Video summary
The "Book Notes" episode from the Well-Storied Podcast features author Christine Kieffer sharing insights from Rachel Aaron's productivity guide, *2,000 to 10,000*. This book is designed primarily for fiction writers and novelists who wish to increase their drafting speed without sacrificing quality. Rachel Aaron, a full-time author, developed her strategies after finding herself with limited time following the birth of her child; she needed to maximize her efficiency to meet deadlines. The core philosophy of the book reframes productivity not as a relentless hustle culture that makes writers feel inadequate, but as a mindful approach to trimming inefficiencies from the writing process. By focusing on efficiency rather than just volume, writers can avoid unnecessary obstacles and produce more work in less time.
Aaron outlines three key strategies to boost daily word counts from 2,000 to over 10,000 words. The first strategy is to know exactly what you are writing before you begin, which involves spending a few minutes sketching out character exchanges, fight scenes, or descriptions rather than trying to figure out the plot while drafting. This prevents the inefficiency of multitasking between crafting and writing, which often leads to dead-end plot lines that must be cut later. The second strategy involves collecting data on your writing habits by tracking session times, word counts, and locations for at least two months to identify peak efficiency periods. The third strategy is to ensure enthusiasm for the work; writers should focus on scenes they are excited about and use those moments as guideposts for momentum. If a scene feels boring or uninspiring, it may be time to rework it rather than forcing through it, as writing without enthusiasm signals that something in the story might need adjustment.
Beyond drafting, the book offers robust advice on planning and editing to further streamline the creative process. Aaron suggests using an "idea bucket" to collect concepts and selecting projects based on genuine enthusiasm and a clear vision of the finished product. Her plotting method includes filling gaps in knowledge, building a firm foundation for characters and settings, creating timelines, and memorizing story particulars to avoid frustrating edits later. She emphasizes that while structure is important, it should serve to make the writer's life easier, not harder, allowing creativity to flourish within a reliable framework. Additionally, every scene should advance the plot, reveal new information, and pull the reader forward; if scenes are too long or slow, they should be combined or tightened to maintain dramatic tension and pacing.
Finally, the episode covers efficient editing techniques that transform a daunting task into a manageable skill. Aaron advises treating editing as a form of writing where the goal shifts from "what happens next" to ensuring readers understand and love what has happened. To edit effectively, writers should create three tools: a scene map to visualize plot flow, a timeline to check for chronological errors, and a prioritized to-do list that addresses complex issues out of order rather than chronologically. This approach prevents getting stuck on small details while major structural problems remain unresolved. Once the big issues are fixed, a line edit can polish the prose. Ultimately, the book teaches that quality trumps quantity, and by eliminating bad writing days and optimizing the process, writers can achieve their best work faster and with greater confidence.
Read the full video transcript
[Music]
hello hello writers i'm christine
kieffer author of fantasy fiction and
creative writing resources and you are
listening to the well-studied podcast
where i share insights encouragement and
actionable advice designed to help you
craft sensational novels and build your
best writing life always in 30 minutes
or less so you can get back to writing
of course
ready for the show
let's get talking
[Music]
hello again writers come on in and
welcome to the well storied podcast once
again i am your host kristen kiefer and
today is thursday october 21st
2021
today on the blog and podcast i am
excited to introduce a brand new series
called book notes in which i read a
book on the writing craft on creativity
on publishing or marketing and i share
with you some of my favorite quotes from
the book as well as key takeaways and a
summary of the best tips and strategies
that the book contains
so with nanowrimo coming or nanowrimo
coming up this november that's national
novel writing month i thought it would
be a great time to reread and share book
notes from 2000 to 10 000 by rachel
aaron which is also sometimes stylized
as 2k to 10k
in which full-time author rachel aaron
breaks down her key strategies for
increasing her word count and her
writing efficiency
so without any further ado let's dive
into today's book notes
if you'd like to read along as you
listen in visit welldashdroid.com
notes to find the link to today's
episode transcript
2000 to 10 000 by rachel aaron this book
is a short actionable guide to
increasing your writing efficiency
though at times a bit inelegant two
thousand to ten thousand offers powerful
productivity strategies that will
increase the rate at which you plan
draft and edit new creative projects
who is this book for
this book is primarily for fiction
writers especially novelists
any writer will benefit from part one of
the book in which rachel breaks down
three key strategies for increasing your
writing efficiency
however this section comprises only a
third of the book
the remainder showcases rachel's best
tips for planning and editing a novel
with greater ease and speed
how has this book impacted my writing
life
as a writer i have a rocky relationship
with the concept of productivity
for me it brings to mind the dangerous
and unhealthy aspects of hustle culture
that lead so many writers and creatives
to feel that they are not enough
rachel reframes productivity as
efficiency a mindful switch that has
helped me view productivity tips as a
means of trimming the fat from my
writing process
the point isn't to produce more for the
sake of producing more it's to avoid all
the speed bumps that slow us down in the
first place
in retrospect rachel's three key
efficiency strategies seem remarkably
simple
obvious even yet i'm willing to bet that
i'm not the only writer who has spent
years two caught up in their own head to
actually implement these ideas
thanks to this book i've finally done so
and they've made a world of difference
in my process and productivity
next up allow me to share some of my
favorite quotes from the book
quote
writing is a very personal journey but
that doesn't mean it has to be a slow
one
quote
writing is not a performance art so
don't be afraid to let everything be a
total broken mess for a while if that's
what it takes to get your story right
quote
characters are more than actors in a
good story they are the engines whose
desires push the plot forward
quote
i'm not a temperamental artist enslaved
to the whims of her muse
i am a story architect building
glittering cathedrals in the desert for
all the world to marvel at
with all of this introduction to the
book out of the way let's dive deep into
the summary of the book 2k to 10k and my
key takeaways
quote
just like changing your lifestyle can
help you lose a hundred pounds changing
the way you sit down to write can boost
your words per hour in astonishing ways
end quote
rachel aaron is a full-time author who
after giving birth found herself with
newly limited writing time and energy
already behind on a deadline rachel set
out to find a way to increase the
efficiency with which she completed her
creative work
as a result she discovered three key
strategies that help her increase her
daily drafting word count from two
thousand to ten thousand words
one know what you're writing before you
write it
two carve out more high quality writing
time and three ensure you're always
enthusiastic about your work
regardless of how much you're typically
able to write or revise putting racial
strategies into practice can help you
double if not triple or quadruple your
creative output
let's take a look at each strategy in
greater detail
strategy one know what you're writing
before you write it
the hardest work of writing is figuring
out what to write next
writers often make the mistake of trying
to do this work
figuring out how to move their stories
forward in meaningful and exciting ways
as they write
this approach to writing greatly
decreases efficiency because in essence
you're multitasking trying to both craft
story and write story at the same time
this can become especially inefficient
should you draft your way into dead-end
plot lines that ultimately need to be
cut from your story altogether
if you want to write faster the first
step is to know what you're writing
before you write it rachel advises
i'm not even talking about macro plot
stuff
i mean working out the back and forth
exchanges of an argument between
characters blocking out fights jotting
down fast descriptions
end quote
you don't need to become a full-on
plotter to figure out what you'll write
before you write it
simply taking five minutes to sketch out
ideas before beginning the actual work
of writing can make a world of
difference
strategy 2
carve out more high quality writing time
to increase the quality of your writing
time you first need to collect data
about the time you currently spend
writing
rachel advises tracking the following
writing session data points for at least
two months
the time you start writing the time you
stop writing
how many words you write or revise
where and when you wrote
after several months analyze the data
you collect
ask yourself two key questions
how long are your most efficient writing
sessions
when and where do you write most
efficiently
if you're like rachel then you might not
reach peak writing efficiency unless you
write for several hours
alternatively you might be able to
produce a similar number of words per
hour no matter how long your writing
sessions
by reviewing your data you might also
discover when and where you write best
the point at which your writing
inefficiency starts to wane and the
quality of butt in chair time that takes
that leads to burnout the next day
in any case use this data to optimize
your daily or weekly writing sessions
strategy 3 ensure you're always
enthusiastic about your work
after analyzing your writing session
data you'll likely discover that your
most prolific writing days occur when
you draft the scenes you're most excited
to bring to life
by this same token your writing
efficiency will decrease when trying to
write scenes that you find somewhat
boring
not every scene in your novel will be
the most exciting scene in the world
however you should be able to drum up
some enthusiasm for what you're about to
write
when you take five minutes before your
writing session to figure out what
you're right next pay special attention
to the little details in the scene that
you're pumped to write
use those moments as guide posts to
drive your drafting momentum
if you can't conjure up any enthusiasm
for a scene then it might be time to
rework it
no matter how practical boring scenes
have no place in your novel
when bad writing days crop up view them
as potential red flags
don't beat yourself up or think there's
something wrong with yourself
instead gently consider whether there's
something amiss with your book that's
undermining your enthusiasm for writing
as rachel writes if your goal is to
become a faster writer the single most
efficient change you can make isn't
actually upping your daily word count
but eliminating the days when you are
not writing end quote
how to plot and edit with greater
efficiency
nothing will help you figure out what to
write next more effectively than
planning
however planning can look different for
every writer
for rachel planning looks first and
foremost like jotting down every scrap
of a story idea in a file called idea
bucket
from there rachel decides which idea to
write next by asking herself whether
each idea is a project she really wants
to invest her time in
she knows she's ready to start
developing and writing an idea if it
meets at least one of the following
requirements
i can't stop thinking about it
the idea practically writes itself
i can visualize the finished product
i can easily explain why people would
want to read it
however not all story ideas are worth
writing
most ideas can be transformed into a
good book in the hands of a capable
writer but enthusiasm is key
quote your writing time is precious
often gained at the expense of other
worthwhile activities
don't waste it on a book you don't love
end quote
to develop her novels rachel works
through the following process
one get down what you already know put
all of your current ideas for the story
on the page to discover the gaps and
holes you need to fill
two develop the basics
figure out the bare bones of your
characters plot and setting then pin
down your story genre to avoid tonal
mishaps
3. fill in the holes
begin plotting your story in earnest
skipping around as necessary and asking
what happens next with your character's
goals and motivations in mind
four
build a firm foundation
ensure you really feel like you can see
your story in your mind's eye
make sure you can quote taste the book
clearly
five make a timeline
noting the dates of important events and
history will help you find and fix early
plot holes and pacing mishaps in your
story
6.
write out who knows what and when
jot down a quick list to ensure your
characters aren't acting on information
they don't yet have
7. memorize your story's particulars
study your character's descriptions
important place names and other details
that might otherwise become frustrating
edits post-first draft
eight
write a scene list
break your plot down into scenes then
group them by chapter to ensure your
story flows well and consistently ramps
up dramatic tension
9.
do a boredom check
review your scene list to ensure there
aren't any slow scenes or poor pacing
that would kill your enthusiasm during
the drafting process
no matter how much you plot and plan
your story it's likely to change
dramatically as you write
this is perfectly natural and doesn't
negate the importance of planning as
best fits your process
as rachel writes in 2k to 10k
no one has all their good ideas at once
so don't be afraid to let go and just
write
plotting exists to make your life easier
not harder end quote
but what about crafting characters
rather than crafting specific character
details rachel likes to allow her
characters to develop naturally
alongside her plot and story world
consider treating your characters as
active participants who drive your plot
forward rather than passengers on the
roller coaster that is your story
it doesn't hurt to nail down characters
basics first such as the following
their name
age physical description
what the character likes what the
character hates and more than anything
what the character wants
however your characters want
their goals and motivations give them
agency within the realm of your
storytelling
allow them to take the reins harnessing
that agency to tell you where your story
should go next
get to know your characters through this
process
doesn't all this planning kill
creativity
writing is an active undertaking
not a passive one writes rachel
rather than waiting upon the muse to
strike she intentionally sets forth to
craft draft and revise incredible
stories
while there are no real rules for how to
write a book there are methods you'll
want to follow to craft an engaging and
commercially lucrative novel and you're
likely already using them
specifically you're likely already
structuring your story based on an
understanding you've gleaned from the
stories you've consumed
the most pervasive story structure is
the three act structure
which looks as follows
act one put your characters in a tree
act two light the tree on fire
act three get your characters out of the
tree
act one introduces your character's
world and the beginning of your story is
action
act two is all the rising action that
comprises the mountain that is your
story and which your characters must
climb
act three is the peak and resolution of
all that action in which the story's
mounting tension pays off and resolves
the best writers are those who
understand what they're doing when they
sit down to write
who understand how stories tick and seek
to craft stories that do the same
as rachel writes if you want your
writing process to be fast and reliable
it's not enough to distrust your
feelings for what works
you need to know why it works and how it
works if you ever want to make it work
for you
end quote
however using structure doesn't mean
killing your creative instincts
trusting your gut isn't the same as
being at its mercy
use structure to craft your stories and
your gut to identify where your story
isn't up to shine
understanding structure will not only
help you plan and draft your stories
faster
it will also help you edit more swiftly
by avoiding plot issues
and or identifying those issues more
quickly
on a similar note every scene in your
novel should accomplish at least three
things
first it should advance the story
second it should reveal new information
and third it should pull the reader
forward
if you're struggling with an overlong
plot then consider where you might
combine scenes killing at least two
birds with one stone to make your scenes
as powerful and purposeful as possible
exploring this question even with a
shorter novel can help you craft the
best possible story
writing highly purposeful scenes can be
trickier which makes writing more
inefficient
however quality trumps quantity with
storytelling any day
so don't be afraid to slow down when
necessary to create your best possible
work
finally let's talk about how to edit
with greater efficiency
many writers profess to hating editing
but this doesn't have to be the case
editing is writing and if you like
writing then you can also like editing
most writers just despise editing
because it comes at the point in the
process when you've already put a ton of
energy into your book
you're tired and often the work is
harder and you're just ready to be done
however it's important to remember that
editing is a skill
the more you improve your ability to
edit well the less you'll hate the
process
when editing first understand what
you're trying to accomplish
you're no longer asking the question
what happens next instead ask how you
can ensure that readers both understand
and love what happens next
to improve your editing efficiency first
consider what's wrong with your book
remember knowledge increases
productivity
some problems will be obvious but others
will be more difficult to identify
to make the process easier create three
tools for yourself
one
a scene map
recreate an overview of your story
scenes based on your first draft to
identify plot and pacing issues
two a timeline
recreate your story's timeline of events
to further identify plot and pacing
issues
and three a to-do list
organize every issue you uncover in a
list prioritizing the largest and most
complex issues
when you're ready to edit tackle your
to-do list
avoid working through your manuscript
chronologically
instead work to resolve issues by
complexity as prioritized on your to-do
list
your story's biggest issues might span
multiple scenes
if you edited your novel chronologically
then you'd struggle to effectively
resolve your story's more complex issues
working out of order actually boosts
your editing efficiency
after fixing all the issues on your
to-do list read through your book
at this point your book is likely an
unreadable mess
even if the plot and characters are
great now's the time to line edit your
work
polishing your prose and fixing
uncorrected text to make the book
readable
when you're done consider running the
book by beta readers or your editor for
additional feedback voila
just like that you have efficiently
finished a brand new book
congratulations writer
this has been my summary and key
takeaways from 2000 to 10 000 by rachel
aaron
if you feel like you're crawling through
your story struggling for each paragraph
or simply want to get more words per day
on the page without increasing the
actual time you spend writing or
sacrificing the quality of your work
then this is the book for you
using the strategies outlined in this
book rachel aaron was able to boost her
daily writing word count from an average
of 2000 words to an average of over 10
000 words a day
using these same strategies you can also
boost your writing efficiency
so if you would like to check out this
book in greater detail get a copy for
yourself
then you might enjoy the affiliate links
i've included for you in today's episode
description or in today's episode
transcript there's a link to purchase
the book on amazon as well as a link to
purchase the book on bookshop.org
which directly supports independent
bookstores
like i mentioned both of these links are
affiliate links which mean i will earn a
commission on sales made through those
links at no extra cost to you using
those links goes a long way towards
supporting the podcast and supporting my
work at wellstoried as a whole so thank
you very much for using those links if
you decide to give this book a try
with all of that said i think that is
everything i have for you today writers
i hope you enjoyed this brand new
feature here on the well story podcast
and i'm very excited to share more book
notes with you soon
until next time here is to increasing
our writing efficiency
thank you for listening to today's
episode of the podcast writer i hope you
found it helpful to your writing journey
if so make sure to subscribe to the
podcast so you never miss a new episode
and to give the podcast a quick rating
or review
doing so goes a long way toward helping
the podcast reach new writers and lets
me know that you're enjoying what i'm
creating
you can also give me a shout out
directly on instagram at kristin
underscore kiefer
for additional guidance as you work to
craft sensational novels and build your
best writing life be sure to head on
over to www.welldashstoried.com
where i share blog posts workbooks
e-courses and other helpful resources
for writers
again that's w-e-l-l-s-t-o-r-i-e-d
dot com
thank you again for tuning in to today's
episode my friend until next time happy
writing