Ancient Stone-Cutting Machines Exposed? 😲

After being demonetized 3 months ago in a possible attempt by the academic world to silence me, instead of running away, I have completed the mission. Fulfilling a promise I made to you over 10 years ago. With over 400 pages, 52,000 words, and around 250 hand-illustrated images, I have finally finished my magnum opus. The most definitive, in-depth exposé of the ancient world ever created. A literal mountain of undeniable evidence. The ultimate ancient mystery completely unraveled for the first time in modern history. Presenting to you the first complete manual of a lost and hidden antiquity. Which not only proves its past existence beyond doubt, but for the first time ever revealing to the masses just [music] what this pre-flood world once looked like. What our now lost ancestors once achieved. But most importantly of all, why? Exposing in tremendous detail the real existence of this grand and still ongoing conspiracy. A conspiracy to hide our own historical legacy from the world at large. For this not lost knowledge, but rather exhibits [music] discovered, collected, simply to then be ignored, dismissed, and ultimately covered up. Having rejected attempts by the academic world to pay me off, I have instead set out to crucially expose the specific hidden inner workings of this occulting behavior. So [music] that you, as I have, may learn how to destroy it. Exposing the many institutions created to uphold this conspiracy. [music] But also, and in equal extraordinary detail, just what it is they have long been hiding. For you, dear reader, will also soon realize the motive behind this ancient madness. [music] Undeniable evidence presented in exquisite detail, the clear evidence of ancient high technologies that they were once utilizing [music] to build these astonishing places, solving many long-standing mystery histories from a lost and hidden legacy. So, prepare for everything you thought you knew about our past is about to be demolished, corrected, and rewritten >> [music] >> before your very eyes. Inevitably triggering a dramatic shift in the way one looks upon the ancient world. And bestowing you, my dear reader, with my very own armory of ancient knowledge. Do not hesitate to grab a copy while it's still out in the wild. Link to physical copies [music] or an ebook version can be found in the description and pinned comment. And thank you to all of you for all of your support over these many years. Having now gone full circle, enabling me to gift you this precious knowledge back to you as a result and as repayment [music] for your loyalty. And so, without any further ado, let's begin. Chapter 4, impossible ancient stone-cutting machines. This precision stone-cutting ability then far beyond the capabilities of the many primitive tribes academically pinned to their creation. For together, the connecting features I am about to reveal will put to rest any doubt that these places, some of which claimed as once the work of slaves, built with nothing more than stone hammers and copper chisels, is nothing but a blatant lie. For although astonishing ancient sites such as that of Petra in Jordan, or as you will see its little sister Hegra, also known as Madain Saleh within Saudi Arabia, with their many globally familiar laser-like stone-cut designs, along with their many once perfectly executed structures, each cut straight out of the bedrock, were all, regardless of who has claimed, once the creation of the same civilization. These repeating patterns, these same stone-cutting abilities found all over the planet, still on display for all to see, yet are seemingly overlooked as such due to the considerable efforts that are put into preventing these countless undeniable connections from ever being consciously made, and thus are rarely academically investigated. These clear and unexplainable anomalies left for all to see, undeniable evidence of these places having once been constructed using the same tools by the same civilization, and indeed during the same period within history, if of course one is willing to see it. Stone-cut structures and megalithic ruins, although long claimed by those handsomely funded to explain them, were accomplished within a specific and permitted timeline. They were in fact built far before, within a timeline now actively hidden via this exact system of selective funding of a permitted window of historical exploration. All of which inevitably producing very specific, predictable, yet ultimately academia's desired results. These diagonal and long attested chisel marks, for example, are anything but. Instead, just like that of polygonal masonry present in many areas of many different sites across the world, often to be found in areas evidently assumed would never be seen, either by the original builders or indeed that of academia. Yet thanks to the looting natural erosion and an eagle eye, can still be found in a wide array of places and upon countless roughly cut often unfinished or exposed megaliths now on the surface all but reveal who it was that really built these seemingly impossible ancient places. With one particular site of note being that of the Long You Caves system in China. Undoubtedly one of the most incredible examples of this ancient identifiable feature with this lost tech and technique clearly once utilized and not only the building of the system but the overall decoration of the entire ancient wonder. Accidentally rediscovered in 1992 when a group of farmers set about draining what locals had long believed were infinity wells carved from many million metric tons of solid stone all cut out and somehow [music] mysteriously disposed of with nobody ever having been able to successfully locate any of the waste material. Millions of tons of rock seemingly vanished. [music] Every square inch of its walls floors and ceilings however are found drenched [music] in this uncannily symmetrical diagonal design. With these particular diagonal tool marks another [music] feature found worldwide making the Long You Caves system one of the best examples to use as a guide of its form enabling one [music] to establish who built the cave system and indeed many of Earth's other prehistoric sites. These diagonal tool marks again are found throughout antiquity as if whatever machine they were using to undertake [music] these jobs not only incredibly advanced and precise but capable of cutting enormous volumes of stone with seeming ease. A knowledge that was either the possession of a global superpower or more likely due to the variety of religious iconographic themes also present throughout antiquity was a tech shared and disseminated through the various colonies of the earth. Thus, if one searches for these markings, ignoring the academically argued claim of them as mere decoration done by hand, of course. This mechanical-esque finish can be found left by this machine the world over, clearly once responsible and capable of cutting the stones of Baalbek. >> [music] >> Or indeed the little known yet equally fascinating site of the Corkscrew Quarry. Cave de Cusa, hidden within southern [music] Italy. Here one will find undeniable evidence of another globally shared knowledge [music] and technology. With the Corkscrew Quarry, a clear display of just how enormous [music] these machines must have been. It's enormous ancient marks still to be found amongst this [music] ancient limestone. Displaying just how big the stones this tech was once able to cut before being moved. These markings can be another item in your armory when searching for this [music] hidden world of ruins. These diagonal sometimes corkscrew tool [music] marks are in fact present at nearly every unexplained polygonal, megalithic, even pyramidal sites on earth if indeed [music] one searches hard enough. Yet as mentioned, they also display a vast and varying array of marks left by an equally large variety of now lost and ignored [music] ancient machines. With these same machines once responsible [music] for creating the diagonal style found within Longyou. Also once used to liberate the some 14,000-ton megaliths within Yangshan Quarry within China. Stones which due to their simply enormous size have predictably been long academically argued >> [music] >> as impossible to have moved. And thus, according to academic opinion, they were doing all this undercutting apparently with the intention after [music] it presumably fell crushing all beneath, to then cut this huge stone into hundreds of smaller blocks. With this academic explanation in reality, a simply illogical and weak attempt at dismissing [music] what we can all see they were doing and indeed intending to do after cutting it free. That being of course to lift it. Tasks that were all mysteriously and abruptly abandoned. [music] With possible proof of their clear intention to move the entire stone once liberated, [music] can indeed still be found upon these magnificent unfinished megaliths in [music] the form of yet another enigmatic, unexplained, and thus lost knowledge of this mysterious civilization. Proof in the form of what [music] has come to be known as the protuberances. Notches also now located across the planet and in particular abundance within Peru. With them nearly always found upon its many polygonal [music] walls. These mammoth stones left unfinished within the quarry all academically denied as ever being intended to be lifted [music] or moved in their entirety. Yet they were nonetheless almost free and moving when those cutting them mysteriously vanished. With these mysterious [music] novels already present, a feature we will cover in more depth shortly, were already fortunately cut down into their form. Identifiable marks not only pinning these works and indeed the as mentioned diagonal tool marks still to be found perfectly preserved to the same civilization, but allowing Yangshan to neatly dovetail into the many [music] other impossible feats of the true builders of these sites. With some as you will see also allowing the pinning of the polygonal world [music] hidden all around us to this group as well. And as one's knowledge and awareness of these repeating features inevitably grows [music] as we work our way through them. You too will discover many of these ancient signatures >> [music] >> overlap with one another across nearly all of Earth's oldest surviving ruins. [music] The basalt floor, for example, located at the foot of the Great Pyramids, [music] laser precise cuts and machined holes can be found. Holes from ancient rotatory technologies leaving countless clean, and in some cases, even misstarted drill holes. Undeniable evidence of these [music] tools past speed and indeed existence left for all to see still visible upon and through some of the toughest stone on Earth. These mistakes, these once hidden tool marks and scars, are now due to heavy erosion clearly visible in countless places across this floor. Indeed, the entire [music] Giza Plateau as a whole. Tools clearly also once responsible for the clean-cut quarried stones of Peru covered in the previous chapter. Quarries once created for polygonal blocks or perhaps another style entirely. A lesser-known rougher, more primitive counterpart when now known as Cyclopean masonry. Also found the world over with many of these equally inexplicable [music] Cyclopean works in some rare areas also exhibits this overlapping of methods and signatures. [music] However, in this case, instead of enabling the identification of additional antediluvian [music] ruins, it instead gives one a rare glimpse into the evolution of styles. A visual example of the builders chronological and technological development from that of Cyclopean into the noticeably more refined, [music] intricate, and superior polygonal technique. Which as the image reveals, [music] is a spot that I found with these clearly polygonal blocks built atop this earlier phase of Cyclopean masonry. An unbroken archaeological timeline revealing [music] how this lost civilization developed and accomplished these feats in linear fashion.