Big Trouble in Little China: The 80s Movie We Never Grew Out Of
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Big Trouble in Little China stands as a quintessential cult classic that defied its initial box office failure to find immense success through home video rentals, eventually becoming a beloved staple for fans who discovered it in the rental stores of the late 80s. The film's enduring appeal lies in its perfect opening sequence, which immediately immerses viewers in a world blending comedy, action, fantasy, and horror into a cohesive narrative that feels both grounded and magical. Despite being a massive budget production that bombed theatrically, the movie found its true audience through video rentals, where it cultivated a dedicated following that has kept it relevant for decades. Its ability to captivate audiences from the very first frame sets the stage for an adventure that balances absurdity with genuine emotional stakes, creating a unique viewing experience that resonates deeply with viewers of all ages.
The film's success is further attributed to its respectful yet imaginative approach to Eastern mysticism and culture, which John Carpenter and his team handled with care by consulting experts and casting predominantly Asian actors rather than relying on the outdated practice of "brownface." Originally conceived as a Western set in the Old West, the story was wisely rewritten to take place in modern-day San Francisco's Chinatown in 1986, allowing contemporary audiences to relate to the characters while still embracing the fantastical elements. This setting choice not only made the supernatural occurrences more believable but also allowed the film to explore themes of cultural exchange and identity with authenticity. The attention to detail in world-building, from the intricate matte paintings to the seamless integration of practical effects, creates a richly textured environment that feels lived-in and real, drawing viewers into Jack Burton's chaotic journey without feeling dated or artificial.
Beyond its cinematic achievements, Big Trouble in Little China has become more than just a movie; it represents a shared cultural touchstone for fans who have built their lives around its lore, merchandise, and legacy. The film's soundtrack, composed by John Carpenter with electronic contributions from Alan Howarth, provides a hard-hitting score that complements the Asian-inspired themes while utilizing new technology of the era to create something fresh and innovative. Fans have gone to great lengths to collect every piece of related media, including comic book series, special edition DVDs with extensive bonus features, and even custom-made Jack Burton boots, demonstrating the depth of their devotion. The movie's ambiguous ending, which leaves key plot points unresolved, adds to its rewatchability by inviting endless speculation about what happens next, ensuring that the adventure never truly ends for those who refuse to let the ride finish.
Ultimately, Big Trouble in Little China remains a perfect film that requires no remakes or sequels, standing as a testament to the power of storytelling that honors its source material while pushing creative boundaries. Its legacy is so profound that it has shaped the humor, relationships, and very existence of countless fans who continue to celebrate it through parodies, merchandise exchanges, and endless rewatchings. The film's ability to evoke strong emotions, from laughter during its comedic moments to sadness when the adventure concludes, makes it a timeless piece of cinema that transcends its era. As long as there are people who can appreciate its blend of genres, respect for cultural representation, and masterful execution of practical effects, Big Trouble in Little China will continue to be cherished as one of the greatest movies ever made.
Read the full video transcript
Hello and welcome to another episode of
Frightfully Forgotten's VHS Tales. Today
we are finally going to talk about one
of our favorite movies of all time, Big
Trouble in Little China.
>> If you couldn't tell from the shirts
already.
>> First episode we ever shot. What shirts
were we wearing?
>> Yeah. Did I have the white one?
>> You had the white one. And I don't wear
white. I wore the black one.
>> Right. But before we get started, what
are we drinking
>> today? We're drinking the last bit of
the Kevin Sorbo IPA Smash.
>> Yeah. This movie goes back again kind of
like Christine for us. Jack drives a
truck in this movie. So, it was big for
me cuz like if you know if anybody has
watched any of our previous episodes
like Convoy, my dad was a truck driver.
So, I loved anything trucks. So, my mom
started putting this on and I loved it.
Foulmouth truck driver gets into all
these crazy situations.
>> You can relate to that.
>> Exactly. Yeah, I can totally relate to
that.
Not to say your dad was like Jack
Burton.
No, not at all. But it's funny because I
think it's one of those movies that we
actually got into separately.
>> Yeah.
>> Maybe even before we met each other,
which was in '89. Cuz I remember getting
into this movie by myself.
>> Yeah, me too.
>> Being one of those movies my mom rented
for me thinking, I think you will like
this. Not that I picked it out at the
store. She was like, I think you'll like
this. since she rented it for me and I
watched it and fell in love with it.
>> What's not to fall in love with?
>> Oh, exactly. So then when we met and
it's one of those things we bonded over
was our love for Big Trouble in Little
China. And again, like we mentioned in
the Christine episode, this was one of
those movies that we'd watch before
school
>> in your in your bedroom on that little
[ __ ] tiny TV in little increments,
you know, 10 minutes here, 20 minutes
there before school. So, for those of
you who don't know, Big Trouble in
Little China was a big huge budget movie
that completely bombed in the box
office, but found a lot of love and
resurgence when it went to video. It
became one of those movies that had a
cult following from the rental stores.
So, it was like a rental store revival
movie and that's where it made all of
its money. It completely bombed in the
box office,
>> which is sad.
>> Yeah. Yeah. It's like, [ __ ] this movie
didn't deserve that.
>> No. People like us and people our age
fell in love with it strictly through
the rental stores
>> and has since had a huge cult following.
Why it's such like an enthralling movie
and why it's so easy to get sucked into
it.
>> Well, that you just said it. You get
sucked into this movie. That's like from
the opening scene, which we parodyied
too.
>> Yeah.
from the beginning, right? Which, oddly
enough, wasn't originally in the movie.
The studio wanted Carpenter to to put
that in to kind of give it more context.
One of the very few things that the
studio did, right,
>> right? Studio interference got right.
>> Yeah, they did get it right. That
opening scene kind of grips you in. It's
so good. It's so perfect. From the
music, the way it's shot, the lighting,
the dialogue,
>> the mystery, right?
>> So [ __ ] good. Probably one of the
most perfect opening scenes to a movie
to really get you sucked into
>> the world, you know, that they're trying
to create, you know, and it's Oh, man.
Like you're you're in
>> Yeah.
>> Yeah. You're invested right away.
>> You're invested. Then as soon as that
opening theme kicks in,
>> starts like right at the tail end.
you get into it. Then as soon as that
music kicks in, you're like, "Oh, [ __ ]
yeah."
>> Yeah.
>> And then you get introduced to Jack
Burton, which is one of the most like
beloved bumbling idiots kind of heroes
in in cinematic history.
>> Yeah.
>> And how can you not love Jack Bird? He's
just so adorable.
>> Yeah. He's such a lovable. You feel bad
for him really because he's sucked into
this situation.
>> Yeah. and like thinks he's the the hero,
but he really isn't. And he just thinks
he's such a tough guy. Yeah.
>> It's like, "Oh, yeah. First time you
ever plugged somebody?"
>> Of course not.
>> It's like,
>> "Yeah, that's that's Jack." And that's
what makes this movie so endearing.
>> Endearing is the characters and also the
lore they create. this kind of like
[ __ ] Eastern philosophy that's kind
of built on a grain of sand of real
Eastern philosophy and
>> religion, but they build it up in this
thing where you almost finish the movie
believing it.
>> Mhm.
>> Like
>> they do such a good job on that.
>> They totally buy that. Oh, this is real
Eastern mysticism and real Eastern
religion. Yeah.
>> No horseshit, Jack.
>> No horseshit. Lopean, that's a real
[ __ ] you got to buy it, right? Shing
Dai, oh that's a real god. Like you
[ __ ] you really buy into it.
>> Carpenter and like everybody who
produced the movie made sure to go back
though into the like the real history,
right? To not piss off like the Asian
community, too.
>> I love that. That's what kind of gives
this movie roots, lore, and real stories
to base all the [ __ ] off of. And
they bend it quite quite quite a bit
before this movie. If they made a movie
of this type where it's like a lot of
Chinese mysticism and
>> like an east meets west kind of
>> most of the main characters would be
white or there white guys painted brown.
>> Yeah.
>> They went out of their way to hire as
many Asian actors as they could and
people not just actors but like people
to consult with. I've seen interviews of
both James Hong and Victor Wong. They
were impressed with how many Asian
actors they brought in to make sure that
they actually got the demographic right.
>> Yeah.
>> And not just painting white guys brown
like they used to. This movie really
resonated with the Asian community for
that reason, I think, because like, oh,
like you're I'm finally seeing my people
on screen. Well, and Carpenter made sure
of that, too, right? Well revered from
the Asian community for doing that, too,
right?
like they did a lot of consultation. He
made sure not to step on toes and he
cared. The love is in this carpenter.
>> And the story of the movie is pretty
interesting because it started off the
first drafts of the movie were a western
or was a western
>> which still took place in like you know
America.
>> Yeah.
>> But it had all that Chinese mysticism
and all the stuff and they're like well
this
>> it's not going to work. It's too much.
>> It's too much. Like I couldn't imagine
this movie set in the Old West. It would
be like how can you relate to anything?
>> Yeah.
>> Like the modern viewer can't relate to
all the weird fantasy stuff. You also
can't relate to living in the Old West.
So it's like well too much, right? So
they decided to rewrite it to the modern
age because this movie totally wouldn't
work in the Old West. It's taking place
in the 86. it it works so much better
and I think it makes it perfect because
you can relate to these characters. You
can relate to Jack being just a modern
truck driver stuck in this weird
situation. Even Gracie Law like oh,
okay, I can relate to these people. It's
like Gracie Law was like my mom, you
know, like that they're people I I know.
I see these people on the street.
>> Yeah. It helps it helps to digest all
the crazy stuff that's going on.
>> Yeah. And the movie is crazy enough, let
alone imagining it taking place in the
Old West would be like, "That's
overkill."
>> Yeah. Yeah. You wouldn't buy it. You
wouldn't believe it. But the way it's
set up, you believe it.
>> Yeah. You believe it.
>> You totally believe it.
>> I remember watching this movie as a kid
totally believing that this was all
based on real [ __ ] That like low pan
>> and all that stuff were real people that
they based this off of from like
thousands of years. Of course, it's all
made up and [ __ ] but that's how
good of a job they did that they made
children buy into.
>> Yeah.
>> The fake religion and mysticism, the
seven waring kingdoms and all that. Like
that's real, but then they put Lan into
that, right? And it's like, well, that's
obviously [ __ ] but it's like this
the Waring Kingdoms and all that is
real. And this movie is like the best
parts of every genre put into one movie.
Yeah,
>> it really is. It's got the comedy. It's
got the action,
>> fantasy, a little bit of horror, like
>> just a little Y.
>> It's everything. That's I think why it
resonated so well with people
>> afterwards. If you don't know what kind
of movie you want to watch, I don't know
if in the mood for horror, fantasy
comedy, I'm not sure. Well, you're in
big trouble and you got it all. You got
everything you ever want in one movie.
>> Yeah. I mean, look at the [ __ ] cover.
For Christ's sake. Yeah, I was like,
man, it is one of the coolest movie
posters of all time. And I love movie
posters like this where you can stare at
it for like an hour and look at all the
detail, the little things. Like, again,
it's not some [ __ ] AI generated
[ __ ] It's someone painted this
thing and put so much detail into every
little corner of the [ __ ] painting
>> where it's like a work of art. It tells
you everything about the movie without
spoiling it. Me and Justin loved this
movie so much as kids where we made our
own Big Trouble in Little China movies,
which we'll show you parts of here. Not
the whole thing, God forbid, but little
parts here and there we'll put into this
episode to show you how much we love the
movie and adored it. How much it shaped
our childhood. We [ __ ] made Big
Trouble movies. Harmed in the process,
I'm sure.
Like that scene where you're all tearing
my face off of
>> growing up and doing [ __ ] big trouble
parodies on YouTube
>> in the basement.
>> How many Yeah. How many years later? Not
not our parents' basement, mind you, but
how many years later just tells you like
the scope of the movie
>> in our lives. Like that's if you look at
them back to back, it's like [ __ ] the
the span of those years. And the fact
we're still doing it till this day tells
you how important the movie is to us,
right?
>> It's still in the rotation. You put it
on, you know, I put this movie on, I
don't know, once a month or something.
It's like, [ __ ] even just to have in
the background
>> just to hear that music. And you got
like even more obsessed with it.
Ah [ __ ]
>> Greetings to you, too.
>> I forgot to call, but I was too busy
watching Big Trouble in Little China.
You're You're looking good. Uh, no
glasses.
>> Had to pick up a shift at the video
store. You know, work is work. You're
going to find yourself with no friends
at all if you keep watching big trouble
of Little China. Get off my back.
This really pisses me off to no end.
You're his best friend. What's going on?
>> I don't know. I mean, I hardly ever see
him anymore.
>> Ever since he bought that damned fier,
he's been obsessed with it. And you know
what? When we got it insured, the clerk
at the counter said the previous owner
had died watching big trouble little
China on it. Jesus. Does Adam know about
this?
Adam doesn't know anything anymore.
>> Well, it wasn't all my fault. The
haunted VCR played a little bit of a
part in that. I guess so.
And for the longest time, we only had
this VHS.
>> I remember buying this. This is my copy.
Yeah. I remember buying this at Safeway.
>> Yeah. Yeah. Me, too. That's where I got
my
>> Safeway used to sell movies and this was
at like the their movie section. Ah, I
bought it. But this isn't the version
that I want. Justin has the good
version.
>> Yeah, you want that one.
>> The CBX. Yeah.
>> Yeah. And I got this from guy just
selling tapes uh at a yard sale for
three bucks a piece. And I This was the
I think this was the first tape I
noticed in his big pile. I was like,
so I grabbed it right away.
>> That's the one I want. I always thought
the images in the back of that they that
they chose for these movies were kind of
strange. Like to sell you on that.
>> Yeah.
>> It's kind of odd. Like I always thought
that the
>> It doesn't tell you much.
>> A lot of movies from this era, the
images in the back were like not the
best ones to sell the movie.
>> No. And a lot of times like they're also
mirrored.
>> Yeah.
>> Which is odd. I don't know why they did
that. Maybe
>> like even this one like they they chose
that image for some reason to like
>> sell the movie.
>> Yeah.
>> Two guys looking over their shoulders
like
>> Yeah. Or like Death Wish they showed
Charles Bronson smoking. It's like the
hell does that tell you about the movie.
Like I don't want to I don't care about
seeing him smoking. Speaking of physical
copies, I remember the first DVD I ever
purchased in my life was The Big Trouble
DVD. Two reasons. Number one, it's one
of my favorite movies of all time. But
number two, like I remember I was
looking through the DVDs and there
weren't many to choose from when they
first started coming out, right? There
was the selection is pretty small, but
it had this big thick thing and it was
like two discs.
>> Like, well, [ __ ] Got to buy that. This
is still one of the best DVD releases of
all time. Yeah, it is. Yeah.
>> Not just because there's tons of special
features on disc 2, which we'll get
into,
>> but the menu
>> the menu alone is worth buying this DVD
for. It's like the cream of the crop DVD
menu, which kind of like set the level
for DVD menus.
>> And they don't make them like that
anymore either, which is such a shame.
But yeah, like right when it starts
and it has the gate, like the doors that
close and open, it's like, oh [ __ ]
Yeah, like this this movie got me like,
oh, DVDs are awesome because of this
movie,
>> right? Yeah.
>> And this was back when DVD menus [ __ ]
kicked ass. They were so cool and they
and the menu sucked you into the world
>> before you even hit play on the movie.
>> I remember being so jealous of that. I
remember it's like,
>> well, I'm jealous of this, so we're
okay.
>> Where do you get it?
>> HMV or
>> Oh, HMV. Yeah. And I remember I went
there to look and of course nothing. And
And then it went out of print almost
right away.
>> Yeah.
>> You couldn't find it, so I had to go on
eBay. Second disc with all the cool
features, all the deleted scenes and out
takes and stuff, which is fantastic.
>> But the thing that I didn't know existed
was the music video. And I remember
there's a music video.
>> Yeah. It's like, holy [ __ ]
>> And you hit play and it's like, oh man.
Like John Carpenter, what are you
wearing? Like he's got those glasses
with those slits in them,
>> the shutter glasses. And we kept
thinking like, who's that guy that looks
like Adam Sandler playing keyboards?
It's like, oh, that's Nick Castle.
That's [ __ ] Michael Myers who looks
like Adam Sandler in his pajamas playing
keyboards and little China singing all
falsetto like that's Michael Myers like
yeah it's crazy. It shows though like
that they're having a blast making it
right. It's just so fun. It's just
another little extra to this movie. You
know
>> you got big trouble.
>> Only plays during the end credits. It's
not like shoved down your face
throughout the whole movie. It's only at
the end credits.
>> And I always remember thinking at the
time when I was a kid, it kind of
sounded a little out of place cuz you
didn't hear it.
>> Yeah.
>> Before and then this weird song comes in
like what's that?
>> What the hell?
>> The Coupe Deville.
>> Yeah.
>> Yeah. By the way, Coupe Deville does
make a little appearance in the fog.
>> The music in this movie is incredible.
It's one of my favorite soundtracks from
any John Carpenter movie. And it starts
from the beginning and it never lets up.
>> Yeah. And the funny thing is too is it
doesn't really sound like a John
Carpenter score because it's in
conjunction with Alan Howworth.
A weird name to say, Howard, but it's in
conjunction with him. So, it's like you
can see where he comes into play
>> cuz it's a bit more electronic, right?
You get more of that kind of like really
sequenced
d like you can tell where he's coming in
to help. So, it's a John Carpenter
score, but it's the first one you really
hear, I think, Allen's
spin on. Like, you can hear you can hear
his stamp on it. You compare it to all
of John Carpenters's scores that come
before it. It's really different.
Melodically, it's the same motifs, but
it's completely different sounding.
Like, you can tell it's like new
technology. They've kind of not using
the old [ __ ] '7s [ __ ] anymore. They
bought new8s.
>> No, they had the money for it.
>> Yeah, the money using like Kurswell
synths and stuff like that. Like, it's a
really sequenced. Like, it's a
hard-hitting [ __ ] score. perfectly in
keeping with the Asian theme as well.
>> Oh yeah, the way they use all the Asian
sounds.
>> Yeah, it's it's great.
>> And that's what I think that's what what
I meant when I said it's not very
carpenter like like he's kind of like
>> going outside of his wheelhouse
>> but doing such a good job of going
outside of his wheelhouse and still
staying within the context of this a
type of movie he's never made before.
>> Right. The score sucks you in.
>> Yeah. from the first scene, like we said
before, that first scene, it sucks you
in. And part of that is the score. It
helps to build that world. It gives it
like expanse. Does one of the best jobs
ever at world building for being a short
movie. Like cuz a lot of those big
worldbuing movies are like 2 and 1/2
hours long.
>> Yeah. You know, this movie is a cool
hour and a half and it [ __ ] it does
it. It nails it.
>> Nails it like in the first two seconds.
>> Yeah. you're sucked into the world and
you know what world you're living in,
right? The world building in this movie
is phenomenal. Funny that it hasn't been
expanded on more, you know, considering
the fandom these days is so crazy. Like
you think there'd be all these video
games and stuff. No,
>> I know. Yeah, there wasn't. Yeah, which
is weird.
>> There's like one video game that came
out in the 80s on like Commodore 64 that
time forgot. But when it comes to world
building, they did do some other things
and that is some comic books that came
out which we started collecting. So
>> Boom put out like a whole shitload of
these big trouble comics and I think I
have all of them and they're all pretty
damn good.
>> Yeah, they're pretty good
>> and they take place after the first
movie. Yeah, it's a really cool series.
Definitely worth picking up but it
started to get too expensive after a
while cuz like [ __ ] comics aren't
cheap like even new ones. Yeah.
>> Off the shelf aren't cheap.
>> Yeah.
>> You know, they're [ __ ] It's expensive
hobby.
>> Yeah.
>> So, I cut it out.
>> There was another comic book series that
came out after called Old Man Jack.
>> Yeah.
>> Where Jack Burton's all super old. And
it this is actually it's okay, but it
didn't suck me in as much as the other
one to buy them all and just have this
kind of like collection here. And I got
this thing here, which Adam bought me
for my birthday, which was, you know, if
anybody loves the movie as much as we
do, you're gonna have to get this
because it takes you basically on
another ride throughout the whole movie.
And like like ah [ __ ] I mean,
everybody's seen that picture before,
but come on.
>> Yeah.
>> You know, it's like and it it it
basically just delves into all the
behind thescenes making of Carpenter
with his like
>> bell bones. Yeah. One of the things that
you may not realize about the movie,
what it sees, Lopean knows. That thing
was like one of the most expensive, if
not the most expensive effect on the
whole movie. And it took like weeks to
do it and it's only on screen for
30. Yeah. It's like
>> max.
>> Yeah. And it's like the amount of love
and attention that was put into this
movie, right? And it's like you you
really see that in a book like this.
>> Yeah. I think the the movie stood the
test of time for many reasons, but one
of them, like you said, is the love put
into the making of it. And the attention
to detail
>> in every detail of the movie is like
>> you you can probably zoom into any
corner of any frame of the movie and you
won't see something that's wrong. Like
you won't see like, oh that they [ __ ]
that up. The devil's in the details. Y
>> it's like every shot is perfect. Every
little [ __ ] corner of every shot,
there's something there that puts you in
the world that we're supposed to be in.
>> The matte paintings. Yeah. Lan's layer
looks like a part of the goddamn world
that they're in. It's like that's how
incredible it is, right? Big Trouble
probably used every piece of movie magic
available in the8s, which is one why
it's one of the most 80s movies of all
time because it used
>> every piece of technology that was
available to them. Mhm.
>> to make the music, make the effects,
this that like it's just like it
encompasses the8s so well. But it's not
dated either.
>> No, cuz they don't cram the decade down
your throat. The decade. The decade.
>> Besides some of the clothing, but even
that's kind of like it could be from any
decade.
>> Like the way Jack dresses isn't
necessarily 80s. He's got a little bit
of a mullet, but other than that,
>> yeah, but not that he kind of has the
cool mullet. You got like Wang, he's got
a skinny tie, but besides that, it's not
super shoved in your face 80s. You know,
Eddie Lee's got that jacket that This is
how much we love the movie. We go
searching at thrift stores for quote
Eddie Lee jacket.
>> Like, isn't that kind of sick? Like,
>> it is a form of sickness. And I and I
used to have an Eddie Lee jacket and
>> the damn ex-girlfriend [ __ ] took the
thing when she moved out.
>> Why? I don't know. Cuz I don't think it
would have suited her.
>> The the whole breakup was of course I
was all distraught, but I was like the
Eddie Lee jacket. You took my Eddie Lee
jacket.
>> I remember that jacket. I
>> [ __ ] [ __ ] took my Eddie Lee jacket.
Yeah, that's the only thing that like
you you take from that breakup. It's
like ah
>> that damn Eddie Lee jacket. And if
you've watched the movie as many times
as we have, you know exactly what we
mean by Eddie Lee Jacket.
All the sub characters are so good. All
the minor characters memorable. And
speaking of the ending of this movie,
it's one of those movies that when it's
over, you're sad.
>> Yeah. cuz you're like the adventure is
over. Like you're kind of like
>> I don't want to get off this ride. Like
you're sad that the ride is over and
that's I think why it's so rewatchable
because like I don't want it to end.
When it does end you're like
>> you're sad.
>> I don't [ __ ] know. Like I want more.
Like so you rewind it and that's why
it's so rewatchable because it's just
like it
like you don't you can't get enough.
>> Jack doesn't even kiss Gracie.
>> Yeah. Nope.
>> So, you don't know if he comes back for
her. You don't know any of that. You
don't know if the monster at the end
gets him.
>> Yeah. You don't know nothing.
>> It's all so much left up in the air
where it's like the perfect movie for a
sequel that you don't want to see a
sequel for.
>> I know. Yeah. Yeah. And And it wrap
Yeah. It's It's like it it wraps
everything up perfectly, but leaves just
enough. Bothers you just enough, right?
It kind of bothers you like
>> And it's sad.
>> It bothers you that it's over.
>> Yeah. And it's sad like when you know
>> driving alone in the rain and
>> Yeah. That's it.
>> And the music's kind of sad too. That's
why you right after you finish watching
it, watch it from the beginning again.
>> Yeah.
>> Cuz you don't want that ride to be over.
>> That's right. I was in I was at San
Francisco Chinatown right there. I got
like there's pictures of me with my arm
on the those heads and all that. It's
like I was like a pig and [ __ ]
>> It's like Oh. Got him a shirt. Yeah,
that's the thing about this movie too is
cuz like so the exchange between us two.
So you got me a shirt when you went to
San Francisco Chinatown. Yeah.
>> That says San Francisco Chinatown.
>> The shirt you're wearing right now. Who
got you that shirt?
>> You did. Yeah.
>> That book you got there. Who got you
that book?
>> Yeah.
>> That's right. So it's very much like
obviously ingrained in our relationship.
You know, the fact that we still
exchange with each other big trouble
merchandise
>> merchandise and memorabilia till this
day. You know, maybe one day one of us
might have a pair of Jack Burton boots.
>> Oh yeah, that'd be awesome. Custom made
you'd wear you'd have to wear them like
with shorts and everything
like in your underwear and sleep in
them. So there's a little window I think
into Big Trump and Little China and what
that's meant for us,
>> you know, throughout the years. Like
this movie is just a huge part of us and
our existence and what makes us tick and
our sense of humor even.
>> Yep. Everything
>> and and what we like in movies really
stems from this movie. Like because this
we think this movie is perfect. So
>> yeah,
>> any movie will judge by the perfection
of Big Trouble.
>> Yeah. Yeah, the movie. I think you got
it right. Yeah, the movie is perfect.
>> Yeah,
>> it's like it's very very hard to beat
like all the aspects of this movie. And
I'm so happy that that godamn remake
that they were thinking about making the
with The Rock. Of course, I'm so glad it
went nowhere
cuz this movie does not need anything.
>> Doesn't need a remake. Doesn't need a
sequel.
>> No, it doesn't need a prequel. doesn't
need a prequel. Prequel to the prequel
to the sequel and this and that. It's
like just leave it the [ __ ] alone.
>> It should be left alone. So until next
time, keep shaking the pillars of
heaven.
>> Yeah.
>> No horse [ __ ] Adam.
>> No horror [ __ ]
>> What the hell do you want?
>> I know about your brother.
>> You don't know [ __ ] kid. I know. He
died watching Big Trum and Little China
on that VCR. My brother died cuz he
wanted to. You hung himself with the
tape.
Same look in his eyes that your friend
did. No other CD, Betamax, DVD came
between them. If they did, watch out.
Had a 5-year-old daughter. Lost her hand
in the tape loader. You wouldn't get rid
of her. Just sat in the basement
watching big trouble without a care in
the world except for Christy.
Wasn't until Rita killed herself that I
interfered. Well, who's Rita? His wife.
They give a rat tad about her. She died
the same way he did. And I made him get
rid of it. You know, for decency.
Of course, the VCR came back 3 weeks
later. What do you mean came back?
What do you mean?
Heat
up