Bay's Best Film Festival day 1 of 5 | BraveMaker Film Festival 2026 SF Bay Area Film Events
Watch on YouTubeVideo summary
The video provides an immersive walking tour of Redwood City on July 8th, 2026, highlighting the highly walkable nature of the BraveMaker Film Festival's event space. The host begins at Courthouse Square and Broadway, the central hub where most activities take place, noting that key venues like the Fox Theater, Cineark, and various restaurants are all within a short walking distance. The tour showcases several specific locations, including the Ocean Oyster Bar and Grill hosting a reception for filmmakers with all-access passes, Cordomos pizzeria offering parties and fresh air, and Nighthawk bar which serves as a late-night spot to meet other creatives. The host emphasizes the convenience of the layout, pointing out shortcuts through parking lots that connect Main Street back to Broadway, ensuring attendees can easily navigate between the festival headquarters, coffee bars for morning mixers, and dining options without needing transportation.
Beyond the logistics, the video captures the vibrant community spirit and the specific intentions of the festival-goers. The host shares personal stories about supporting local businesses, such as Cardamomos, which previously donated food during the filming of a pilot project, and expresses a desire to eat there to give back. Interactions with fellow attendees reveal a strong sense of camaraderie among filmmakers, social media team members, and creative friends who gather to share advice, celebrate successes, and maintain a positive, stress-free atmosphere. The host also highlights the importance of mental health by interviewing Kevin Hines, a suicide prevention advocate and filmmaker whose documentary, "Suicide: The Ripple Effect," is being screened. This segment underscores the festival's commitment to fostering hope and healing, with Hines sharing wisdom on compartmentalizing pain to offer strength and support to others in crisis.
The narrative also addresses realistic expectations for independent filmmakers, particularly regarding distribution myths surrounding major festivals like Sundance. A speaker named Christina challenges the common belief that selling a film immediately after a prestigious festival is guaranteed or even typical, noting that Netflix has not purchased many such films in recent years. She encourages creators to focus on making an impact and changing the world through their stories rather than relying solely on quick sales. The video concludes with the host reflecting on the energy of the first day, acknowledging the long hours spent engaging with people and experiencing the festival's unique vibe before heading home for rest. Overall, the summary paints a picture of a well-organized yet intimate event that balances professional networking, artistic expression, community support, and personal well-being in the heart of Redwood City.
Read the full video transcript
I'm in Redwood City and it's time for
the film festival. It's Wednesday, July
8th, 2026. But I want to give you a tour
of Redwood City of where all of the
events happen. I might even go to the
bars as well where people can hang out
if they want to. They're like listed in
the program. When I say everything is
walkable, it really is. Here is the
entire map of everything. Most things
are on Broadway. So, behind me is the
Courthouse Square where there's a free
screening. And then across the street
from that is the Fox Theater. So, we're
just going to go down Broadway, which is
this street right here. That's the
courthouse. And that is Broadway. And
look at what's here. Cinear as well as
Konasuk is right over there.
and timber and salt.
This block isn't even that long. It
might take you like 30 to 45 seconds to
walk between the theater to Konasukad or
Timber and Salt. There's a lot of stuff
going on right now. Let's [snorts] get
back on Broadway. Here is the Oyster Bar
and Grill. Ocean Oyster Bar and Grill.
And this is where there's going to be a
little reception for filmmakers and
people with all access passes. The all
access pass this year was $600. And yes,
I think it's worth it because especially
if you're going to be here for a lot of
events, but also usually it gets you
into things that might not even be on
the program like in the physical program
just because they might add things last
minute or they just have secret things
that they don't want as many people to
go to. So today there's going to be um
unlimited tacos there for filmmakers and
all access passh holders. And then we're
just still walking down Broadway and
there's going to be a couple of places
over there including the headquarters
that we're going to look at. Now we're
at the part of Broadway that is all
pedestrian. So we were just in that
corner right there. That's where the
ocean bar was at. But now this Oh, I
guess it's two blocks cuz it's this
block behind me and this block are all
pedestrian. And here's the next place,
Cordomos. There's a party tonight at
Cordomos with I think drinks and
desserts. It's a pizzeria and they are
so nice in there. The outside seating
and the inside seating is super cute and
vibby. Great place to like sit down and
eat and just have some fresh air cuz
most of the day we're inside at the
festival. Great meatballs, great pizza.
Cardamomos, a couple doors down,
Nighthawk, which I believe they close at
like 2:00 a.m. So, this is a place where
when there's no parties, you can come
here and potentially find a filmmaker.
And then right next door is Mazda, which
there's a few restaurants on the flyer
where you can get 10% off, and Mazra is
one of them. There's so many things on
Broadway. Okay, I'm going to go stand in
the middle of the street. Still look
around because bikes can come. So,
Nighthawk, Mazra, the headquarters right
here, and then coffee bar, which there's
a mixer every almost every morning, I
think. Um, Thursday to Sunday, there's
mixers here. So, we're going to be
coming here a lot as long as I wake up
early enough. I'm sure I will. Um, cute
coffee shop. Let's Let's go inside
really quick. Here's the headquarters.
And this year, they have seating
outside. You can see a little table
there. and we can go inside really
quick, but I'm pretty sure that they're
not completely set up yet. Maybe we'll
do another tour once they're completely
set up.
Some merch. I already have one.
This is where a lot of the panels,
workshops are going to happen. And
there's Tony.
Um, and just a bunch of volunteers
setting up the headquarters, which you
can come here pretty much anytime just
to Hi. just to hang out.
Step and repeat. And there is a sink
right there as well as a bathroom in the
back.
Okay, so right next door to the
headquarters. Oh my gosh. Also, look it.
I'm on the poster. Me and Nicole are on
the poster and you know so many other
amazing people. Right next door, well
almost next door, but on the corner is
the Center for Creativity, the Sequoia
Hotel.
>> There are going to be some workshops and
panels in here as well. Center for
Creativity is right behind me. And then
there's a Hamburg House over here, which
I do not believe there's any official
events happening there anymore, but it
is a great place again to run into
filmmakers and just get drinks. And
we're on Main Street, which is this is
the only venue on Main Street uh for the
festival. Oh, yeah. And the World Cup,
if you're still watching, they'll have
it in here. Since I'm on Main Street,
I'm just going to keep walking down
opposite of uh Broadway because behind
us over there is Middlefield, which is
where the library is. No events are
here, but Ghostwood Kitchen. Um that's
where Breathe Maker hosts their monthly
mixers and it is on Main Street. I might
be coming there for some food cuz I've
had their food before and it's pretty
good. We're still walking down um Main
Street towards Middlefield and then
we're we're and then we're going to take
a right and the library is going to be
right there. So there's the library on
Middlefield. There are a few shortcuts.
So there's actually a parking lot right
here that you can just cut straight
through and then you get back to
Broadway where the headquarters are. So
I could have done that, but since I
wanted to show you Main Street, I came
this way. The closest thing to the
library is the Dominique Hoskins Black
History Museum. So we're going to keep
walking down Middlefield. this way to
get to the Black History Museum. We just
did this. We were on Broadway and we
looked at the courthouse and the Fox
Theater. And then we went down this
street adjacent to Middlefield to see
all of these places like Cineark and
Konasuka. And then we continued down
Broadway. I showed you all of these
including the headquarters coffee bar.
Then we went down Maine to look at
Alhambor House and Ghostwood Kitchen,
which isn't on this map, but it is in
the discounts. and then the library. And
now we're gonna go to the Black History
Museum and that'll be our last stop. But
you see how walkable it is. I think at
first glance, like this might be a
little bit confusing, but everything is
so close to each other. Even the library
and the Black History Museum that are a
little bit further.
Not really. You know, it's just because
it might take like 5 minutes from the
headquarters, especially if you know all
of the shortcuts. But that's it. That's
everywhere we're going to be going to
this week from Wednesday all the way
till well I'm going home on Monday
morning
and that is Broadway over there. So this
is Jefferson and then if you keep
walking that way it'll be Broadway which
is where I showed you that most of the
um spaces are at.
So, that was a museum and the workshop
that's going to be there is Saturday.
Sorry, it's loud. It's like traffic, but
it's going to be Saturday at 4 p.m. and
it's called uh it's a panel called
Lights, Camera, Legacy, Black Creator
Panel. Of course, there's a ton more
restaurants and coffee shops. I'm going
to try and make it a point to only eat
and drink at places that support the
festival so that other businesses in the
future, if they want to support the
festival, they're like more encouraged
to, you know. So, actually, right before
this, I had lunch at Mazda and I had a I
already forgot the name of it. I'll look
at my receipt, but it was like a a
simple salad and then I added chicken
and it was a lot of chicken. It was like
a chicken kebab or schwarma. Chicken
shwarma. That's what it was. It was
delicious.
Tangy, a little bit fatty from the
chicken. So good. But, um, yeah, I'm
almost already back at the Brave Maker
headquarters. I'm at Cardamomos right
now, which I 100% am going to eat there
this weekend at least once because they
were super sweet when we were filming
the pilot uh called Nonprofiting, which
I found out that there's going to be a
trailer for it. Um it's a pilot, a TV
show pilot that was created by Tony and
Brave Maker. And um during the filming
for that, Cardamom's donated a bunch of
food for the cast and crew. So, I want
to as a thank you, [music]
I want to go back there and eat and
support the business. What do I say
every year for the film festival that I
love the energy here? I love the people
I meet and the films. And obviously, I
can't show you the films in my vlog, but
I can show you some of those people. So,
I'm going to see if people want to chat
with me and you can just get an idea of
the vibe of the type of people that come
to the fest. This is not what I'm gonna
wear to the festival today. So, I should
go change. Here I am. I don't know if
the earrings are too much. I feel like
they're fun, but um I'm going to pick up
my passes. I haven't picked up my passes
yet for everything, the all access pass.
So, I am at the headquarters. Terra,
what did you just give me?
>> Oh, good.
>> It's a little um retractable box cutter,
a little useful prey for all my bread
maker friends.
>> Thank you.
Yes. I like to, you know, spread the
house peace and joy. [laughter]
[music]
>> I can't.
>> And what's your name?
>> Oh, I'm sorry. I'm Jesse.
>> Jesse. Nice to meet you.
>> Nice to meet you. I'm a photographer
with my video.
>> Oh, cool. Oh, you guys are having an
event here?
>> Yes, we are.
>> Oh my gosh. Okay.
I got my pass and I'm walking over to
Ocean Bar for the little happy hour. I
just of course run into so many people
that I know and love. It's really cool
to be able to talk to people that you
trust that are also like your
colleagues, your creative friends and
people that have experienced more life
than you so they can give you advice.
Like that's all really great. Anyway,
let's head in here into the bar.
>> [music]
>> Cute.
>> Cute. Gabrielli,
cut that. [laughter]
>> Gabrielli just asked me, "What's my
intention for this film festival?" My
intention is actually to show the people
that I meet because that's one of my
favorite things is the energy at the
festival. And I feel like I don't
usually show it. and you're an example
of like a really kind, hardworking
person that I met through Brave Baker
that we've done then like worked on set
together and I want to continue to work
on things together. So
>> yeah, I love that.
>> So cast us. So cast us as sisters. We
would love to play sisters. [crying]
>> Yes.
>> What about you? What's your intention?
>> So my role in the film festival is
social media uh team lead. So like
helping with local media and hosting
>> and this year will be my second year in
general like going to the film festival
and like being the lead and so I think
just having fun and taking things as
they go not
>> taking it to Yeah. Because I mean social
media is important but it's still you
want to like be able to do it in a happy
way not in a stressed way.
>> Yeah. Doing it all in love and that
includes loving myself and taking care
of
>> 100%.
>> Hi friends, my name is Kevin Hines. I'm
a suicide prevention advocate,
storyteller, author, and filmmaker. I
made the film Suicide: The Ripple
Effect, which we're screening tonight at
the Brave Maker Film Festival by Tony
Gapistone. It's going to be an
incredible evening of hope, healing, and
recovery from brain pain. I'm so excited
to be here. Thank you for having me.
Let's get in there.
>> Excited to watch your film. Um, and it
is about mental health. Seeing people
that are able to create art with things
that they've gone through is something
that I've just recently experienced.
What kind of advice do you have for me
so that I can, you know, do it without
crying. I'm [laughter] about to um every
time I even think about it,
>> you know, one of the things I learned a
long time ago in doing suicide
prevention work, specifically making
films about it, writing books about it,
making media about it that changes
lives,
>> is that you have to separate yourself
from the people in pain that are around
you.
>> You have to compartmentalize yourself
from what they're going through and what
you're going through.
>> Yeah.
>> There's got to be that delineation. Back
in the day when I would speak about this
publicly um and hundreds of people would
come up to me and tell me their stories,
their harrowing, most difficult, most
hardship stories ever felt,
>> I would break down and I would cry.
>> But I would cry. I would feel the feels
that they were feeling.
>> But then I realized that doesn't serve
them.
>> Yeah.
>> You know, they're there to to unload.
And when they're in so much pain, they
need you to be strong and steadfast and
and sturdy. and I learned to
compartmentalize it and then offer hope,
healing, a hug, a kind word, uh some
wisdom. Um and and it it's been an
incredible journey thus far.
>> Uh it's it's been a beautiful experience
making these films about suicide
prevention, a very tough topic,
>> but we make them with a lot of heart and
a lot of hope.
>> And when people walk out of this film,
they don't feel pain. They feel
enlightened and they feel like they want
to go help save a life. Yes. Oh, I love
that. Thank you so much.
>> So, here I here.
>> There you go.
>> This is the first year of our eight that
we are now 5 days of a film festival.
So, we're slowly growing. Welcome to
Ralph's vacuum shop formally, now Rave
Maker headquarters. I know some people
told me, "Can we stop focusing on the
fact that it was a a vacuum shop, but it
was since 1969, I think, was a vacuum
shop up until 2024. It's been empty
since 2024. We've been taking it over
reluctantly cuz I don't always like that
we're here cuz look, there is a bunch of
holes. I'm just going to call it out cuz
this [laughter] is the story. This is
our story. Someday we'll be saying,
remember those holes in the wall? Look
at the stains. Look at the stains on the
floor. We have a leak in the bathroom.
There's only one bathroom works. This is
independent film making. Sy can you come
on up and sort of listen. [applause]
She's putting out an album. She also has
sung the national anthem of the
Warriors. No big deal. Do not think you
are going to go to Sundance and sell
your film and then they will be set.
It's not going to happen. And I don't
say that because your films aren't good.
I'm saying this about the films that go
to Sundance. It takes forever for them
to be sold. Often when they are selling,
they are not going for any minimum
guarantees. There is like there is
there's that particular myth because it
was such a glorious one is taking a
really long time to die and it just
breaks my heart every time I talk to a
filmmaker and I ask what their plan is
and they say, "I'm going to take my film
to Sundays and hopefully sell it to
Netflix." Netflix hasn't bought any of
those films in years.
>> I went to NYU film school in the late
90s. graduate film school. Spikeley was
my directing teacher. We shot on film.
Very few people made movies back then
because people did not have access to
film. So we went to film school to get
access to equipment.
>> Fire when you leave here to do good in
the world cuz you are the story and
great stories change the world. Right.
>> Thank you Christina.
[applause]
We'll hear more from them over 25 days
movie. But Kevin, we are going to go on
this journey for the next 550 minutes
with the ripple effect, which is many
one of the the many documentaries that
you have made maker crew that's making
this happen. You are all beautiful
people that I've met today and you're
amazing and you've created something so
phenomenal here uh in Redwood City. So,
thank you. Uh, my name is Kevin Hines
and people when they when they when they
hear my story tend to focus on the
bridge and the fact that I jumped off of
it, which I did. Um, but I prayed on the
way down that I would live. I had
instant regret the moment my hands left
the rail and I begged God to save me.
>> To your next film called Death Bridge,
that is very much about getting nets on
the Golden Gate Bridge to prevent this.
So, here's the trailer to Death Bridge.
>> Some tiramisu from Cardamomos, which is
the pizzeria that is right over there
that I showed you guys earlier. I love
tiramisu. The talk with Kevin Hines was
incredible. We got to see the trailer
for his new film and we got to see his
documentary that was made what like 13
years ago and now there's I thought we
were going to go to Cardamomos for this
but they brought it to us and then we
got
somehow I lost it already but we got a
drink ticket to Nighthawk to get one
complimentary drink. I found my ticket.
I found my drink ticket. I don't drink
alcohol, but I'll probably still get
like a mocktail or
>> like a juice if they'll let me get it
with this ticket. I want to talk to you
about something very serious.
>> Can we do it before the right camera
rolls so I can know my answers?
>> It's already rolling. Okay,
>> it's already rolling. Do you have an
intention for the film festival? Like
every year I try to have something that
I want. Like sometimes it's just to have
fun. Sometimes it's like meet one person
that works in TV so I can audition for
them. So, my first intention was to be
here all five days from 9:00 a.m. until
midnight.
Yeah.
>> So, that's intention number one. I was
able to plan ahead and I'm going to be
here all five days soaking in all the
experience. Um, I want to meet people. I
want to be able to give back if any any
way, shape, or form. I'm also
volunteering to, you know, just be a
part of the experience and soak it in
and live the experience. That's my main
intention.
>> Yeah. And you helped with the
headquarters, right? set up, put her
posters up and things like that.
>> And later I'm going to be interviewing
her.
>> Okay.
>> Uhhuh. [laughter] Cuz you guys want to
keep the team. [clears throat]
>> And look at our outfits. We're like kind
of matching. I It's getting dark, but
his shirt is like light pink and I have
light pink in my dress.
>> Compliment each other, you know.
[laughter]
>> Thank you. I am feeling like I'm going
to go home soon, but first I'm going to
go to Nighthawk just for a teeny bit,
see what the vibes are, and just say
hello.
>> I would like for somebody to get their
head knocked off.
That's it for day one of the festival. I
am going home for the night. I'll see
you guys tomorrow morning right here.
A coffee bar for the mixer.
>> [gasps]
>> It's not even that late. It's 10:30, but
I decided I want to go home um and rest
because it's a long festival. So, I got
to take it easy. Maybe tomorrow I'll
stay up out a little later. Good night.
I hope you enjoyed day one of the
festival.