Video summary
Trevor Wallace opens the discussion by outlining his personal approach to maintaining creativity, emphasizing rest and physical activity over rigid scheduling. He argues that he cannot structurally force creative output into specific time slots like 3:00 p.m., as doing so does not work for him; instead, ideas often emerge when he is relaxed or stepping away from the "stressed brain." Wallace describes a process of resetting through exercise and social interaction to allow his mind to wander, noting that creativity cannot be white-knuckled like administrative tasks such as answering emails. He highlights the importance of changing environments—whether in a shower, driving, or visiting a farmer's market—to catch sparks of inspiration from everyday observations rather than sitting at home trying to force funny ideas. The conversation shifts to Wallace's recent creative focus on Cybertrucks, which he identifies not just as a vehicle but as a symbol of a specific archetype: the tech guy seeking status and validation without earning it through traditional means. He recounts an experience where his friend drove him in one, describing how the owner seemed like a different person after acquiring the car, obsessed with its futuristic features despite having basic amenities that are standard on other vehicles. Wallace notes that these owners often feel they need to compensate for lacking respect or status by displaying their wealth through expensive cars and tech-savvy personas. This observation led him to realize he could create content around this theme because it resonates with a specific demographic, allowing him to make fun of the "midlife crisis sports car" mentality applied to the iPhone 17 generation while leveraging high search volume for SEO purposes. Wallace further explores the mechanics of his comedy by discussing the necessity of emotional connection and flow states in generating material. He explains that many of his best jokes come spontaneously during live performances or when riffing with specific people like Churley, rather than being pre-planned. This spontaneity is crucial for crowd work; if a comedian fails to respond immediately to an audience member's comment under pressure, they risk losing the room and appearing uncool. He compares this high-wire act of live improvisation to cold-barring in weightlifting—pushing one's limits without preparation—and emphasizes that being present in the moment allows for genuine connection with the crowd, which is essential when tension rises or stakes are established during a show. Finally, Wallace addresses broader themes regarding hobbies, obsessions, and life balance, particularly for those struggling to find meaning outside of work. He argues that having at least one pursuit where time stops—whether it be playing pickleball, writing music, or spending time with children—is vital to avoid living in a neurotic loop of self-reinforcing thoughts about career failures or financial constraints. While acknowledging the material realities faced by those working multiple jobs, he suggests that people should aim for "escape velocity" so they can eventually enjoy hobbies and manage money effectively later in life. He encourages listeners to identify small daily anchors, such as a specific exercise routine or social engagement, that make getting out of bed easier and provide excitement throughout the day, ultimately framing these pursuits not just as distractions but as essential components of a meaningful existence.
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What does a pre-creativity
game plan look like to you? Um really
rest is the big thing. Sleep, good
sleep,
uh working out in the morning, and um
just working out. Like when those
endorphins, it's like
Like I'm I'm pretty like in my head most
of the day, but like if I like work out
and I'm like I've had a coffee and I'm
and I'm by myself, like then I'm like
walking around and like singing to
myself. I'm like that's we're on the
verge of something. But we're feeling
good. But for me it's like I I can't
structurally
write where it's like okay you have a
you have a 2:00 p.m. meeting and a 3:00
3:30 meeting. But at But at 3:00 you
should write. I'm like that doesn't work
for me where I'm like okay work you know
like let time be funny. Like
You can't force funny for me. Some
people
set hours every day that are like every
day at 11:00 I write for an hour and
you're allowing yourself to be creative
in those moments, but for me it's like I
can't structurally do that. So when I'm
having these days
of [snorts]
all these meetings instead of like I'll
I'll be like okay guys let's go to
lunch. Let's Let's step out of this
office. Let's kind of get
Yeah, let's reset. Let's submerge. Let's
be around some people. That's when ideas
start flying up. For me it's like
there's ideas everywhere. It whether
it's uh fashion trends somebody's
wearing, how somebody is talking to the
barista, or something. It's It's just
like But when I'm in this stressed
brain, it's like it's almost [snorts]
like I have like do not disturb on for
ideas. Where I'm like stressed and it's
like Like all these ideas are right in
front of me, but when I'm like relaxed
or like kind of out of the work brain a
little bit, like more like fun kind of
stuff.
It's so much easier for me to make these
observations to make fun of. Where if
I'm stressed, I'm there's funny all
around me, but I'm not noticing it.
>> So similar to what I do. And not for the
funny bit, but for the Oh,
that's like two ideas that I haven't
realized that they come together. And
I've been hearing a lot of people talk
about obsession at the moment. Zack Po
Grubbs just started this new running
club in New York and it's all about
obsession. Well, I did this bit about
motivation and discipline, but I never I
never wrote about it. I never published
it. So I wonder if obsessions are part
of the motivation discipline may
but without you're so right. If you're
in admin mode Yeah.
>> that stuff just it can't penetrate at
all. Mike Israetel did this really
wonderful episode about
rest rest ethic stuff with me. Just
[ __ ] sick line he says you can't
white knuckle creativity. Like you can't
[ __ ] grip it like this and be like
Hey, be creative.
>> Right. Right. Right. Most things, you
know, if it's answering emails, you can
kind of like white knuckle email
answering. Of course.
>> white knuckle like [ __ ] admin and and
responding to texts and you know like
sort of low-level executive function
stuff. Organizing your schedule or
whatever. Making phone calls. You can't
do that with creativity cuz it kind of
just like arrives. And you've got to be
sat back.
>> Yeah, and there's days where I try to
force creativity doesn't hit. Whether
I'm like tired and and I go well I got
to just work out. Work out usually helps
with creativity. And then I work out and
I'm sitting I'm trying to write or I'm
trying to come up with something and I'm
just getting I'm drawing blanks and
sometimes that's just the nature of the
game. You can't create creativity, but
you can try. And and you can maybe
instead of saying well instead of
figuring out a new TV show idea, how
about I just
take an old bit that I've been working
on forever see if there's anything new.
It's like you don't have to come up with
your biggest idea then. You can still
kind of like like okay I'm not feeling
as creative. What's old joke I've been
doing? How can I punch that up a little
bit? Or how can I just listen to some
stuff back to kind of like put you in
that right zone, but you're really
right. It's you can't white knuckle
through it. And that's why I think also
setting alone time for yourself me
personally is when So many people have
so many creative thoughts in the shower.
Shower thoughts and toilet thoughts,
dude. Shower, toilet, and uh also
driving. Because you're just you're not
staring at a screen. You're zoned out.
So finding those moments where
even if I'm feeling
not creative, I just go let me just go
to a mall. Let me just get out. Let me
go get a Let me not make a coffee here.
Let
>> Can I can be around people at a mall?
>> Yeah, let me go get Let me go get a
coffee. Let me instead of making one.
And it's not for the coffee. It's for
the fact of like what's out there?
Change of environment.
>> Creativity is like fishing. You're like
what what's out there? If I If I go to a
farmer's market, am I going to get any
Am I going to catch anything? And and
you you might think you have something.
You're like oh dude Look look look look
at what what what's this guy wearing?
He's got like a weird like quilt on his
head. What's this? You know, and you're
like you're trying to
You're You're getting like sparks of
creativity and you're and you're looking
around and oh is this Are Are everyone
wearing Birkenstocks? Oh is that a video
idea? And you're and but you're just
you're piecing it together. You can't
just sit at home and be like what's
funny? What's funny? I mean you can. You
obviously can. But for me I got to I got
to feel connected. I got to feel
something. People will pitch me ideas
all the time and I go like I see why
that's funny, but like I don't have an
emotional connection to it.
>> Mhm. But then, you know, I get cut off
by a Cybertruck. And Do you Do you have
one? No.
No, of course not. Chris
You have the build of a guy who'd have a
Cybertruck. What is that? Give me the
Give me the archetype of the Cybertruck
owner.
You. Why? What's that mean? What is it?
British? Austin, Texas. Well, the
British thing I think is a front. How
long
>> accent.
>> You You You moved here from Dayton,
Ohio. Where How long in in What's your
best American accent? Oh, there isn't
one. Sorry. You can't get an American
accent out of me. Can do lots of British
accents, but
>> You can do a British accent because it's
an accent to you. Boom. Yeah, it is.
USA. My Instagram bio is fake British
accent. Perfect.
>> Yeah. Uh the average Cybertruck owner
is a guy with a Patagonia vest. He's
like a tech guy who got kind of like
not the respect he wanted.
>> Okay. And a truck to him is too
expensive to fill up the gas. And he
goes like I want to be the badass at
work, but like I also want to be like
the tech guy. They want to brag to their
friends.
>> like the it's like the midlife crisis
sports car dude, but for the like iPhone
17 generation.
>> Yeah. Yeah. Yeah.
>> Okay. So there's a lot of compensation.
So you're saying I'm compensating?
Correct.
>> Okay.
>> No, I'm not saying you're compensating
at all, but just you said you you you
live in Austin, Texas. Sorry to dox you.
What's your home address?
But Austin, Texas is the hub of the
So
>> I could feel
What do you drive? Uh Camaro. 6.2 L V8
Camaro. Yeah.
Okay.
>> Yeah, compensating still just in a
different direction. Different [ __ ]
>> Beautiful car. Beautiful car. Yeah. Um I
I don't think you drive a Cybertruck.
But if you did, I would say uh Mhm.
But I You got cut off by a Cybertruck. I
It's like I have to feel an emotional
connection to the creativity and I I
need a why. I cut off by a Cybertruck.
Pisses me off. Why? And then I catch up
and I see the guy and I go well that's
why. It's this guy who got this car and
now he thinks he's some status guy. He
thinks he's like elite. He thinks he's
like futuristic. And it's like Then I
Everything I make fun of isn't even
about like Is that the genesis of the
Cybertruck bit? Did you get cut off by a
Cybertruck?
Cuz you did a video about Cybertruck.
>> Well, you know what it was is I was um I
I was I
was in a friend He had a Cybertruck,
right? And I was in it and just like how
he was like describing it. And he's like
yeah yeah it's got air conditioning. I'm
like yeah of course it is air
conditioning. Yeah, it's got a reverse
camera. Every A Kia Sorento has reverse.
And how he was talking about it he's
like it it's just so futuristic.
And I just was like you're a different
person after getting this car.
>> Well, yeah, but like
he just was a different person like
I think he had a 3 Series before that.
And then he gets this car and he's like
this Now he's like a tech guy. And now
he's like telling me about like the Dow
Jones. I'm like what what do you know
about any of this? So it's just like
that persona. And then I I kind of start
seeing them everywhere. And then I go
dude there's a kind of a theme every
time you see a Cybertruck, it's kind of
in and around the same guy. Yeah. So
that's when I get excited. And that's
when the mental editing comes up and I
go
Okay. Cybertrucks are very popular. This
has great SEO online. People know about
Cybertrucks. I can make fun of this.
What's the type of guy? I love making
fun of a
a thing or an like an object or like a
car because now it the shareability is
crazy. Cuz then everyone goes Oh, this
is just like John. John, do you have a
Cybertruck? Mark, do you have a
Cybertruck? And it's like what's going
to make people either share cuz it's
funny or share because it's relatable to
somebody they know. So for me, that's
where my brain I like love that when I
like am onto something and you go like
cuz sometimes I'm spitballing and I go
what about this car? No, what about this
car? No.
And then I then like the Cybertruck
comes around like and I can picture the
like character I'd play with the video
and I go yes yes. And it's like it's
like I just it just flows. When when a
good idea connects
you might have one box unchecked, but
for the most part you're like and and
he's going to dress like this and we can
shoot it here and we can and it like it
just it has this thing.
>> Yeah, it has this like syncricity to it.
Is that the right word?
>> Synchronicity. Synchronicity. Sorry, I
need to finish this drink. But it it
like it
you feel it come together. And there's
jokes that I have that come to me so
easy that I go like this has to be
somebody else's joke cuz this came to me
so [laughter] easy. But it's a but it's
an experience that happened to me. So I
know it's not somebody else's. But it
comes you so easy you're like
This Is this like this is just a
blessing from the creative gods? Yeah, I
mean
again, I have the most
uh [ __ ]
Playmobil my first live show sort of
equivalent of this. But uh
I know that in [snorts] order to make
the live show that I'm doing at the
moment, the self-discovery show
energized there needs to be funny bits
not just at the start, which was to kind
of like release tension for everyone.
>> Yeah. Um because when I went in and the
first version of the show that I did two
years ago, there was no laugh or I I it
was kind of like straight off the bat,
straight into ideas. And people were 10
minutes in and there was tension in the
room cuz they were like, "When am I
supposed to
laugh? Do I clap? Like, do I What What's
like What Yeah, what do I do here? Like,
what am I supposed to do?" So, I'm like,
"Okay, if we just [ __ ] work the
tension out in the room." Anyway,
there's a bit I'm using Lizzo as an
example
for um people whose uh opinions and
deeds are far apart. Uh like, online
people can say that they're real
charitable, caring, phil- philanthropic,
you know, empathetic, whilst not
actually having to do it because you're
able to say a thing whilst doing
something else. The distance between
opinions and deeds has never been
greater. Like, Lizzo and
this was when I was in Australia, I was
just talking about the fact that she was
um you know, helping these bigger girls
uh by pushing their careers and giving
them a platform. And as I said that, I
was like,
struck presumably a structurally
reinforced platform. And that's like one
of the biggest out of nowhere bits of
the night
>> Mhm. because people don't see it coming
cuz I didn't see it coming. Right.
>> like, I just say the thing that I said
because it came to my mind while I was
in [ __ ] Melbourne or or [ __ ]
Brisbane or whenever I was a year ago.
And that's still a part of the set now
moving forward. So, I'm like, "Oh, [ __ ]
Like, that's really cool." So, the fact
that you feel like,
"Oh, this was just given to me." Like,
where the [ __ ] did that come from? Dude,
when I riff, I don't even like that's
the funniest [ __ ] comes to me
riffing on stage and I have no idea
where it came from or in filming videos.
Um
uh this guy Churley is who I've made so
many videos with throughout the years
doing a lot of sketches. Like, there's
just certain people that bring the riff
out of you and there's certain crowds
that bring the riff out of you. And when
him and I would film videos together,
it's like we would go in there with like
a a premise of like, "Okay, we should
make a video where
you know, here's the end goal and then
how we get there is different." It's
like I kind of like Reno 911 and like
Seinfeld and a lot of those shows or
like um
how Larry David likes to shoot. It's
like, "Just get to the end goal of
you're mad at her because she did this."
And then you just when you're around the
right crowds of the right people, they
just bring and you don't even know where
they're coming from. People be like,
"How did you think of that?" I'm like,
"I don't know."
>> When I watch you and
you especially, uh Jimmy Carr
as well, and uh Matt Rife, when I watch
you guys
riff on stage, it is like, "How
the living [ __ ] does that come
spontaneously?" Who's that Who's that
really famous freestyle rap guy? Harry
Mack. Harry Mack.
>> It's like watching Harry Mack. Yeah.
Yeah.
This is the most high-wire act cuz if
you don't say something funny after
you've just popped some guy in the front
row and you're like, "Oh, what's going
on, man?" "Oh, okay." And the "Oh,
okay." That's the like Yeah.
>> start the pistols got fired and they're
like, "I'm going to [ __ ] with you now."
And if you don't do it, he kind of wins.
Right.
>> And you kind of look like a fool or a
bully or someone that's not cool and
you're like, "Oh, [ __ ] Now I've got to
win the crowd back."
>> Yeah. So, the doing that under pressure,
under tension, um is just super [ __ ]
impressive. It's really really really
impressive. Like, we did the first show
I told you first show in the um
in New York, we had some problems
getting people in. They were doing like
extra bag checks at the start. So, you
have one of those crowds? No.
>> Yeah, no. [laughter] It's just I don't
know. It Something was going on and
[ __ ] Alex is running around trying to
fix [ __ ] And um
my uh
warm-up that I brought with me plays
music for 30 minutes, [ __ ]
unbelievable like country, blues stuff.
He dialed the set in like perfectly and
he knows it from start to finish without
looking at a clock for like 29 minutes
30 seconds, like done. And he's off and
then I'm up. And he just gets like a
little message from on his stage wedge
just going, "Hey, man. We just need you
to extend by 15 minutes." He's like,
it's the first show of tour.
It's
the
it's the biggest show that we're doing.
It's the town hall on a Thursday in the
middle of Manhattan. It's sold out.
Everyone's looking at me. He's like,
"Yeah. Yeah. We need you to extend by 15
minutes." He's like,
and he just did. Like, just pulled out
like [ __ ] unreal songs out of nowhere
that he hadn't written, he hadn't
prepped. Like, not knowing the tuning of
his guitar, not knowing this I was It
was so cool. Well, I love being put on
the spot. I think that's why crowd work
sometimes I'll like And listen, they're
so And the parts that I don't say to
them back are funny, those get edited
out. Yeah. Yeah, I post a minute 30
clip. It was a 3-minute interaction,
whatever it is. But those parts that I
like when you're
being put on pressure, that's when like
your body is in like fight or flight and
it takes all of its creative juices and
all of its years of training
comedically to be like just what you
know, and you're not thinking about
anything else. You're not thinking about
a doctor's appointment you got to go to.
You're not thinking about what time your
flight is. You're just You're so
present. And when you're present, that's
when you're just
I I just love that feeling when when
everything creatively just leads to that
moment because you're just responding,
but you're just present. Without
thinking, really. Well, yeah. I mean,
it's like I remember I did improv
classes when I first moved to LA. Hey
now. And they like anytime I would like
think of a joke to say, it would always
bomb cuz it like
like you I would just respond. Think
with Yeah, those are always the
funniest. But like, if you had like a
joke loaded up, time goes by and maybe
the joke is funny 10 seconds ago, but
you but then it's not talking yet or or
you you said something funny and I go,
"Oh, I got something to say." But you
keep talking.
It's like the funniest thing is to
respond what they finish with, not what
they interjected with. What what what
like middle through. So, I think to the
effect of crowd work, it's like you're
just you're you're present. I'm
I mean, like it
it's also like I'm I've been doing I'm
on I'd say I'm on stage for like 30
minutes. I'm like, I'm fired up. I'm
here I'm warmed up. I'm I'm fully in.
I'm you know, I'm I'm dialed in. If
crowd work happens right out in the
beginning of the show, it takes me a
second to be like, "Wait, what? Hold
up." Because there's no like
so, there's no stakes established yet in
the show yet.
Sometimes there is, but like sometimes
I'm like,
it's like sometimes I'm like, "Let me
just Let me get comfortable in this room
first." Someone might yell something
crazy in the beginning. I'll be like,
"What did you say? Okay." Kind of dab
with it. Start cooking with the crowd,
going off my like guide material. And
then 20 minutes later I'm like, "Hold
on. You said you had a boa constrictor
as your first blowjob?" And then I'll
bring it back, you know, cuz I'm like,
"Let me warm up real quick. You can't
just start yelling this shit." It's like
cuz I want to feel It's like working
out. I don't want to just go and hit my
PR right off the bat. It's like Let me
kind of like Let me do some some lunges
real quick.
>> A good term for that is called cold
barring. Mhm. So, you go into the gym
and the bar is still cold and you try
and cold bar your one rep max. It's like
you can't cold bar great crowd work.
Like, Yeah. get into it a little bit.
But I think to go back to what you said
at the very beginning, which is we love
people that love something, like
somebody that's got a passion. And I
think part of the reason is
that person probably gets into a flow
state at some point. They're writing
music and they're just like obsessing.
And maybe they're not even right. Maybe
they're just editing the song and
they're trying to find like, "What's the
perfect [ __ ] kick drum? Like, I need
to like I need to lose a little bit of
this low end here." Or it's someone
that's drawing and time just stops. Mhm.
And they're just
It's them and whatever it is that
they're trying to create or someone
writing a comedy bit or they're doing
this on stage or you know,
playing [ __ ] pickleball, whatever it
is. Like, this is why hobbies are cool
and compelling. And
the fact that
increasingly people don't have
pursuits that make them feel like that.
I think it's like a real You can lay it
at the feet of [ __ ] jobs and and
cost of living and and the [ __ ]
dopamine and the the world's news and
all the rest of it. That's true.
But if you don't have at least like one
thing, and I guess that could even be
probably like playing with your kids,
being like, "Fuck. Like, I'm just so
like in the zone with my kids. I'm
having such a good time and time's
completely stopped here." But if you
don't have anything, I think it's going
to be really tough to feel like I live a
meaningful life if you're kind of just
moving from neurotic, obsessive,
echo [ __ ] self-reinforcing thought
loop thing to the next thing to the next
thing to the next thing to the next
thing. It's like,
but what point are you just there and
you're kind of out of your own head and
just doing the thing?
So, what do you tell people that feel
like they're working a dead-end job and
they're like, "I don't know if I have
any hobbies and I just I I don't have
any time to work-life balance." It's
rough, man. I mean, there's material
constraints Mhm. to what people can do.
And and
it this is always the issue with trying
to talk about this sort of stuff online
that the "Well, easy for you to" That is
the sort of immediate response. And in
some ways like rightly so cuz if you are
a person who doesn't have the
opportunity to be You've got to work two
jobs and raise a kid and [ __ ] can do
the rest of it. Trying to get some sort
of a
qualification. Like, that sucks.
But your goal presumably is not to do
that forever.
Your goal is to be able to do that to
reach escape velocity so that you can
have this opportunity. And this is why I
think
people that
criticize or people that have an issue
with anyone talking about how to manage
money or or um
you know, move up the property ladder or
whatever it might be. They're like,
"Well, this is like completely out of
touch." And he goes, "Well, it's only
out of touch with the stage that you're
at now because presumably your goal from
the stage you're at now is to get to the
stage where this sort of conversation is
of use to you." So,
I'm kind of skeptical. It makes me sad
when I see
cynicism or or criticism on the internet
of people talking about how to go from
50 to 60 as opposed to always just going
from naught to one or naught to 10.
Like, not everybody's at the beginning
of their journey. And if you want to
learn about, "Okay, what do you do when
you actually get a little bit of
momentum under your wings?" Like, this
is a very different problem
being at the start of your journey and
being like, "It's all upside. I can't
fail." As opposed to going, "Hmm, what's
it going to be like the first time that
you eat [ __ ] or get a demotion or you
don't hit your target in your sales job
or you
release a blog post that eats [ __ ]
compared to the last one." Whatever it
might be.
Oh, well, actually that is a really
challenging
hurdle to try and overcome. It just
feels a little bit less sort of
like underdog philanthropy, like we're
raising up the [ __ ] like the people
that are struggling.
Because as you get further and further
up any sort of a journey, there's fewer
and fewer people like it. All right,
because
by definition, people that get to 50 or
70 or 90 are in the smaller percentage
than the people that are at the very the
very beginning. Which I
To me, that would be pretty interesting,
too, because it's saying, "Hey, I know
that you might be at this stage, but
watch out cuz this thing's coming."
Right?
You haven't had a video take off, or you
haven't had a blog post take off, or you
you haven't managed to change careers to
the one that you want to. But when you
do, you're going to encounter this
thing, and this thing is going to be
hard in a really different way. So,
you're going to feel like, "Ooh,
what if I dropped off? What if my
self-worth has changed now? What if I
can't be as creative as I used to be in
the past?"
Those things are
They're useful to see. But uh the the
only solution that I think that makes
any sense is like
even even if you only had 20 minutes or
30 minutes today,
what is something that if you knew it
was on your calendar for the day, it
would make getting out of bed way
easier?
>> That would excite you, yeah. You're
like, "Fuck, like I can't wait." So, for
instance, today, I had a good night's
sleep last night, even though I've been
flying a lot again, as you know, like
tours are not exactly great on the like
sleep patterns stuff. Yeah. Um and I
woke up this morning and I was like,
"Fucking Trevor and Huberman
back-to-back." And all my friends are
like,
>> Two Yeah, two sigmas.
This is [ __ ] sick. Like this is a
good day. I'm like, "Okay, I I can deal
with the admin, I can deal with the
emails, I can deal with the bullshit."
Episode on Tucker Carlson just went out
like as we're doing this episode, I
assume that I'm canceled by like by now.
Um
But I'm just like I'm fired up to do
this thing. And if you can find half an
hour of your day where you're like, or
pickleball is a kind of an example cuz
people get obsessed with it. You're
like, if you [ __ ] love that and you
know that Monday is going to be
pickleball day, and you get up on a
morning and you're working the kiosk in
a uh [ __ ] what was it? Costco.
>> You're like, "Oh god,
but tonight I get to go to like Monday
Monday pickleball like is the and maybe
I see that hot girl again that I've been
talking to, or maybe I get to get better
at my
>> That feeling.
>> [laughter]
>> Dude, I had a Spanish class with this
girl, and her name was Bailey, and I got
I would get so excited on Monday just in
hopes that she'd ask me about my
weekend.
Oh [sighs] god.
She has like three kids now, but the
somebody beat me to it. Probably
multiple people. She has three baby
daddies.
>> If she's Mexican, that fertility
explains a lot. No, she was uh
uh a white girl, but um kind of went the
stolen valor route. She'd kind of pencil
on her eyebrows, and she thought she was
Latina.
>> [laughter]
>> But honestly, dude, I mean, she had a
she had an ass, so yeah, I you could
yeah.
She could lop as let's Yeah. Yeah, she
she could yeah. Yeah, she she yeah, she
could pass, but she she was oh man. But
but that that feeling of like, "Oh, she
I'll see her Monday morning in in
Spanish class."
Maybe that's why it felt like she might
be a little Latina Spanish class, but to
your point,
I would get
excited at my day job for lunch because
everybody in the office would go out to
lunch, and I would say, "Oh, cool, I can
now go to the break room and edit my
videos freely." So, I would get excited
for people to leave. I would get like
find and it was a 20 to 30-minute window
where I could like oh, if I edit now,
then I can go to the open mic later, and
I start like I've always been like a a
Google calendar guy in my head where I'm
just it's all blocks. I go, "Okay, if
well, if I do 20 minutes now, then I
have that free."
And I but like I would obsess over like,
"When can I when can I film this week?
When can I edit this week?" I would
sneak away and and shoot a a video
upstairs in my old day job. And then I
would be like, in my lunch break, I
would turn my laptop against a wall so
nobody else in the break room could see
it, and it would look like I'm working.
Nobody ever in that office ever saw me
work as hard as I did when I was editing
because I had like a 20-minute
constraint. Same to the pressure thing.
It's like if I have a whole week to get
a video done,
I'm going to dilly-dally around the
whole week, and I'll probably finish it
Sunday night at midnight with when with
there's like a deadline. I was the same
way with papers in college. I didn't
give a [ __ ] until [snorts] there was a
deadline. So, also give yourself a
deadline for goals of saying like,
"Okay, yeah, you work from
5:00 p.m. to midnight." And you go,
"Okay, well, I have up until 4:00 p.m.
to get this done cuz I got to do the
closing shift tonight." Like that that
deadline mentality, that really I gave
myself a small goal of one video a week,
and I like would obsess over that. And I
and I I just I loved it. I would find
time to to to make that.
In other news, I've been drinking AG1
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you
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well. I have got my mom to start taking
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and
in the throat. In the throat. How dare
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I hit the I
>> [laughter]
>> I hit the
Oh, you [ __ ]
Ah.
This isn't even an ad read anymore. It's
just a [ __ ] war zone.
Oh, okay. Okay. Anyway, if you too want
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For stuff.
Thank you.
Thank you very much for tuning in. If
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