Counting 1-2-3-4 for Guitar Rhythm | Blackstar Potential Lesson
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Having a solid understanding of timing and rhythm is fundamental for any guitarist because it ensures you stay locked in while playing along with others. In this lesson from Blackstar Potential, we explore how to improve your ability to count accurately while strumming by breaking music down into its basic building blocks. Most songs are structured around bars consisting of four beats, which serve as the primary pulse running through the music and are counted simply as one, two, three, four using quarter notes. When you play a steady pattern with one strum per beat, your playing aligns directly with this underlying heartbeat that defines the song's tempo.
To expand beyond these basic quarter notes, musicians can use a technique called subdividing to add more complexity and speed without changing the actual pulse of the music. The first step in this process is splitting each beat into two parts known as eighth notes, which are counted by saying "one-and, two-and, three-and, four-and." This requires alternating between downstrokes and upstrokes on every single beat to create a faster flowing rhythm while maintaining the same distance between the main numbers. By practicing this subdivision, you learn how to increase the density of your strumming pattern without rushing or losing time relative to the song's core tempo.
The concept can be pushed even further by subdividing eighth notes again into sixteenth notes, which divides each beat into four equal parts and results in a down-up-down-up strumming motion for every single count. Although this creates an illusion of much greater speed because you are playing more strokes per second, the fundamental pulse remains identical to that of quarter or eighth note patterns; only the number of subdivisions changes within that fixed timeframe. A highly effective exercise to master these concepts is to play a consistent four-beat bar and then switch between different subdivision levels, such as moving from one strum per beat to two, and finally to four, ensuring that the distance between your main counts stays exactly the same regardless of how fast you are playing in between them.
Ultimately, most common guitar rhythms found in popular songs are simply creative combinations of these various note lengths layered over a consistent beat pattern, allowing for endless possibilities once you understand the foundations. You can mix and match eighth notes with sixteenth notes or create your own unique patterns by varying where you place your strums within each bar, limited only by your creativity and technical ability. The key takeaway is that getting comfortable counting these subdivisions is essential for becoming a great rhythm guitarist, as it gives you the control to navigate complex arrangements while keeping perfect time no matter how intricate the pattern becomes.
Read the full video transcript
[music]
>> Having a solid understanding of timing
and rhythm is essential for any guitar
player because this is the thing that
keeps you locked in and playing in time.
So, in this video, we're going to talk a
little bit about how you can improve
your timing and your ability to count
while you're strumming. Now, most music
is broken down into a series of four
beats, and this is known as a bar. Now,
we would count this as 1 2 3 4. These
are known as quarter notes. So, if I
play a steady strummed pattern, one
strum on each beat, it's going to sound
like this.
>> [music]
>> So, those quarter notes are essentially
the pulse that runs through music. But,
what we can do is we can do what's
called subdividing, which is taking
those quarter notes, splitting them up
into smaller groupings. We're still
working with four beats here, but what
we're doing is putting more in each
beat. So, the first thing is to split
them in half into what's called eighth
notes. And to count these, we would go 1
and 2 and 3 and 4 and. So, on every
single beat, we're doing a down and an
up strum. 1 and 2 and 3 and 4 and, which
sounds like this.
>> [music]
>> And then, we can further subdivide these
again into what's called 16th notes,
which is splitting each of our eighth
notes in half, which gives us
four strums per beat, and we would count
this as 1 e and a 2 e and a 3 e and a 4
e and a. Strumming-wise, this is going
to be down up down up on each beat. So,
it's going to sound like we're playing
faster because I'm doing more strumming,
but the actual pulse that runs
throughout this is the same. The pulse
is still going 1 2 3
4, but it sounds faster because I'm
subdividing what I'm doing over that
pulse. Here's how 16th notes will sound.
>> [music]
>> Now, a great exercise you can do to get
used to doing this kind of thing is to
play a consistent four-beat pulse, but
switch between your different
subdivisions. So, I'm going to do a bar
of quarter notes, 1 2 3 4, then in my
second bar I'm going to switch to eighth
notes. So, the distance between my 1 2 3
and 4 is going to be exactly the same,
but I'm going to be playing two strums
per beat, and then I can switch to 16th
notes, which is four strums per beat,
but the distance between the 1 2 3 4
will be identical each time.
>> [music]
[music]
>> Most of the common guitar rhythms you
hear in songs is just a combination of
those different note lengths over the
same beat pattern. So, you can mix all
these up. You could do a beat of eighth
notes into a beat of 16th notes, and the
sky's the limit with how creative you
can get with this. But try that exercise
out for yourself. Get used to counting
these kind of things, cuz these are the
foundations of being a great rhythm
guitar player.