Bandar (2026) MOVIE REACTION 3/3! | Bobby Deol | Anurag Kashyap
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The video reaction focuses on the 2026 film *Bandar*, directed by Anurag Kashyap, which serves as a gritty exploration of the Indian judicial system and the devastating impact of false accusations. The hosts discuss how the movie challenges the common misconception that financial failure at the box office equates to poor artistic quality, arguing instead that talented artists often struggle commercially while delivering profound narratives. A central theme highlighted is the corruption within the legal framework and the societal tendency to assume guilt based on public opinion rather than evidence, a concept illustrated through the protagonist's descent into despair after being accused of a crime he did not commit. The film presents a complex moral ambiguity where the audience is left questioning whether the character is truly innocent or guilty, ultimately suggesting that the real villain is the broken system itself.
The hosts praise Anurag Kashyap for his exceptional dialogue writing and his ability to depict raw, unfiltered human experiences that often provoke controversy in mainstream cinema. They specifically commend the performances of Bobby Deol, who delivers a naturalistic portrayal without any sense of acting, and support cast members like Sonia Malhotra and Sapna Pabi, noting their strong contributions despite censorship constraints. The discussion also touches upon the film's production credits, clarifying that while co-directors Abhishek Banerjee and Sudip Sharma are involved, the core writing remains deeply rooted in Kashyap's vision. The reaction emphasizes how the movie feels like a cautionary tale about the dangers of prolonged incarceration without trial, referencing real-world cases where celebrities were ruined by public perception even after being acquitted in court.
Ultimately, the reviewers conclude that *Bandar* is one of Anurag Kashyap's best works in recent years and stands out as one of the finest films of the year for Indian cinema. They express disappointment over its commercial performance but reiterate their admiration for Kashyap's commitment to telling difficult, necessary stories that reflect the true complexities of society rather than seeking easy commercial success. The hosts draw parallels between Bollywood stars like Shah Rukh Khan and Tom Cruise, hoping that established action heroes will eventually embrace similar dramatic roles to explore deeper emotional territories. Despite the film's box office struggles, the reaction is overwhelmingly positive, celebrating it as a masterpiece that forces viewers to confront uncomfortable truths about justice, hypocrisy, and the resilience of the human spirit in the face of systemic failure.
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Hey
>> [music]
>> every watch of
>> bund on YouTube is our very anniversary
week full coverage of this another
>> motion memberships I'll put link
description below and go check that out
and at the end of the part where we
talking about moon okay
>> okay
>> let's finish this movie huh
>> okay
>> if you're new We just know his movies
don't financially make any money.
>> Yeah,
>> he's a dost.
>> If you're new here, we love Anurog.
>> We love Anurog. We've talked with him.
We've broken bread with Anog.
>> We don't care.
>> He doesn't care. He's an artist.
>> Um obviously we
>> It's funny to us that someone so
talented
>> has this pattern of not doing well at
the box office.
>> People think that just because your
movie doesn't make money that it's a bad
movie.
>> Yep. It's just like people who don't
have money are bad people.
>> You can have a movie that doesn't make
money and it is a bad movie. I mean,
commiserate. The more money you have,
the better the person you are,
>> right?
>> Yeah.
>> And the less money you have, the worse
you are.
>> My favorite people are billionaires.
[snorts]
>> Absolutely. And the poor suck.
>> Oh, I don't even go near.
>> Who wants to be around the poor? They
stink with their poorness.
>> Oh my goodness.
>> Hell hath no fury.
>> Turn the ringer off, bro. Do not disturb
mode.
So, we didn't even what? We didn't even
finish having sex.
>> Oh, jeez. All right,
>> you're done.
>> One second. Producer
got
>> block.
>> I missed it.
>> You know what you should do? Accuse him
of rape.
>> Whoa. Calm down, Tom. Don't pull out the
knife.
>> You got to go up a river, not across
stream. He always makes it a point to
teach you the right way to kill yourself
when these scenes come up. Have you
noticed? Please, please talk to me.
Please.
>> I said stay away from me. Please,
just once. Just Just
stop calling me.
Please
let me finish your house. Please don't.
>> If I see you again, I will call the
cops.
>> You'll call the cops.
What? Cops?
[ __ ]
You with me? I'll have you, you [ __ ]
Get out of your bubble.
I hope you find your peace.
That's it.
Oh,
wow.
[screaming]
Wow.
>> [panting]
>> attack.
[ __ ] rapist.
Two weeks [music] later,
Come out of your bubble.
[clears throat]
forchech.
I'm sorry.
Can
>> nice. Nice job. Very nice. Very, very
nice.
>> And on your
back to form.
>> Yep. Back to form.
>> Back to form.
>> That was also just like a unexpected
kind of a movie, right? Obviously, most
of his movies have something to do with
cops. A lot of his movies, right?
>> Cops and crime.
>> Yeah.
>> Um and how corrupt the police force
justice system is. That's a that's a
through line for him through a lot of
Absolutely. Right.
>> Yep.
>> Um but to take this angle
of it of um obviously especially at this
time obviously we're a couple years
removed of you know the Me Too movements
and and that kind of stuff. But
>> to take that kind of premise to where
everybody would be like, "Oh yeah, he
probably did it." And then you kind of
unweave the story in such a way that
you're like, "I I guess he probably
didn't do it."
>> Mhm.
But you still don't fully know because
you're just going from his perspective
for the most part.
>> Correct.
>> And then obviously ending on what do you
think he's basically
>> the perspective he's presenting to
everybody
>> just like everybody else in the prison
is.
>> Right. Right.
>> Everybody else in the prison's innocent.
>> Right.
>> Obvious. So it's up to you as the
audience to to kind of determine what
you think. I mean then obviously it kind
of just ruined him and he just became
part of the system and he's now the dawn
and it's like kind of going crazy. You
kind of understand that guy that that's
just crying in the jail cell.
>> Yep. Maybe he the same thing happened.
>> Yeah.
>> Uh to to that man.
>> Yeah. And it either it either breaks you
like the guy who kills himself or it
makes you and you become like the
leaders of each of the coups.
>> Yeah.
>> I I I thoroughly enjoyed the movie.
>> I did too. I really enjoyed it. It was
it was a gold with blue diamonds for me.
I thought it was exceptional on so many
levels. the writing obviously Ana Rag is
such a stellar writer and he does stuff
that we just don't see enough of in
Indian cinema particularly in Hindi
cinema
>> where he covers things that are just I
said it while we were watching it that
are just raw honest um
unfiltered uh
life you know that that other people get
angry about like the guy you know of,
you know, you're ruining our culture.
Yeah. Really? Are the honest people that
are being that are that are that are
holding up a mirror being the ones that
are ruining the culture?
>> Yeah.
>> Uh and being honest about what it means
to be human. It's like even things like
it it would be controversial.
Sadly, it's like, oh my goodness, they
talked about orgasms and choking during
an orgasm. That's so edgy.
>> Yeah.
>> It's it's
>> Yeah.
>> human behavior.
>> Yeah.
>> Yeah. Um but
>> and he's just a great writer, director.
>> He I love One of my favorite parts about
Anaurog is
he's a very good dialogue writer.
Always. I think that's how he started I
believe, right? Great dialogue writer.
He's a dialogue writer. And so he just
the way he writes it's like
>> that seems so believable. It's not
exposition. [clears throat] It's just
>> unique. And
>> I I like I [snorts] one of my favorite
scenes was the cop scene in the
beginning
>> when he meets the cop for the first
time. Yeah. And that actor did a
phenomenal job, by the way. That a
phenomenal job by that actor. And I
think we've seen that guy a few times.
He's a he's a really good actor,
>> but he just knows how to like write a
scene and make it like
cool and [snorts] interesting and um
just you sit there with the tension, you
know? Is that right tension? Hold the
fort. What
>> on IMDb?
>> I don't know who the co-director is
here.
>> It says Abashek Banerjee and Sudep
Sharma.
>> It does not give a writing credit to
Anorashi for this.
>> So it could have been Abashek. [snorts]
>> No, that absolutely was not Abashek.
>> That could have been Abashek.
>> That was not Abashek. the writer.
>> That wasn't Abasha.
>> I don't. Wait, Joju. George,
>> am I in the right thing?
>> Where?
>> That was the He was the main pit. He was
the guy that was the the whole
>> That was Joju
>> with the coupe.
>> Oh, wow.
>> Yeah.
>> I didn't even clock that.
>> Yeah.
>> Bondar. Uh,
>> I didn't even clock it. Wow. Okay.
[laughter]
Well, me. Um,
what?
>> Yeah, we're giving him all of the
credit.
>> All right.
>> Which he he he deserves. However,
>> it looks like it's Abashek.
>> Um,
>> and clarifying
>> Sudep Sharma
>> 100%. This is written by Sudep Sharma
and Abashek Banerjee.
>> Well, we've seen other things written by
Abashek.
>> Yeah. What a talented man. He's so like
he's he's one of the most well-rounded
artists in India.
>> Yeah.
>> In terms of an actor uh writer, casting.
>> Yeah.
>> Uh have we seen him direct? I [snorts]
don't know if we I don't remember if we
have but yeah it was so good. It felt
like
>> Yeah, it really did.
>> And they've worked together in the past
too. So I' I'd imagine [snorts]
>> and and I don't know how much with the
co-directing thing like this with with
Sakshi meta credit to Sakshi because
everything felt uniformly on your rogue
and it predominantly maybe to save time
>> cuz I know this has been done many times
and Anaurog has done this where you film
>> two things at two different times. So
maybe the the stuff that's more smaller
coverage a co-director will do on the
same day you're filming main sequences
with Bobby.
>> Yeah. But it all felt very very much
everything including the writing. It
just felt like a nine-year-old caution
film. Yeah.
>> Which is which is high praise.
>> This is what we love about him.
>> Yeah. I I loved the movie and it it gave
you
>> a little bit of everything of what you
love about Anurog. Um in the dialogue
and the shots and the and the grittiness
a little bit
>> felt like a real real jail.
>> Um and the dialogue if you're looking
for the
>> Yeah.
>> Even though they censored it still
sometimes. And he even he even held back
on some things that he could have done
in the prison. He could have gone really
over the edge and just chose not to do
that.
>> I think if he was if this was a
Hollywood movie, he would have
>> obviously.
>> Yeah. Because he has he knows the
constraints that he kind of
>> has to work around
>> has there in India. Yeah.
>> Um and what the he knows that the sensor
board won't allow.
>> Yeah. Um, but I his in the casting, I
don't know if no Gutam Gutam uh did the
casting in this one. Um, but Anurog just
likes to get really good actors. Yeah,
>> Bobby Dole continues to impress me as an
actor. The man is so talented
>> and I love his choices. It's what we
wish I wish Shah Ruk was doing.
>> Yeah. Um, like you can still do your big
action. Just like occasionally just take
no money and take all backend and be
like I'll do this role in this little
small India. I probably won't make any
money, but I think it'll be fun. And
then do your gan jaw
>> and everybody else. I mean, Sonia
Malhotra is always good.
>> She's always so good.
>> And Sapna Pabi,
>> she did great.
>> Was great. Have we seen Sapna before?
Because I don't recognize her from
anything.
>> Uh, I don't see anything that I reckon.
She's done a lot of TV. Um,
>> yeah, lots of TV.
>> Uh, no, we didn't see that one.
>> Couple smaller movies and some shorts.
Lots of television. My goodness, she's
been in a ton of Indian TV television,
but she did a great job.
>> Very good.
>> Um,
>> loved her in the role.
>> And the lawyer guy did
>> Oh, yeah. The the book,
>> the sister, is this the
>> Amir Aiz, I believe, is the lawyer.
>> The lawyer. Yeah.
>> He did great. I really enjoyed his
performance. Yep.
>> And then all the the police and the
>> and the and the prisoners.
>> The prisoners.
>> Great. It was so
it's because obviously we we saw Kennedy
and we didn't enjoy Kennedy. No, we did
not. There was a few elements of it that
we liked, [snorts]
>> but overall we didn't.
>> It fell flat for us.
>> It did. Um
>> it just didn't it just didn't flesh
itself out in a way that we thought was
up to an standards. This is absolutely
an Ana Kashiup film
>> and one of the better Anaurogs in
probably a while. Um, granted I we
didn't see um
what was it? This one. I heard actually
good stuff about this one.
>> Nanchi.
>> Yeah, I heard good stuff about that. I
think we saw the trailer or something um
from it a while ago. But yeah, this
he has some calling cards that is just
it's so much fun to watch scenes that he
pieces together.
>> Yeah. And there's a couple in here that
that are just quintessential. The cop
one that we've talked about in the past.
Uh but then he has some scenes. Well,
the one where he was in when he was
talking to his sister in the lawyer that
you commented on um where Bobby gave a
great performance like I need to get out
of here. You could see the desperation
face.
>> Yeah.
>> Um on always has a um even with his
supporting characters
>> gives you a good reason why they're
doing what they're doing.
>> Exactly. Yeah.
>> And he takes a subject that's a really
important subject. It's been around for
a long time, but he does what needs to
be done, and it would be great if it's
done more often, which is
this is not as simple as it looks at
face value.
>> And that too often you are guilty and
need to be proven innocent. And yes,
there are predators out there that are
getting away with stuff, but on the
other hand, there isn't enough talk
about the people who've been accused and
never been found guilty. But the court
of a of public opinion has made them
guilty and and a lot of that is men and
everybody just assumes it is because
obviously the man had to do it.
>> Yeah.
>> And I love he gave us at the very end
the just the straight up
>> that's the question you have at the end.
It's supposed to be left that way. Did
he or didn't he? And there'll be people
who leave the film thinking he did.
>> People who leave the film thinking he
did.
>> Even that is like it it's not even the
point of [snorts] the movie. I think the
more the bad guy in the movie is more
the judicial system that that allows
this to happen.
>> It's the system.
>> Um obviously if she falsely accused
obviously that's awful. Uh obviously it
should be a villain but obvious and if
he obviously it's yeah it's awful and he
should be um held responsible.
>> But even that I don't think is like even
the point to know. It's it's just it's
the entire system the system the
corruption of it
>> uh on all aspects from the judge to the
who it's like it's all about the purity
of the culture not about the the rules.
>> It's the corruption and the hypocrisy.
>> Yeah. Yes. Without question.
>> And then obviously of the um the society
as a whole and how they treat it and how
it's all um especially with the these
celebrities um once the case is filed
that that's just the truth of that man.
Exactly. That's what he said. He says,
"So now, if you're in here long enough,"
he said, "This is bad for you because if
you're in here long enough and you don't
get a trial, you're going to be glossed
with this section 302, whatever the
number is, forever."
>> Mhm.
>> It won't matter whether you did it or
you didn't do it.
>> Yeah.
>> You will be always that to people.
>> Yeah.
>> It's what happened to Michael.
>> Yeah. that that's one of the reasons he
settled one of the cases was his people
around him and he regretted settling one
of the cases said you got to just get
this out of the news because the court
of public opinion is going to assume
you're guilty even though you're not
because they keep hearing it over and
over and over and over and he was never
found guilty. He had two other trials
where he wasn't found guilty of anything
yet. How that's just still
still hanging over him.
>> Yeah. Um, and it always sadly will.
There will always be people that assume,
well, if the shoe fits. And uh, yeah.
>> Yeah. He, um, it's one of those,
especially back in that day, Michael was
it was that was a common thought for big
celebrities, just get it out of the
news.
>> Well, let it blow over.
>> Get it out of the news. Let it blow
over.
>> As opposed to like what Johnny did. He
was like, "No, I I'm not doing that."
Correct. And you you get into the court.
Uh, and then if you watch the court at
all, it's it's obvious
>> obvious [laughter] obvious what happened
in that situation.
>> That's that's where, for example, like
due process, we're always shocked. We
said it during the watching, we're
always shocked about what we see
depicted. And I always go to my friend
uh Shy who who's who's an attorney and
ask him, okay, is this accurate, not
accurate? He said his favorite film that
depicts the legal system the way he
knows it as a lawyer is court.
>> Oh yeah, of course. Yeah.
>> He said that one is by far the He said
that one literally feels like I'm
watching an actual court case
>> from what I experience day in day out in
court.
>> But those things I do know from him
>> these kinds of things happen where you
have a case against you and you're told
by arresting people even though you're
innocent you're told want to get out of
it.
>> Yep. That's even the lawyer at the
beginning,
>> it's going to be easier.
>> It's going to be easy. Just negotiate
the price and you'll get out.
>> Yeah. It's going to be that's going to
be easier for you than uh doing trying
to get out of jail and trying to Yep.
>> get a court date and prove that you're
innocent.
>> Yeah. And he's like, "But it's about
right and wrong. I didn't do anything
wrong." Yeah. It's
>> You wish it was like that, right?
>> Court is not about right and wrong.
>> Yeah.
>> Sadly, it's supposed to be. It's not
about right and wrong.
>> Um but yeah, it's a great movie. Great
talking points to talk about, too.
>> Really? Really?
>> And I'm sure it's a box office flop.
>> I think it was. Yeah, I do believe it
was a box office flop. [laughter]
>> What are you going to do? You know,
>> but I love that he just keeps making the
movies he wants to make because they're
great films. They're just great films.
>> Yeah. I think that
>> and like you said, if he was in if he
was in Hollywood
>> Oh, yeah. He would be sometime. And I
don't know if he can get funding that
way, you know, but I wish he I don't
know if he if we even asked him last
time we talked to him, but like have you
ever
>> I know he's been offered, but like not
like the stuff he wants to do. He That's
the thing.
>> Like he I think he like was told like I
don't know if it was him, but it was
somebody that another big director from
India like they were offered like the
one of the fast films. Yeah.
>> And they were like I don't really And it
was not like that style of a director.
>> Correct.
>> It was just like
>> I don't want to do that. I want to do my
movie. Can you fund
>> exactly
>> my movie?
>> Right. He's like, "Come film this." He's
like, "I don't want to direct that. I
want to direct my film."
>> Yeah.
>> I can't imagine.
It's just shocking to me that an Anorog
with the people that he is connected
with and connected to. I also know I'm
stopping mid thought. He really wants to
tell stories that are Indian.
>> Of course.
>> Yeah.
>> I think you still can.
>> He really does. And I think you still
can. and he could tell a story, an
Indian story that's taking place here,
but um it's just we just need to get
more people to watch these films cuz
it's just such a good film.
>> Yeah. So, it was one of the best of the
year for India for sure.
>> Yeah, without question. One of the best
of the year. Um, great performances and
big big applause to Bobby for he reminds
me it reminds me of the choices that
Karina Kapoor has been making as she's
entering this phase of her life of
choosing stuff where she can really sink
her teeth into stuff that is acting you
know very very good story very very good
dialogue uh really deep places to go
emotionally um there's no Bobby is the
type of actor where there's no you you
you don't catch him performing. He's not
doing anything performative. He's just
trying to be and uh just great
performance all the way around.
>> Another actor that I would love to do
see do and then I don't think they ever
would was is like Salman Khan.
>> Yeah,
>> I would love
>> Yeah, he would love to see him in this
role.
>> That would be great.
>> It would be great to see him in this
kind of
>> never do it. I don't think in a million
years.
>> I don't think so, but boy would it be
great. I think Shah Ruk would before,
but
>> that's the one I I just when he gets I
think it's interesting the parallels of
of the careers of of Shah Rukh Khan and
Tom Cruz.
>> Oh yeah, for sure.
>> Cuz I think once they've
recognized
they're past the action film days,
they're going to start embracing films
more like Digger and more like Just
>> But then what if Digger sucks? which are
also the kinds of things that
interestingly Tom did after he did Top
Gun. He surprised everybody and I
remember when he did it I saw here's the
guy who all he was known for was Risky
Business and Top Gun and then I'm
reading in Variety that he's working on
a film with Paul Newman and then after
that he'll be working with Dustin
Hoffman and I thought holy crap this
kid's he's he wants to be an actor actor
and then he did Born on the 4th of July.
So he did these films that were really
good dramatic films. He did The Color of
Money. He did Rainman and he did Born on
the Fourth of July and then went Mission
Impossible took him down the action
world forever.
>> Yeah.
>> And I I'm happy to see him do Digger.
Shah Ruk, I just feel like he's got this
kind of role.
>> Oh, he definitely could. Sure.
[laughter]
>> He could definitely do it. Yeah.
>> Um but Bobby obviously we've seen him do
it many times just like this. I think it
could be easy dummy contender for sure
at the end of the year cuz I thought I
thought he did a fantastic job
>> and the ladies
>> and everybody else in the cast.
>> Yeah.
>> Um
>> all around great.
>> Absolutely fantastic. I'm I'm I'm glad
we got to watch it. I'm glad uh I'm sad
it didn't do well. [laughter]
>> Yeah, it's just so disappointing.
>> But um anyways, let us know what you
thought about the movie. If you liked
it, if you didn't like it, what your
thoughts on it are. Um if you saw us on
YouTube, you saw very cut
of this other Hindi movies
description below. Go check that out.
Let's next Hindi or Anurog film
>> and anything else we need to know down
below. [screaming]
>> [music]
[applause]