Easter Island ORIGINS EXPOSED!!! ~ Proof Finally Revealed!! 🤯🗿

Easter Island is without question one of my all-time [music] favorite ancient and thus far unexplained locations to be found [music] anywhere on Earth. None of the many other ancient and baffling mysterious islands and their anomalies can hold a candle to the sheer depth of mystery and the vastness of inexplicabilities which confronts one when they eventually begin to explore not just Easter Island's many well-kept architectural secrets but the ancient inner workings of this incredible extremely ancient volcanic outcrop drenched in these forb boating and daunting statues which although long claimed as tributes to royalty with them seemingly taking a leaf out of the proverbial old tomb excuse [music] book. [snorts] They instead, as one will see, possibly once serving a far more novel yet no less compelling past function, even sharing possible similarities with none [music] other than that of the Nazca lines. Although one will have to wait to see what this function and indeed ancient [music] connection could have been. Long told and exhibited as a mixed bunch. The islanders, the Rapanoui tribe, I posit [music] are not the original builders of the island. And although academics again like to claim they know who and when these tasks accomplished, some rather obvious evidence to suggest otherwise has again been hidden in plain sight. Due to a successful and forceful indoctrination of a fabricated timeline, the tribe itself has undoubtedly developed over many millennia nearly exclusively [music] due to the geography and the island's incredible remotely placed location. the islands complete isolation, meaning the only new arrivals to the [music] island and thus diversifying genes would come from the rare shipwrecks which may not have occurred for decades or centuries [music] at a time. Who after having become completely lost at sea with no other land masses within a thousand miles, this the only place one would make it to if they were fortunate enough to survive. as those who were once truly responsible for creating what we now know as the Moai wiped out [music] during the cataclysm. With these statues, thanks to numerous [music] excavations undertaken around them, have shown the world probably the most extreme deposits [music] of sediment ever found within any pre flood ruin on Earth. yet has largely gone unnoticed due to academia's deceptive excuses [music] for its existence. With Easter clearly due to its exposed nature, being placed in the middle of the deepest parts of Earth's oceans, it would appear took the full brunt of this event. burying many of these enormous stone monoliths [music] tens of meters, sometimes more, under ancient sediment, with some simply swept off their feet and [snorts] into the surrounding ocean. Sediment, which although academically claimed as caused by deforestation [music] and landslides, none of these supposed dense tree lines ever existed [music] with even that of Ranga Ranga, the precious lost language. And I believe that of the original pre flood islanders and one that is still to be deciphered [music] is found to have been written on nothing more than driftwood. If this burial were indeed due to deforestation and the purpose for this mass extinction of trees once done by the islanders, all apparently completely unaware of said consequences, wouldn't we see this language everywhere, [music] not just known of on a handful of pieces of scrap wood? I feel this also an elaborate yet simply [music] illogical explanation for why the island now appears completely buried by a mysterious sediment [snorts] and that it was not left by [music] strange and particularly selective landslides. But this long- winded tale all created, I may add, [music] if one desired to know the motives behind such absurdities, to simply allow these same academics to come [music] up with another convenient explanation. one for as to how they once moved or rolled the Moai across the island, which is quite frankly, in my [music] opinion, a rather shoddy attempt to explain the island's present state and the origins of its moai. Further corroborating my theory of the abrupt abandonment of [music] activities such as what can be seen as having once occurred at the location of the unfinished obelisk within the quarry of Asswan, the unliberated blocks of Yang Shan, the unfinished [music] temples within ancient India's Ira cave systems and so on and so forth. The quarry of Easter Island is no different with the infamous [music] El Gigante now lying dormant, resting unliberated within the rock face, which if completed would have been one of the biggest statues on the island with him weighing in at around 270 to 300 tons. this quarry [music] and indeed El Gigante himself just like the others found globally all once [music] abruptly and inexplicably abandoned. Thus it a complete mystery particularly in regard to just how they intended on moving this thing [music] up down and across these terrains once he was eventually cut free. Once known as the navl of the world and interestingly it's one of many found across the planet which shares this mysterious [music] title. Were these ancient civilizations once somehow able to tap into some mysterious [music] and yet to be rediscovered energy grid? One [music] somehow crisscrossing our earth. It is undeniable that many of the most ancient sites all over the planet can be found located in alignment with each other and are [music] also found to often align with the cardinal points as if they all directing and traveling along particular lines perhaps once due to an energy grid laid out in this pattern [music] such as lay lines. Were they once tapping into an energy field which allowed them to shift these weights? Teito O Tehenua, for example, an intriguing artifact that can be found upon the island. Still remembered as an artifact used by pre flood elders to summon something called mana, which interestingly translates as earth [music] energy. These elders would then use this energy to float the multi-tonon statues across the coastline, placing them in [music] their final resting places. This also explaining why their bases are still in pristine condition, showing no evidence [music] whatsoever that they could have once been walked across the terrain. Yet, it would [music] seem that unlike that of the tight lips which surround the Great Pyramids, for example. Indeed, how exactly these ancient Egyptian slaves once built these places? What tools they used? How long did it take? [music] How did they lift these stones? How did they accomplish such accuracy? And so on. Easter Island is a place not so heavily attributed [music] to one specific group as that of the pyramids. And thus, although they still prefer to claim that the recent descendants of the Rapanui tribe, once responsible [music] for lifting and moving the Moai, many experiments have been undertaken and attempted over the years to try to ascertain how a supposed [music] primitive people managed to once cut, lift, move, and place statues upwards of a 100 tons each. Regardless, with this academic exploration, as always, never even willing to take into account the mountain of evidence I have found [music] to support my hypothesis that these stone statues, along with the clear polygonal masonry [music] techniques, also once left on this island, left indeed, perhaps as signatures [music] of the past work of a lost civilization. These teams of academics continue onwards regardless, stubbornly and ignorantly, trying to unravel and solve a puzzle that never even existed, with solutions that were clearly never required. attempting to explain, as always, how the wrong group, with wrong, if any tools, [music] and with no advanced technologies whatsoever, once did these tasks, and again, in complete isolation from the rest of the ancient world. This, as you will soon come to realize, they do at almost [music] every other pre flood ruin. experiments such as [music] walking the statues with ropes tied around the head and by using a replica which it must be noted [music] considerably lighter than many of the other statues still scattered across the landscape. The team would attempt to rock it back and forth and thusly slowly walking it across [music] the island. However, after only a few short meters, the bases quickly began to crumble before their eyes, all but disproving the theory. It seems that although academia would love the explanation to be that of primitive tools and crudely made ropes, these statues instead [music] once somehow lifted from where they were excavated and placed exactly where they rest today. And thanks to [music] how the dirt has almost perfectly preserved them in their original condition, they are all found to [music] have done this without leaving a single mark on any of their bases. And thus, if one looks at the evidence through [music] the lens I am providing, the entire island suddenly appears to you for what it truly is, one of this now [music] lost civilization's legacy. One now found to be buried, hidden deep beneath this ancient sediment. And that due to the polygonal stonework and indeed the size of these statues themselves are feats far easier to explain when they are correctly attributed to a lost yet once highly advanced seagoing civilization. Before we move on to our next items of interest, I could not discuss [music] the mystery of Easter Island without sharing possibly one of the most incredible facts about the entire modern island. A game known as [music] the Birdman. Every annual breeding season amongst the colony of seabirds placed upon the neighboring island outcrop. The youngest and bravest men of the island would take part in what [music] was known as the race of the birdmen. For many years, the islanders would partake in a race [music] out to the neighboring island, many thousands of meters off the shore of Easter across the incredibly harsh, cold, and rough seas to retrieve the first egg laid that season. The first one to make [music] it back with an intact, undamaged egg, would then be crowned king of the island for the entire following year. Yet, this not only a swimming [music] contest, for along with the perils of simply drowning within the icy depths of the Pacific, the event was not just an annual attraction for the islanders. The competition would also attract a rather terrifying spectator drawn to the event by memory each [music] year. Thousands of sharks would also show up for an easy meal with them often devouring many of the participants and making the race all the more challenging. with some rare, crudely made, and thus more modern etchings of the Birdman still to be found placed at some of the best vantage points one would have had to watch [music] and enjoy the drama unfold far below. To be the king of Easter Island, the question is, would you have tried My first book, Life Before the Flood: A Definitive Guide to the Lost World, is now available on Amazon. So, don't forget to check it out. Amongst these countless global pre-c cataclysmic ruins are other more localized features which it would seem although incorporated into the same telltale ancient structures and sites of megalithic and/or polygonal nature are not found at a global scale but rather spanning a few continents. Yet this enough proof in itself to reveal that they too the work of a lost seafaring tribe. And thus although these seemingly lesser shared abilities once utilize more exclusively, this recognizable style of block work which again although quite possibly reclaimed and reused has its roots set much further back within [music] history. This familiar and easily identifiable brick [music] work has again regardless been seemingly missed by a world under the spell of modern [music] paradigms which through my many years of journeying to identifying and studying the planet's countless ancient ruins for signs and signatures of a far more prehistoric origin. This pattern has repeatedly reared its head at a large number of these sites found across the Middle East and also much of Europe. Not only found exhibited amongst the upper and presumably later placed blocks seen above the triilathon within Balbeck, they can also be found littered across Turkey and also incorporated into the many amphitheaters across Greece with them also notably found within Wari in Peru. a location I shared earlier which possessed the same intricately shaped seated indents within the stonework [snorts] as that of Puma Punku [music] in Tijuanaku. These stones, which I recognize as Ashlar stones, were also used, although in an exaggerated form like [music] Longu Cave with its diagonal tool marks to adorn the entrance way into the [music] incredible and clearly antidoluvian royal Kirran located within eastern Crimea [music] with the connections thereon simply making themselves. These stones are, as mentioned, also to be found in particular abundance [music] within Turkey, very close by to that of the spectacular Bazda [music] cave system. Undoubtedly once the source quarry for the stone and a place I have researched extensively in the past, perfectly preserved and as mentioned earlier, still possessing [music] and displaying a literal smorgas board of crystal clearar scars and marks once left by a varying yet [snorts] now lost array of ancient stone cutting technologies. most likely ancient machines which initially allowed one to link whoever the civilization responsible for such feats as also once responsible for hundreds of other sites found worldwide yet all currently attributed to various other primitive groups along with being found in the sites mentioned and indeed amongst the apparent Roman ruins of Balbeck. Other sites of note would undoubtedly include that of Nimrod's fortress. And although this awe inspiring site has predictably [music] been dated to the medieval era, I feel that due to the many anomalous megalithic, even the quite obvious ashler blocks within its construction, all indicative of it being far older than this and undoubtedly a remnant left by a once highly advanced civilization. Many of the oldest blocks present within the structure, for example, weigh upwards of 10 tons, with some of the heaviest recognized as being over 40 tons in weight, [music] yet all seemingly used and handled as if they were once normally sized bricks. The fortress is situated on the southern slopes of Mount Hermon upon a ridge that rises over [music] 2,600 ft above sea level overlooking the golden heights. A sight I believe upon the leader of this dynasty, Alazman, discovering [music] this enormous impenetrable polygonal fortress still in existence and already in situ. This leader once making [music] the logical decision to build upon these impressive remnants with these walls being reused and reutilized with a more modern undertaking clearly now evident with this second phase predictably made with far smaller blocks and thus can be easily explained as indeed medieval architecture. End of chapter. My first book, Life Before the Flood: A Definitive Guide to the Lost World, is now available on Amazon. So, don't forget to check it out.