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AZTEC TATTOO (PARTE 2) estudió cultural

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This video serves as an advanced exploration into the Aztec cosmology, specifically focusing on the intricate connections between major deities like Cuatlicue, Tlaloc, Tonatiuh, and Tlaltecuhtli within the context of a tattoo project. The narrator begins by clarifying that while the Sun Stone is often called the "Sun," it actually represents the entire universe, including the middle world and the earth itself. Central to this explanation is the figure of Cuatlicue, depicted at the base of the calendar stone in a birthing position, which symbolizes Tlaltecuhtli as the navel of the Earth responsible for gravity and fertility. The speaker emphasizes that these deities are not isolated figures but interconnected energies where male symbols like Tonatiuh appear alongside female representations to illustrate the balance between life, death, rain, and the earth's surface. The discussion then shifts to the Ferrier Barer codex to explain the specific roles of Tlaloc and his companion Chalchutlique within the concept of the mid-heaven or clouds. In this cosmological framework, Tlaloc acts as the "liquor of the earth" who brings rain to fertilize the land, while Chalchutlique receives these seeds in her celestial womb to ensure fruitfulness on Earth. The narrator highlights a profound symbolic link between water deities and olive snails; in Aztec culture, conch shells were used during dances to mimic waterfall sounds intended to attract Tlaloc's rains. This connection is visually represented by the stars found on Cuatlicue's skirt and the presence of these shell motifs at the bottom of her garment, reinforcing the idea that water, fertility, and celestial bodies are all part of a single, unified system. Finally, the video details how these ancient symbols were integrated into the specific tattoo design being presented. The artist explains the placement of various elements to mirror the cosmic order: the top features stars representing the children of Cuatlicue and the southern sky, while the middle section depicts Tlaloc in his role as the rain-bringer connecting heaven and earth. Below this lies Chalchutlique with her coal serpent zodiac sign and skulls symbolizing death that paradoxically represent life through birth imagery. The design culminates at the bottom with representations of Tonatiuh, Tlaltecuhtli, and Tlaloc again, ensuring that every part of the tattoo tells a cohesive story about how rain feeds the earth, which in turn supports human survival under the gaze of the sun. Through this detailed breakdown, the creator demonstrates years of study to ensure that each stroke honors the complex relationships between Mesoamerican gods rather than treating them as mere decorative patterns.
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Alright, this is part two, the more advanced version to explain the meaning of this project you see here and the books I recommended in the last video, I recommend them again in case you have n't seen part one. Coise Borgia. Here he explains all the twenty-day periods that are the tonal powali and here we have the Boturini codex for the Mechicas' journey . also the great civilization of the Aztecs and the Mayans. And in my digital version I have the Fair Barer codex, which is what we're going to talk about today. And I also have the ancient Mexico of San Bernardido de Sagún. Phew! A very important figure for the civilization of Mesoamerica. So let's get started so we don't waste time because this video is going to be full of information for those who are already advanced and have a notion of what culture is. This is the video you have to see because there's going to be a lot here, there's going to be too much, so hopefully I won't miss it. So if you have any questions, leave them in the comments. So let's begin. I already explained in part one the basics of what Cuatlique is and who Tlalock is. So there's no need to summarize that. Let's go into detail now. Eh, Cuatlique is the cosmic mother, life, death, fertility and the earth. Why did I put Tlaloc and Cuatlique side by side? Tlalok, the liquor of the earth. Tlali, liquor and pulque. [music] This is the meaning of tlalo for those who didn't see part one. So, why did I put them together? First we need to see the male tonal. For those who are new, that's the Aztec calendar. To call it correctly, it is the tonal Mas. Many people might call it the sun stone, but it is not only the sun stone. Because? Because the tonal masó is a representation of the universe, the middle world, and the earth. By saying it's only the sun stone, you're referring to the universe only. Why do we know that the tonal masó is a representation of the universe, the middle heaven, and the earth? Because if you manage to see in the middle of the tonal masó we have the face. Many people know it as tonatio, which is correct, but what do we have around our eyes? A mask [music] representation of coal, snakes that is connected with Tlaloc. The tongue that is coming out of Tonatio is not Tonatio's. If you can see all the codices and representations of Tonatio, in no drawing or tombstone where Tonatiu [music] is depicted does he not have his tongue sticking out. That means we need to see who has their tongue out. And there is only one deity. And there is only one God who has the tecaltl as his tongue, the obsidian knife. There is only one. Who is Taltecutli? It is the navel of the Earth. representation as gravity, which pulls everything down to the surface of the earth, the tlac on the earth. That is why his tombstone, his Tlalt Kutli monument, is flat because he was not standing, he was not on the monuments, he was not on the pyramids, he was buried because of gravity, the navel. Tlaltecuhtli is also known as the earthly beast. Tlalcutli is the energy of man and woman. Because? Because we can see in the Talte Kutli monument that she is in a birthing position. That means it's related to fertility, but it's also related to being a man. Without going too far off-topic, we have Tonatiu, Tlatekutli and Tlalock in the middle of the Tonal Maon. Why is it so important that I explain this? Very easy. If we can see the Cuatlicue, at the bottom, at the base of Cuatlicue, we have Cuatlicue Citlálico. At the bottom we have the same symbols as the male tonal, which are tonatiu, taltecutli and tlalo. We can see that she is in the birthing position to represent Tlaltecuhtli. We can see Tlalock's mask and in the middle part, which is like a sun tone, we can also see flint feathers to represent Wiloslle. Everything is connected, everything, everything, everything, everything. Before I continue explaining this part of the tonal machó and the quatlique, I'm going to refer to the Feir Barer codex now, and I hope I don't confuse you or lose you, but I swear that if you manage to get through this part here, everything will eventually connect. So please bear with me . So now we go to the Fer body Mayer codex. In the Fer body Mayer codex I will only focus on the part where Tlalock is. The part where Tlalock is. I'm going to put a little circle there so I don't lose them. If you can build Tlalock, he is on the left side of where Shutecutli is. I'm not going to delve too deeply into that deity, as it could complicate matters. Uh, this part is called the Wistlampa, which translates to mid-heaven. Why the midheaven? Because what is there is where it is located, it is the clouds, what connects the universe and the earth. The clouds are the mid-sky, the Wis Tlampa. His companion of Tlalock is Tepeyol, the heart of the mountain, the lord of the echo related to the manifestation. I'll leave it there. Tlalock is in the Wlampa to connect the universe and the earth. Who follows him at the bottom, which is [music] the llama? instead of femininity connected with the moon. Who's there in quotation marks? Tlalock's wife, Chalchu Tlique. Very good. Chalchutlique, the goddess of the oceans, the rivers, the waterfalls, everything related to water. A little bit of what I explained in part one. Tlalock makes it rain. He who fertilizes the earth, the liquor of the earth, Chalchutliqueu, receives the seed, buries it so that it bears fruit in the Tlac on the land of Cuatlicue, because chachutlique, cuatlice, tlalique, tla solteo are represented with fertility because they are feminine energies with the celestial womb. Okay, so what's my point with all this? Look how everything makes sense. Everything is connected, everything in culture is connected. It's a beautiful thing. A brief summary. In the male tonal we have Tonatiu Taltecutli, Tlalock. At the base of Cuatlique we have Tonatiu, Tlalock, Tlaltecutli, Wiloposli. In the Ferry Mayer codex we have Tlalock and Chalch Chutlique. Okay , just remember this so you don't get lost. In the middle of the Tonal Maot we have Atlante Kutle with the tongue of Tech Palkle, the mask of Tlalock and Tonatu in the middle of the Tonal Mau. Alright, let's go see the Tlant Kutli monument. Let's focus on the bottom part where the skirt is. Please pay close attention . The little circles you can see on the skirt of Tlalte Kutli are stars. Those little circles you see there are stars. Let's go down a little further on the skirt where you can see a kind of little tail there, like a kind of little bun. Those are olive snails. Why olive snails? In the Mechica culture, when using those olive conch shells, when performing dances to try to attract what is atlalok and the rains so that Chalch Chutlice receives them and has the seed in the celestial womb, they used the olive conch shells to make the sound of a waterfall. Very good, Chalchutlique, the energy of the waters, of the waterfalls and of the lakes is related, they connect it with the olive snails. Perfect, so far so good. Now we're going to focus on sitlalique, a summary, cuatlique, citlalique and at the bottom we have Tlaltecutlin, tono, tlaloc, witiloposli. Very good. Now in the Citlalique part we have death. The cuatlica and the citla lique have two skulls that in water are called mikishkli. It's very important, very important that you remember that because you're about to see. Now let's focus on the part where the feathers are. That's why we have Wichiloposle at the bottom . There is another representation of Wichiloposle. What do we have down here? That skirt is basically a replica of Tlalte Kutle's skirt. Exactly the same. There we have the circles. What can we see in the circles? They are the stars, because she is the one with the starry skirt. Clear. What do we see at the bottom? Olive snails again. Why do we see? And here I'm going to open the book just so you can see this, so you can see that the information I'm going to give is feasible. Chalchutlique, each Chalchutlique energy, tontiu, tlalo tantecutli, they all have, I'm going to call it for now zodiac sign, although I feel bad saying zodiac sign, they are called their tonals and the rulers, but for now we're going to call it zodiac sign. Chanchutlique, its zodiac sign is the Coal snake. Knowing that, we have the skull above, Mikishkli. Why do we have it in the uterus? The tonal of Chalchutlique is the coal serpent. We have Koal on Coatlique's head . We have the death Mikishkli, located in the belly of the coatlicue and the sitlali. Because? Because miishkli not only means death, but because it is located in the belly it means life, known as the celestial gourd. Chalchutlicue is down on the skirt of Cuatlicue to represent when a mother is about to give birth. That's why we have olive snails coming out of the skull, from Mikishkli's, I said skull, from Mikishkli's, as if giving birth. Now you can see that everything is connected, everything is connected. Lalog Chalchutlique are together in the same monument of the CLAL and the Cuatlique, now that we have all this information, I am going to let you know all the details of this project so that you can appreciate each part of this tattoo that I put a lot of effort, a lot of brains, eh I put a lot of thought into. We'll start with the bottom part. What do we see at the bottom? The tonalma to represent Tonatiu, Tlaltecutli and Tlalock who are connected with the quadrille and the Ferry Mayer codex. In the middle part we obviously have Coatlicue; it doesn't require much information, I mean, I just gave you the whole video, but there Coatlicue is represented with the two snakes looking at each other. at the top, up there where the little wheel with squares is. That's a representation of corn. Why corn? We have Tlalo above giving the rain, the fertilizer of the Earth, giving it to Coatlique to fertilize the earth with the seed and bear fruit in the Tlactipac of Coatlique. In the part already going up we have Tlalok, very easy to recognize, the liquor of the earth. Once again, Tali Tierra Oli liquor, energy of the rain, fertilizer of the earth and responsible for the survival of the people. Remember what I told you about the Fir Barer codex, that Claralo is a representation of the Wistlampa, the midheaven, which connects the universe and the Earth. How did I represent that? If you can see in Tlalock's crown above, I put the stars, the star symbol, look, the star above, which are the children of Cuatlique, Losenso Wisnats, which I explained in part one, daughter of Koyol Shauki, I mean, sorry, Koyol Shauki is the daughter of Cuatlique and the 400 stars of the south, the Witnah. That's why I put the star at the top. Very good. If you can grasp the meaning of all this, we've got the stars up on our shoulders. In the middle I have the Wistlampa with Tlalo the middle sky, and the earth below, the Tlac Coate. Phew! I could go on, but I think that's enough for now. I'm so excited about this topic that if you like this video, please share it, leave me a comment, and if you have any questions, don't hesitate to ask them in the comments and I'll gladly make another video for you. And this, as I say, I love this topic, this, I love it, I love it, I study it a lot, I have several books and I've been putting a lot of effort into it for a couple of years to fully understand what culture is. This one, and yes, I hope you liked this video. Leave your opinions in the comments, and if you 're interested in seeing what this project is like, I have a video specifically where I tattoo my client, and there's no backstory, I just shared a little bit of the tutorial on how I did this project, right? So thank you very much and I wish you a nice day. [music]