Earth's Most Mind-Blowing Pre-Flood Anomalies? A Definitive Guide to The Lost World!!!🤯

This precision stone cutting ability, as one can now see, was far beyond the capabilities of the many primitive tribes currently academically claimed as responsible for their creation. For the following connecting features I am about to reveal, will finally put to rest any doubt that these places, some of which claimed as once the work of slaves, built with nothing more than stone hammers and copper chisels, has always been nothing more than a blatant lie. For although astonishing ancient sites, such as that of Petra, found within modern-day Jordan, >> [music] >> or as you will soon see, even its little sister named Hegra, also known as Mada'in Saleh, within Saudi Arabia, with their many globally familiar laser-like stone-cut designs, found adorning their many once perfectly executed structures, each of which cut straight out of the bedrock, another signature, were all regardless of who is claimed as once responsible for their creation, all the work of the same [music] once global civilization. These repeating patterns, >> [music] >> these same stone cutting abilities found all over the planet and largely still on display for all to see, are seemingly overlooked as such due to the considerable efforts that have been put into preventing these countless undeniable connections >> [music] >> from ever being consciously made, and thus are rarely academically investigated. They merely sit out in the open, hidden in plain sight. These clear and unexplainable anomalies, which as mentioned, are left for all to see, is undeniable evidence that these places having once been constructed using the same tools, by the same civilization, and indeed during the same period within history. If, of course, one is willing to see it. Stone-cut structures and megalithic ruins, although long claimed by those handsomely funded to explain [music] them as accomplished within a specific and permitted timeline, they were in fact built far before within a timeline now actively hidden via this exact system of selective funding and this permitted window of historical exploration. All of which inevitably producing very specific, predictable, yet ultimately academically desired [music] results. These diagonal and long attested chisel marks, for example, are [music] anything but. Instead, just like that of polygonal masonry, >> [music] >> found present in many areas of many different sites across the world. Often to be found in areas evidently assumed that would never be seen by the public. Yet, thanks to looting [music] and natural erosion which has occurred over their long lives, with an eagle eye, one can still find a wide array of places where roughly cut, often unfinished, or exposed megaliths are now found on the surface. Which, thanks to these mysterious, yet highly recognizable, quote, chisel marks, have all but revealed just who it really was that originally built these many still seemingly impossible [music] ancient places. With one particular site of note, undoubtedly that of the Longyou Cave system within China, undoubtedly one of the most incredible examples of this ancient and identifiable feature. With it having once been decidedly utilized not only in the building of this extraordinary place, but also once seemingly used as the overall decoration style >> [music] >> for the interior of the entire ancient wonder. Accidentally rediscovered in 1992 when a group of [music] farmers set about draining what had long been believed by locals as infinity wells. With the caves themselves carved out long ago >> [music] >> from many millions of metric tons of solid stone. All cut and then mysteriously disposed of. With this being one of the most perplexing outstanding mysteries of all when it comes to the creation of this cave system. With nobody ever having been able to successfully figure out just where it went. We are unable to locate any of this enormous [music] mountain of waste material with millions of tons of rock seemingly vanishing. Every square inch of its walls, floors, and ceilings, however, >> [music] >> now found drenched in this uncannily symmetrical diagonal design. With these particular diagonal tool marks, yet another feature found worldwide. This, as mentioned, making the Longyou Caves system one of the very best examples [music] to use as one's guide to this specific pre-flood signatures overall form. Now enabling one to establish just who [music] built the cave system and indeed many other of our Earth's most prehistoric sites. These diagonal tool marks are [music] again found throughout antiquity as if whatever machine they were using to undertake these jobs not only incredibly advanced and precise, [music] but capable of cutting enormous volumes of stone with seeming ease. A knowledge that was either in the possession of a global superpower [music] or more likely due to the variety of religious iconographic themes also present throughout antiquity was instead a tech shared and disseminated throughout the various colonies of the pre-flood world. Thus, if one searches for these markings ignoring the academically argued claim of them being mere decorations once done by hand and not a finish left by a machine. One once responsible and [music] capable of cutting the stones of Baalbek or indeed the little-known yet equally fascinating site of the [music] Corkscrew Quarry the Cave de Cusa hidden within southern Italy one will inevitably find [music] undeniable evidence of yet another globally shared knowledge and technology. With the Corkscrew Quarry a clear display of just how enormous these machines must have been. With its enormous ancient mark still to be found deeply scarred upon this prehistoric limestone clearly displaying just how big the stones this tech was once capable of cutting before moving. These markings then yet another feature one can now add to this growing armory of identifiable signatures. With these diagonal sometimes Corkscrew tool marks actually present at nearly every other unexplained polygonal megalithic even pyramidal site on Earth if one indeed searches hard enough. With these same possible machines once responsible [music] for creating the diagonal style scars within Longyu also once used to liberate [music] the 14,000-plus ton megaliths still hidden within that of the Yangshan quarry, also within China. Stones, which due to their simply enormous size, have predictably been long academically argued as once [music] impossible to move. Obviously, due to them simply escaping academic explanation >> [music] >> and by being simply too big to hide. Thus, according to academic opinion, one created out of said predicament. One which must continue to deny any ancient civilizations intention, or indeed past ability to have once shifted these things. These clear [music] past abilities and intent instead must be denied as ever having existed. Thus, according to these arguments, they apparently once doing all this undercutting without the intention to then after the stone had presumably fell crushing all beneath to move it. Explaining them away as instead, and quite inexplicably, simply intending to cut these mammoth stones into smaller pieces. Not only is this simply illogical and a weak attempt at dismissing what we can all see they were actually doing and indeed actually intending to do after cutting them free, it is the same elsewhere. Academia >> [music] >> must simply deny that they do not know how, or indeed when, these activities were truly undertaken. For if they were to admit that they indeed, without logical explanation for such feats, it would reveal the true conspiracy. One which is indeed concealing these mysteries and indeed academia's lacking of any explanation for these countless, quite clearly, pre-cataclysmic feats, undertakings, and achievements. A task mysteriously and abruptly abandoned. With proof of my claim, however, that their clear intention was indeed to move these entire stones once liberated can still be found upon these magnificent unfinished megaliths in the form of yet another enigmatic, unexplained [music] and thus lost knowledge and technology of this mysterious civilization, that being in the form of the enigmatic protuberances. Notches also located across the planet, which again can be found in particular abundance across ancient Peru upon its many polygonal walls. These mammoth stones left unfinished within the quarry all academically denied as ever being intended to be lifted or moved in their entirety. Yet they were nonetheless almost free and moving when those cutting them mysteriously vanished. With these mysterious novels already carved into their present form. A feature we will cover in more depth shortly. One already fortunately cut down [music] into their present shape. Identifiable marks not only pinning these works and indeed the as mentioned diagonal tool marks also still to be found perfectly preserved at the site. All to the same civilization. But allowing Young Shan to neatly dovetail into the many other impossible feats of the true builders of these sites. With some as you will see also allowing the pinning of the polygonal world hidden all around us to this group as well. And as one's knowledge and awareness [music] of these repeating features inevitably grows as we work our way through this ancient planet. You too will discover many of these ancient signatures overlap with one another across nearly all of Earth's oldest surviving ruins. The basalt floor, for example, the surviving remnants of which still found [music] at the foot of the Great Pyramids is littered, although rarely studied, with an array [music] of quite clearly once laser-precise cuts and machined cut holes. Holes once left by ancient rotary technologies, leaving countless clean and in some cases even misstarted drill holes. Undeniable evidence of these tools' past speed, precision, and indeed true past existence left for all to see, and still clearly visible, and all once made through some of the toughest stone on Earth. These mistakes, [music] these once hidden tool marks and scars, are now due to heavy erosion >> [music] >> clearly visible in countless places across this ancient, yet once highly advanced floor, an entire plateau as a whole. Tools clearly also once responsible for the clean-cut quarried stones of Peru. Or perhaps these machines, the ones responsible for the already covered quarries. Particularly those once created for polygonal block work, or perhaps even another style entirely, that being the lesser-known, rougher, more primitive counterpart now known as Cyclopean Masonry. Also found across many places of this ancient world >> [music] >> amongst these equally inexplicable Cyclopean works is in some rare areas, again, this overlapping of methods and signatures. However, [music] in this case, instead of enabling the identification of additional antediluvian ruins, [music] it instead >> [snorts] >> gives one a possible rare glimpse into the evolution of pre-flood styles. A possible visual example of these lost, yet once incredibly capable builders chronological and technological developments from that of a seemingly cyclopean level of sophistication into the noticeably more refined, intricate, and clearly superior polygonal masonry technique. [music] Which as the following illustration reveals, I have indeed found specific locations which may demonstrate exactly this. With these clearly [music] polygonal blocks once having been later built into and atop an earlier, now damaged section of cyclopean masonry. Exhibiting a rare, unbroken archaeological and chronological timeline for these [music] differing techniques and supporting my hypothesis. Even possibly revealing just how this lost civilization once developed into these [music] different methodologies in a linear fashion. It is unquestionably all highly [music] compelling. My first book, Life Before the Flood, >> [music] >> a definitive guide to the lost world, is now available on Amazon. So, don't forget to check it out.