Ancient Spaceship Found In Oklahoma?

The following amazing story was published by a David Campbell on a site known as View Zone. It was a report regarding an incredible find within Oklahoma, subsequently chased up by David and his wife on location. Although the story gained very little media attention, the details along with the photographs of the event we have found extremely interesting. Especially when we took into account our previous research regarding the strange ancient anomaly known as Waffle Rock, a half-buried suspected fragment of a once larger object of possible alien origins, which has remained half-buried resting where it struck the earth all those years prior. Now submerged underwater as the result of a controversial reservoir project which swallowed the stone and the town which had built up around it. David recalled the event with his wife on the site. They had just returned from a weekly 600-mile distribution route to find a somewhat urgent message from a reader in Colbert, Oklahoma. The caller gave some extremely vague instructions on getting to the place. No names and no callback details. Intrigued by the story, they figured the worst that could happen was that they would have a nice Sunday in the mountains. After getting to the vague location given and after several hours of searching the woods, they eventually came across an extremely peculiar-looking, possibly Cyclopean wall. Their initial investigations baffled them. They had never seen ancient stone structured in such a way. They highly suspected that it was of artificial origin due to the small apparent stones tightly interlocking which made up its structure. It wasn't until they climbed atop that they must have realized the true scale of their discovery. From the other side, the stones appear to be a highly complex arrangement of interlocking different mineral or metallic compounds, often displaying a honeycomb structure, the layers of which are result of highly accurate cast layers stacked together to make interlocking blocks of iron-like stone. He recalled on the site, quote, "What I saw there began to seep into my brain like ice water. Jumbled about in haphazard fashion were acres of squared, [music] dressed, and notched stones. It was eerie standing on those shattered ramparts with all those tumbled stones like a desecrated cemetery." End quote. [music] Were these strange fragments possibly once a single and very large object? They clearly share similarities with Waffle Rock, which is located in West Virginia. Are both these anomalous items connected? Were they once part of a very old and now semi-fossilized alien craft? What David has discovered may be another piece of the puzzle regarding the Waffle Rock mystery. Often cases of strange rocks made up of strange metals are attributed to furnace activity. Yet I hope more investigation into this clearly huge and perplexing site is undertaken. >> [music] >> How could this strange object possibly have come to be resting broken into fragments within an Oklahoma forest? Another strange object made from a similar anomalous mineral metallic-like material is the ancient Baltic Sea anomaly. Are both of these strange artifacts [music] ancient spaceships? More details regarding David and Sue's curious discovery is clearly needed. We will keep you posted. If one wish to see just how far back human history [music] possibly goes here upon our planet, footprints is one area of research which over the years has produced results so stark, they have simply been dismissed by academia. Now logged as {quote} bad archaeology, their authenticity, however, not up for debate, yet their possible [music] human origins simply not acceptable in regard to the modern paradigm. We have such prints [music] as those found in coal, the Fisher Canyon footprint, dated at several million years old. This print, [music] thanks to the presumed sediment it was once laid upon, still displays the intricate [music] weave that made up the shoe responsible. Within accepted history, we have mummies of tremendous age, exquisitely preserved, wearing shoes set in vivid colors, similar in design to that which is still popular within the modern zeitgeist. The Paluxy print, perfectly made seemingly before a dinosaur crossed [music] its path, this print has been embraced by Bible theologians, with its authenticity tested over and over again. Yet, I digress. The footprint of interest in this video is that of the Meister print, not only the oldest in this collection, [music] even older than that of the Paluxy prints, but we feel even more compelling. Also known as the Antelope Springs print, [music] it was found in 1968 by William Meister, whom, when the print was examined, was allegedly offered $250,000 [music] to destroy the artifact as it {quote} threatened the geologist who made the request's career. Made by what appears to have been a primitive sandal, yet what many argue as the smoking gun to the print's legitimacy >> [music] >> is the trilobites crushed by the weight of the shoe's wearer, which still lay fossilized within the [music] print. Now trilobites alone challenge our current understanding of evolutionary chronology, suddenly appearing on our planet during the [music] Cambrian explosion. This according to the fossil record along with millions of other creatures of [music] various phyla. One would imagine that due to their early appearance within the natural kingdom, they would have been a simple life form. But they possessed one of the most [music] evolved eyes ever discovered. How could this be? And with them being set in stone for all eternity within the print, it allows them to rear their heads into the argument once more. The dismissal of the [music] prints human origins consists of it being a mere natural formation. Anything beyond this explanation, the production of similar shaped geology, thus proving the claim pareidolia, or any other crushed specimens within similar stratus labs is as yet non-existent. What do you think about the Meister print [music] or indeed the others? Human feet or a series of consequences? We find their possible origins highly compelling. Known as the Goliath footprint, it is located near the village of Lothair in the Grass and Wetlands District, Mpumalanga, South Africa. Among one of the most intriguing found all over the world, these curious features raised up from the earth strata due to geological activity. Their resemblance to giant human feet uncanny. Their abundance compelling. Some think it's real, while others simply dismiss it as pareidolia. Ancient giants, a subject many people categorize as fantasy. Originating from stories once told around ancient campfires. Also featured in many religious texts, most notably David and Goliath. Very few stories stand the tests of time, but the few that do often carry a message [music] or several messages perfectly eloquent and profoundly inspiring and a kernel of truth. To us, giants are a subject that due to the fields of antiquity we study, we have come across countless reports, [music] testimonies, and newspaper articles pertaining to their accidental discovery. We have researched places where people have found, exhumed, and photographed many ancient giants, thus even a confirmed location of more. Yet most intriguingly, the repeated mention of the Smithsonian [music] Institution's rapid arrival and involvement with every site. One must at least give the institute credit when it came to their [music] tremendous efforts and ability to make these finds and indeed reports of the findings of the discovery just vanished from historical record. Only the initial reports, cast in stone in library archives, thus just out of the reach [music] of their clutches remain. There are, to our own personal convictions, three confirmed recordable races of giants. One of found with six fingers and toes. The moon-eyed people, as they were often known within Peru, identified due to exhibiting two rows of teeth, though it is unknown if these were shared by others. And red-haired giants whose whereabouts within modern historical accounts, with a smorgasbord of folklore, one told of their final execution and subsequent extinction during a fire in a cave in Scotland. An eerie giant handprint can be seen on a cave stone and several unusual large artifacts were recovered. Though we believe they may be lost. Is the Goliath footprint true? Will the truth ever be revealed? What is the Smithsonian hiding? We find it all highly compelling. We have in the past covered the fascinating fossilized footprints of apparent ancient giants that may have once roamed our Earth. These prints, undoubtedly of a tremendous age, a timeline and existence which flies in the face of current teachings. Along with these giant prints, we have also touched upon the baffling, seemingly melted hand prints found upon stones within Wyoming. Yet one area of fossilized prints which have seemingly slipped through our radar until they were recently brought to our attention is the vast array of extremely ancient human-sized prints found throughout the world. In this segment, we will specifically focus upon those found within St. Louis. Firstly, due to their remarkable nature, but also due to a curious letter received by a fellow of similar interests recorded by William R. Corliss [music] in his sourcebook volume strange artifacts sent in 1837 by an English geologist. It read as follows, quote, Lest I should again neglect to call your attention to a subject to which I have long since intended to claim your particular regard, I will in this brief space [music] allude to it. In the fifth volume of your journal, 1822, there are remarks on the prints of human feet observed in the secondary limestone of the valley of the Mississippi by Mr. Schoolcraft and [music] Mr. Benton with a plate representing the impressions of two feet. Ever since my researches on ripple sandstones published in Jameson's Edinburgh Journal, I felt persuaded the prints alluded to were the genuine impressions of human feet made in the limestone when wet. I cannot go on with the arguments that may be urged in proof of my opinion, but rely upon it. Those prints are certain evidence that man existed at the epoch of the deposition of that limestone as the birds that lived when the new red sandstone was formed. Get all the evidence on this head you can. Rely upon its most important results will be its consequence. He continued, his fellow friend Sir Woodbine Parish, who was seemingly an English knight of the realm, was familiar with other prints. Quotes, "Tells me of similar impressions which have been seen in South America. And there was a dispute among the top Catholic sects as to whether they were the prints of the apostles themselves." End quote. These mountains of accounts [music] and actual physical proofs that man may be very much older than currently argued. We not only found seemingly overwhelming, but certain individuals denial of such highly compelling. When it comes to the particular ancient OOPARTS that we share, which have a simply impossible age, this in regard to the modern chronological paradigm of man's historical origins in which man evolved from the sea to the cave and then into modern civilization in a supposedly already mapped out and fully understood linear fashion with no gaps whatsoever. A position made to attain undeserved authority over historical teachings. Thus, when an object turns up which contest these so-called already established factual ideologies, it is either simply dismissed or those who oppose such possibilities of its existence go to great length to discredits its authenticity in any way. Furthermore, it must be mentioned that many more than could be contributed to coincidence have mysteriously disappeared over the years. Scenarios and events which simply strengthen the original claims of the objects authenticity. Our next artifact of interest being no exception. Known as the Meister print, it is an artifact that many have attempted to discredit as an authentic human footprint for good reason. And when one recites the academic opposed theory regarding the dismissal of said hypothesis of human origin, it exposes how miserably said attempt was. It is simply written off as a portion of Jurassic strata at which at some point in the distant past naturally fractured coincidentally into the form of a human-shaped shoe print. However, this explanation or attempted dismissal avoids any attempt to explain away the main feature within the print, which not only proves it was indeed a print once made by induced pressure onto this ancient earth, but why it's claimed as an OOPART in the first place. Within the print, there exists a crushed trilobite, which proves this was indeed a pressed print, but also confirms an age of hundreds of millions of years. Thus, whatever made this print had a human-shaped foot, was seemingly wearing shoes or boots, and was heavy enough to crush an ancient arthropod. These facts, along with academia's miserable attempt to dismiss said OOPART, we therefore find highly compelling.