Earth's Most Mind-Blowing Pre-Cataclysmic Ruins? 🤯

There are countless extraordinarily sized statues that have over the years been reclaimed [music] and often altered or recarved to display that of present-day rulers. The Sphinx with its clearly now much smaller scaled head being a solid example of this. Yet many more have experienced similar undertakings over the eons with the Buddha of Bameyan found within the Bameyan Valley being of no exception. Standing at over 170 m much of the statue unfortunately destroyed a few years ago yet compelling motive for why the powers that be may have also wanted this to happen. the discovery of something hidden behind it long ago during its initial construction. Additionally, instead of altering the entire head, someone had once removed the face above its chin after its complete destruction, it also realized that just a little further back into the rock was a secret void. One that nobody, according to the official records, were aware existed. What's more, this chamber which had lay for untold millennia was predictably looted with its contents subsequently vanishing. Perhaps its contents, just like those long told to be inside the Sphinx, predicted to be found there by the prophecy teller Edgar Casey. When one also takes into account the repeated destruction of countless similar monoliths, all once of a similar or larger size than even that of the Sphinx, wonders that were once known of the world over. This damage begins to look less like an unfortunate coincidence and more like yet another layer of history where significant efforts have occurred in an attempt to hide these many [music] almost impossible to explain anomalies within more palatable modern paradigms. Yet they are all I feel [music] clearly the feats of pre-c cataclysmic engineers. This deliberate destruction, possibly all done simply due to escaping explanation. Thus, even approaching such anomalies in attempts to merely explain their very real past existence for any and all individuals, [music] academic institutes, or bodies funded to uphold the current narratives of human history. With the already apparently wellestablished claims of they all the work of previous yet permitted [music] civilizations, civilizations which have come after this now hidden chapter of our planet ended [music] and our modern civilization began. an almost impossible task, ultimately leaving us only [music] the many almost indestructible and immovable of megaliths and that of Earth's many gargantuan pyramids as proof of their past weightlifting [music] and moving abilities with many of these structures again I believe constructed the ways in which they once were to serve this specific purpose [music] to survive into the present A with all those who have attempted to destroy, [music] loot or dismantle these massive creations, [snorts] except of course in those most unfortunate of cases such as within Salt Lake City and the Copper Pyramid turned into an entire ore quarry. Clearly due to its absurdly controversial nature, but also perhaps due to it being a clue it could have [music] given us in regards to these buildings past function. With the rest, [music] however, having been deliberately made to remain almost impossible [music] to destroy, dismantle, lift, or move. Theme heads or the entire most elusive now lost civilization itself for that matter whose legacy is found almost completely buried with the parts which we have so far successfully found and recovered from hundreds of locations having now shown that they also shared an uncanny ability in stonemoving and cutting with those who built the Easter Island heads with themech unarguably once in possession of the same stone cutting abilities as the rest of this pre flood world, choosing to use it in a very similar fashion to that of the methods used upon Easter Island itself. Yet, they are also wiped out and buried by this ancient event. This lost [music] legacy, like so many others, still buried beneath this vast ancient sediment, completely consumed by a dense layer of jungle, often making any exploration and excavation of this civilization [music] incredibly challenging. Yet many more that still lay within our jungles are often lazily argued away and shrugged off as nothing more than geologically formed paradolic anomalies. with the discovery made by a professor Angelo Patonis deep within the wildernesses of Sierra Leon in West Africa being a great example of this lazy dismissal named the Lady of Mali which according to his find is that of an ancient pre-c cataclysmic statue one so enormous that just like that of the great pyramids she has remained near impossible to hide or destroy. If accepted as an artificial feature and the lady of Mali revealed to be what the professor himself convinced she is, [music] then it would inevitably be followed by several other rather inconvenient questions, such [music] as how ancient man once capable of building such monuments, particularly without advanced abilities, technologies, or megalithic moving machines. questions it would seem that through a process of heavy indoctrination of certain paradigms they have avoided [music] having to answer. Yet regardless, after examining the stone at the foot of her mountainous form, the tests he claims to have undertaken at the site have all suggested [music] that this stone monument was once man-made, and what's more was carved well over 12,000 years ago. reaching 1,500 meters into the air. [music] It is adamantly claimed by the professor as being that of a woman's figure, one once he huned straight out of the entire face of Mount Lure. In an interview with journalist Carmen Machado, Poni would explain that the statue is located to the north of the city of Konukree, close to the country's border with Mali, and that he has now successfully dated the lady's age to over 12 millennia through observations of displacement motions within [music] faults found within the statue's stone. He also spoke of legends he heard in the area that told of the existence of caves long said to contain [music] mysterious ancient mummies. Yet their locations tightly guarded by the locals who he said tell of them having [music] a quote Atlantean origin. Pompei's pillar located within Alexandria is another which has seemingly survived the many onslaught of time. For although the entirety of the surviving structure, all but the pillar itself, it alone truly still one of the many surviving wonders [music] of this ancient world. one that can give us all a good idea as to the sheer scale of these original buildings, all once constructed from simply gargantuan blocks. One of the largest still standing monoliths on Earth, it measures 20 m in height with a diameter of nearly 3 m wide, which just like that of the little known or shared true source location for Balbeck's pink granite columns being Aswan Quarry some 1,200 km from the site. This enormous column also once sourced here and then carried 900 km [music] to where it still stands today. With this incredibly tough single surviving piece of granite estimated to weigh some 285 tons with stones of equal sizes then somehow once set a loft high above these enormous weightbearing columns with the great head of Guatemala arguably one of the most controversial of them all. This enormous stone face indicates that it wasn't only just themes that once called this Guatemalan jungle home. A gigantic, masterfully carved stone face, one of quote fine features, thin lips, and a large, thin nose. Its initial discovery would emerge when Dr. Oscar Raphael Padia Lara received a photograph of the head in 1987. Along with the photograph came a vague description of the find, [music] stating that the photograph was taken in the 1950s by the owner of the land and that the statue could be found located somewhere in the jungles of Guatemala with the site later established to have been 10 km from a small village in the south of Guatemala. However, when Dr. Padilla managed to relocate the site. He found that the head had predictably been destroyed. He stated, quote, "It was destroyed by revolutionaries about 10 years ago. We had located the statue too late. It was used as target practice by rebels. This totally disfigured it. Sort of like the way the Sphinx in Egypt had [music] its nose shot off by the Turks, only worse. the eyes, nose, and mouth had all been completely destroyed." End quote. Another of these incredible now lost statues, and one that single-handedly pushes the sizes of what these ancient civilizations were capable of is an enormous stone oo known only as the colossal hand of Hercules. [music] Due to the find having been excavated in Aman within very close proximity to what is now known as the temple of Hercules, it has led many to thusly deduce [music] that the hand once a part of a gargantuan marble statue of the legendary figure himself. However, regardless of this identification, the past size [music] of the statue in relation to this single hand would have been many, many thousands of tons in weight. The Colassi of Menon, however, [music] along with being some of the largest of these many astonishing statues, are also amongst the most well-known. And [snorts] although they have inevitably crumbled over the eons, records of descriptions of the statues stretch back many millennia with the now lost characteristics that these magnificent ancient monuments once possessed conveniently all but ignored perhaps even deliberately by mainstream academia as a whole. such as one particularly extraordinary ability, an astonishing characteristic that many who experienced it [music] repeatedly claimed and described as nothing short of a divine [music] experience. One which would draw individuals from far and wide who would set upon a pilgrimage across the desert [music] to witness it themselves at first light. each cut from a single 1,000 plus ton stone and orientated towards the sunrise on winter solstice. Made from blocks of quartzite sandstone once quarried at Elgabal El Akmar near modern-day Cairo which were just like that of the triilathon or the stone of the pregnant woman then somehow transported over 400 m to where they sit within thieves today. Although modern academia would like to attribute these feats to our more modern ancestors, any logical explanation of how these feats were achieved or how they were so precisely [music] carved all remain completely absent their many attempted explanations for these monumental statues or their builders past methodology of construction. Not only their transport and creation, but [music] as mentioned, their many unique yet now lost characteristics. One being how these ancient monuments were once able to sing. with early Greek and Roman tourists once flocking to the statues to experience [music] their song. with the earliest written reference to the singing coming from the Greek historian and geographer Strao who claimed to have heard their song during a [music] visit in 20 BC with the 2n century Greek traveler and geographer Pausanius [music] comparing it to the string of a liar breaking clearly once being a very subjective noise with others even describing it as the striking of brass or a strange ghostly whistling. Another extraordinary example which has long exhibited this [music] lost civilization's mindbending abilities, [snorts] undoubtedly that of the ancient complex of Pipilus with its many [music] griffins, its perfectly cut stone architecture, and its countless false doors or portals, making it unquestionably yet another of these many incredible anomalies of this pre-c cataclysmic world, which along with having survived the tests of time, has also fortunately slipped through the clutches of these repeated destructions of similar sites [music] once found the world over. with perhaps the most mysterious and impressive of these ancient creations. One that once stood guard over these strange ancient openings. Many now found predictably [music] buried, perfectly preserved under several meters of earth, being those which are now known as the Lamasu. In addition to being one of the most mysterious and indeed impressively sized of all the zumorphic depictions found throughout this once astonishing ancient world, it can also be used as one of the most solid pieces of evidence [music] which all but prove instead of the longheld academic claim of it being the work of ancestors some 2,000 years ago. These incredible lamasu indeed [music] the entire site simply beyond not only their capabilities but even our own a mere 100 years ago. If we look at the efforts of Henry Leard, for example, made within 1847, [music] one soon realizes just how big of a mammoth scale and indeed still unexplained enormous undertaking the statues and their past placement once was. After discovering more than half a dozen pairs of these colossal statues weighing around 10 to 30 metric tons each, Leard decided that he would attempt to bring two of the smaller specimens weighing in at a mere 10 tons back [music] from the site in Iran to the British Museum in England, which after an 18-month painstaking and torturous journey that included several near disasters, he eventually succeeded in doing So although upon their arrival they required loading onto a customuilt wheeled cart, then lowered with a complex system of pulleys and levers, all operated by dozens of men and at tremendous cost. Additionally, when initially moving them from the site, he first tried to hook a huge cart to a team of buffalo, but they refused to move. He then selected a reinforced cart for their transport which required over 300 men. Yet this too was soon realized to be far too hazardous. Thus he would subsequently opt to load them onto a barge. After eventually arriving in London, as mentioned, a customuilt ramp was constructed at great expense just to allow the crew of dozens to haul them up the front steps and into the museum itself. An astonishing [music] and clearly exhaustive exercise which demonstrates that the civilization [music] capable of constructing and placing these statues in their original positions [snorts] once far more capable than our recent ancestors even a mere century ago with the site's true constructors obviously placed far before known history. This dramatic sequence of events is also clear indication that the national museums involved in the funding and [music] transporting of such exhibits. Even back in 1847, clearly all too aware of the astonishing [music] feats and massive unexplained undertakings that these monuments were, yet are seemingly [music] committed to the conspiracy. It is a collection of mysteries which I hope you too have found to be highly [music] compelling. My first book, Life Before the Flood: A Definitive [music] Guide to the Lost World, is now available on Amazon. [music] So, don't forget to check it out. [music] >> [music]