or societal behaviors. This paradigm of us emerging for the first time from the last ice age, developing into the complex, advanced civilization we find ourselves in, means that origins of man is somewhat of a closed book. For to preserve this influential dominance within modern society, anything which contradicts this long attested claim is simply thrown out, discarded as an anomaly, and any who pursue such avenues of inquiry a mere conspiracy [music] theorist, this regardless of the evidence we so eagerly put forth in our defense. Countless [music] still existing astonishing anomalies, unexplained, simply baffling feats of ancient engineering, so often covered here on our channel, either merely ignored or claimed as [music] absent an explanation as to how the work of our well-studied more recent ancestors, >> [music] >> people who were simply incapable of completing such mammoth tasks. Many of these ancient ruins, claimed as more recent achievements, we feel possess sufficient evidence to support far greater ages littering many said sites, clearly built using far more advanced precision technologies, and Neolithic sites are of no exception. We believe here on the channel that the size of many of these highly eroded prehistoric [music] stone trilithons, and indeed stones contained within many enormous dolmens, are also left by this ancient group. Dolmens made using similar, if not identical techniques, throughout the world from [music] Scotland to Ireland to Japan, all of similar design and possessing inexplicable [music] features, bored entrances, multi-ton megaliths. It is as if this [music] group still possess the knowledge of how to lift and work such stones, but had lost the technologies used to carve with precision. It is as if they were a surviving remnant of a once more capable, or more precisely [music] better equipped civilization. How did this ancient people, [music] academically claimed as never having had any contact, build such similar structures? Or perhaps more importantly, and the feature which initially attracted us to Neolithic ruins, the size of their stonework. Megaliths often incorporated into their structures, forming trilithons or entrance tunnels with top slabs upon dolmens sometimes up to 8 ft aloft, weighing well over 100 tons. Our discoveries at Newgrange and Knowth in Meath, Ireland, [music] with a slab tunnel entrance, like so many Neolithic granges and barrows, regardless of their immense size, >> [music] >> once precisely aligned them with solstices. Yet they remain mostly buried and thus most conveniently concealed. Some argue that the most impressive Neolithic dwellings can be found dotting the Japanese landscape. >> [music] >> However, we feel the most archaeological interesting of Neolithic sites [music] dot the United Kingdom, France, and some areas of the US, yet particularly Scotland and Ireland. Sites which have fragments of ancient symbols left within, >> [music] >> celestial alignments, and a similar pattern decoration or possibly coded message which crop up over and over, especially one found all over the world [music] of strange enigmatic spiral. And although usually found sparsely [music] decorating Neolithic sites, barrows, and internal earthworks, >> [music] >> its reoccurrence so regularly must indicate it as once having been significant and important [music] to them in some way. Yet for some reason, Gavrinis is undoubtedly the most [music] spectacular of them all. This little shared ruin displays this symbol significance in their carvings as seemingly phonetically overwhelming. Located in France, [music] to have so many of these patterns clearly arranged in careful and concise manners by a people capable of aligning 100-plus [music] ton rocks with pinpoint accuracy, we feel should be perceived as a very deliberate and important undertaking, perhaps in an attempt to convey a message to a future people. A people far removed from themselves in terms of language, a fact they may have fully understood having, as we believe, experienced global cataclysm within living memory. So, encoded messages yet to be deciphered or even recognized as such hidden within symbolism rather than writings. Are Gavrinis's spirals mere decoration? >> [music] >> If so, why go to such great efforts? Are these spirals an ancient code? Possibly a warning, a message yet to be unravelled. Whoever created Gavernis [music] and for whatever purpose remains a mystery yet to be solved. Gavernis is a place very much still unexplained yet very rarely shared academically. As such, it is a place we find highly compelling. Inexplicable, enigmatic, still surviving ancient U parts named after their academically claimed creators, the Kachari ruins, a set of large and incredibly heavy relics whose purpose or indeed true age remains a largely ignored area of study by any individual who depends on institutional [music] funding for their career survival. Yet there are many other ancient sites [music] which litter modern-day India whom have an equally enigmatic history. Some of these sites we have covered in the past like [music] that of Kailash Temple, a remarkable ancient achievement carved directly from a bedrock of earth with such artistic vision and accuracy >> [music] >> that any logical explanation for its creation remains a challenging and still elusive reality surrounding not only the many sites we have already covered but countless others which still lay either undiscovered or deliberately ignored by mainstream media. Yet our next area of interest has encountered a polar experience [music] having been officially acknowledged as one of India's most important of ancient sites. Known as the Udayagiri Caves, they are a set of 20 rock-cut caves near Vidisha, Madhya Pradesh and according to mainstream historians [music] dates from the early years of the 5th century. We have often postulated that some ancient religions having survived the test of time >> [music] >> and we have often encountered Buddhist or Hindu belief systems engraved upon currently inexplicable stone carvings and ancient structures which we feel are indicative [music] of a lost civilizations advanced capabilities. Cave five in particular possesses depictions of ancient reptilian creatures later attributed to ancient religious systems, [music] yet the original inspiration for these carvings is an ongoing mystery [music] and whether inspired by religious beliefs or possible real events is an ongoing mystery that mainstream academics continue to [music] stifle the legitimacy and mainstream adoption of. Claimed as that of Vishnu, this depiction of a giant reptile [music] consuming comparatively tiny human figures is a depiction which is undoubtedly of great historical [music] importance, yet we hypothesize that only a small portion of [music] existing human history has ever been explored in detail or indeed permitted to be a mainstream possibility. Udayagiri literally means the sunrise mountain and is interestingly not the only ancient site with this name located within modern-day India. Udayagiri was a was a Buddhist and Bhagavad Gita site [music] by the 2nd century as evidenced by the Heliodorus pillar, yet this inhabitation is possibly merely the adoption of a surviving structure. Additionally, while the Heliodorus pillar has supposedly been preserved without damage, many other similar sites are all but dilapidated ruins possibly suggesting that this claim of creation is in reality a hoax. And while Buddhism was prominent in Sanchi near Udayagiri in the last centuries of the 1st millennium BCE, it is highly possible that the religious teachings date from a lost period of ancient history. According to Dass and Willis, recent archaeological evidence >> [music] >> such as the Udayagiri lion capital suggests that there was a sun temple at Udayagiri. The Surya tradition in Udayagiri dates from at least the 2nd century and possibly one that predated the arrival of Buddhism. It is this tradition that gives it the sunrise mountain name and we feel [music] is yet more supportive evidence in defense of the channel's postulations. It is a place which we find [music] highly compelling. >> [music]