Video summary
Deep within the Caucasus mountains of Kabardino-Balkaria in Russia, a remarkable discovery has brought local legends to life near the village of Zokovo. For years, elders from various tribes spoke of an ancient underworld consisting of vast caverns and tunnels where intact dwellings still existed, abandoned millennia ago. Researchers verified these stories by locating entrances described in oral histories, leading them down into what was initially thought to be a small mine but turned out to be part of a colossal artificial complex. The structure is composed of smooth stone blocks weighing between 50 to 100 tons each, similar in size to those used for the Egyptian pyramids, yet they are situated over one kilometer above sea level and extend deep into the earth with dimensions that dwarf known ancient monuments.
The scale and precision of this underground facility have led researchers to propose theories beyond simple natural formations or primitive construction methods. The team found narrow vertical shafts descending tens of meters before opening into huge hidden rooms, suggesting a purpose related to seismological research, mining operations, or energy generation rather than just habitation. This hypothesis aligns with other global anomalies that appear designed for specific acoustic and resonant functions, such as manipulating sound frequencies within chambers like the Oracle Room in Malta's Hypogeum. The sheer effort required to transport and cut these massive stones implies access to advanced technologies lost to time, possibly involving sophisticated machinery capable of moving materials from hundreds or thousands of miles away with ease.
Beyond the Russian site, evidence points to a widespread pre-flood civilization that possessed extraordinary engineering capabilities across different continents. In Turkey, ancient vehicle tracks solidified in mud and toy-like tractors dating back over 7,500 years suggest advanced transportation systems existed before modern agriculture began. Similar feats are seen in Peru's Kuap fortresses with their massive earthworks designed for defense against overwhelming attacks, as well as the intricate spiral carvings and machine-drilled stones found at Malta's Hal Tarxian temples. These sites share characteristics of laser-like accuracy and acoustic manipulation that challenge conventional archaeological explanations which often attribute such wonders to later inhabitants who merely repurposed older structures without understanding their original construction methods.
The narrative concludes with a reflection on why mainstream academia frequently overlooks or suppresses evidence pointing to this lost civilization, citing peer pressure and funding constraints as barriers to acknowledging findings that defy current paradigms. Many of these ancient sites were likely built by intelligent ancestors who deliberately preserved knowledge within the very fabric of their ruins before facing an abrupt end during a cataclysmic event. The discovery of strange elongated skulls among skeletal remains in Malta's Hypogeum further adds mystery, suggesting either natural biological traits or practices distinct from known human history. Ultimately, these artifacts stand as proof of a sophisticated society that mastered stone cutting, earth moving, and acoustic engineering long before recorded history began, leaving behind enigmatic monuments that continue to puzzle scientists today.
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Located deep within the Caucasus, high
up in the mountains of Cabardino,
Balkcaria, near the village of Zokovo
within Russia, the rumored tip of a lost
prehistoric ruin of gargantuan
proportions has recently been
discovered.
found after years of exhaustive efforts
to verify [music] the source of
countless local legends, which all told
of a massive ancient anomaly located
[music] somewhere deep beneath the
mountains.
Told of and even claimed [music] as
having been witnessed by the elders of
the many local tribes, all telling of a
now lost ancient [music] underworld, a
complex network of dungeons, tunnels,
and vast caverns where ancient town
squares, houses, and many other
dwellings can still be found. still all
intact yet left completely abandoned
untold millennia ago. Quote, "For many
years we have searched, we have gone to
the places of these alleged dungeons,
[music] and we have listened to the
elderly, and we found the place right
where, according to Axakov's stories,
there lay an old city." This not an
allegory, but the literal translation of
local legend. [music] The old folks say
it was built by people who lived here
before them. Yet who they were what kind
of people. Nobody knows. Vadim
Chernobrov, head of the public research
association, told the mainstream media.
[music] He continues, "This city,
according to them, was located both
above and below ground."
>> [music]
>> An elder recalls that when he was a
child, some young people had entered the
huge underground city [music] and found
its squares, its streets and clubs, but
no trace of people. With a still
existing underground river, which if
followed led to a [music] central square
in the middle of which a kind of
monument, something like a sacred stone
placed in [music] the center of the
settlement. End quote. One of the local
tribes elders known as an Axakal would
tell Vadim of a place [music] located
within the Boxan gorge whose name from
Cabardian indeed translated to old city.
With this information, several [music]
possible closed up entrances were found
after which they would stumble upon a
small, still accessible opening. A
possible entrance way into this now
[music] lost world deep below the earth.
And with the aid of locals Maria [music]
and Victor Kotliarov, an exploration of
the opening was arranged. Led by climber
and speliologist Arthur Jamuko, he and a
select team of experienced climbers
[music] then slowly descended into what
he initially presumed a mere natural
opening, at the very most a small
ancient mine. Yet they would soon
realize it of such enormous scale, the
ends of the cavern not [music] visible,
not even reachable with their ropes.
Soon realizing that they indeed within
an ancient artifact, not only of clear
artificial origin, but as the legends
had told, of unimaginably [music]
gigantic proportions.
Quote, "They are made of smooth stone
blocks roughly the same size as that of
the Egyptian pyramid stones and were
presumably obtained and constructed
[music] with the use of similar
technologies with one attached to the
other. Each weighing around 50 to 100
tons, all seemingly well worked and
polished [music] to a finish, although
chips and cracks have seemingly appeared
with age." End quote. The dungeon is of
colossal [music] size, and the
speliologists have only managed to
explore a very small part of it so far,
advancing only a mere 100 m between the
narrow walls into the feature. Noting
that each of these strange narrow
cavities go very deep into the earth and
are also all seemingly part of a much
bigger anomaly and indeed possible past
function.
noting later that the light from their
torch lights is not even reaching the
bottom. What is this ancient structure?
Is it a part of a much bigger complex?
One that [music] for some yet to be
established purpose or reason drills
deep into the earth below?
The [snorts] researchers have come to a
rather interesting conclusion in regard
to what they think this feature could
be. and instead of [music] being an
entrance to the underworld, which could
indeed still exist nearby, have
postulated a function similar to the one
[music] put forward for the claimed
functionality of the anomaly beneath
Koffra.
Quote, "It looks like a certain
resonator, a device for seismological
research, [music] mining, or some kind
of energy generation," says Chernob.
And with the recent hypothesis put
forward drawing similarities in
appearance with the anomaly beneath
Egypt and that of apparent tuning forks
also noted specifically [music] as being
for possible seismological purposes. Is
this but a coincidence? Perhaps it's a
connection.
The entrance the team has uncovered
leads [music] into an incredibly narrow
vertical shaft descending tens of meters
in each blocked section. Managing to
reach a passage, they struggled greatly
to pass [music] without equipment. Yet
beyond lay huge hidden rooms 100 [music]
meters in height. It is clearly a
gigantic artificial feature, one once
built over 1 kilometer above sea level
and high up in [music] the mountains,
yet of a size possibly dwarfing even
that of the Great Pyramids.
The questions which I have repeatedly
asked myself throughout my explorations
of this pre flood world is why did these
ancient builders select [music] these
specific stones to build with and in
particular their enormous size? Why use
such enormous stones which they would
often have to cut and transport from
hundreds, sometimes thousands of miles
away and clearly at significantly
greater effort than was seemingly once
needed.
There are however a series of clues
which do hint at a rather controversial
hypothesis regarding just how and why
they once accomplish these tasks. some
rather compelling pieces of evidence
[music] which over the last few decades
have quietly been discovered and
investigated. For example, we have the
baffling yet incredibly rare ancient
[music]
vehicle tracks found to have long ago
fortunately [snorts]
solidified [music] within the Friian
Valley within modern-day Turkey. or
indeed the equally mystifying ancient
tractor also once found within Turkey
[music] during archaeological
excavations at Pulour Hoyuk which
although now believed to have been used
as a toy is an ancient upart dated at
over 7,500 years old displaying [music]
a perfectly scaled replica of a possible
lost technology with it even exhibiting
working axles
placing its creation even with this
conservative dating [music] far before
the birth of modern agriculture.
One may also look at the chariot wheel
we covered earlier, found within [music]
a prehistoric mine within Russia, or
indeed the many chariots which can still
be found throughout ancient India
[music] as possible examples of machines
they could have once had access to,
which although predictably [music]
we attribute these accomplishments to
our more wellstudied yet clearly
incapable ancestors, [music] as with so
many of the other sites we will visit in
the book, due to the extraordinary
levels of craftsmanship, the artistic
[music] prowess, not to mention the
ability to also carve such wonders
[music] as the previously covered Kaish
temple or Kondana caves straight out of
the bedrock of Earth. All indicative
instead [music] of these magnificent
chariots, sometimes even depicted as
being pulled by a dozen adult elephants
or more, all once having been very real
objects.
Strong physical corroborating evidence
to suggest that this now lost
civilization whom [music] were once
responsible for the creation of such
wonders would have indeed required some
form of advanced transportation system.
And thus it [music] is not beyond the
realms of possibility that they could
have indeed once possessed [music] many
such vehicular technologies.
This would indeed also explain how they
were once able to [music] create these
gargantuan structures. yet more
importantly out of these chosen and
often gargantuan stones and materials.
Of course, this would not [music]
explain how that of the Neoliths after
the reset were also able to cut, lift,
[music] and transport blocks of a
similar size, [snorts] albeit more
crudely. Thus, for [music] now, without
further concrete evidence of these
machines past existence, it all remains
but a theory.
However, [music] why they went to such
extraordinary efforts in building them
and with such care and precision [music]
clearly to ensure that they indeed
survived whatever it was that wiped them
out. That perhaps, as I hypothesize, to
preserve ancient knowledge, they once
[music] built these things into the very
fabric of these places, to allow for
these lost ancestors of a bygone era to
eventually tell us their tale.
Many of the [music] most astonishing
feats of ancient engineering are, as one
will realize, [snorts] often avoided by
historians [music] and academics alike,
largely due to a quiet, obvious lack of
any understanding as to how the claimed
constructors went about [music] building
them. The reason for this ignorance,
then should be obvious, for when one
gazes upon such relics, instantly struck
with wonder. A natural curiosity will
grow for a logical explanation for how
something of such incredible size and
skill could have been created and by the
individuals that these sites are often
claimed as the work of
this but one of the main thesis of the
book. For not only are these sites
largely ignored and thus overlooked
regardless of [music] being historically
important structures, it is also by its
very design suppressing [music] the
evidence of this lost civilization via a
process of peer pressure and a fear for
these funded academics to ever claim
that they simply don't know who or when
something they have been tasked and
funded with explaining was once
accomplished.
For all of these relics and ruins
possessing [music] a very different
origin story and indeed history to that
of what we have all been led to believe,
these structures were instead
rediscovered [music]
by the many academically claimed
builders with their claims often argued
as being supported by empirical
archaeological evidence. [music]
Yet this claimed archaeology merely
proving inhabitation, not construction.
with a record of construction never
[music] found within any of these
academically claimed cultures surviving
records. with them instead having merely
reinhabited such [music] structures for
strategic motivations and in doing so
left their own archaeological footprint
and thus subsequently concealing an
unknown aspect of human history which it
appears was long ago washed away with
only these structures remaining as proof
of a civilization which came to an
abrupt inexplicable end at some point
long ago within Earth's forgotten past.
For one of the other noted abilities of
this lost group was their uncanny
ability to shift earth exhibited at such
astonishing ancient fortresses as
Sakaiwoman.
[snorts] But also notably found [music]
within the foundations of Kuap, another
one of this ancient tribes many
fortresses found all across Peru.
Yet, along [music] with that of the
countless Neolithic barrerows, all
hinting at remnants of abilities left
over [music] and recalled by that of our
modern hunter gatherers, these enormous
earthworks yet another identifiable
feature one can use when trying to spot
these lost ancient feats. with the
Herodium being of no exception. A
gargantuan ancient pyramid-sized [music]
volume of earth, millions of metric tons
in weight, all once scooped,
transported, [music]
built up, and leveled into this
monstrous mound. Building what one can
only describe as a respectably sized
hill. Once one inspects this site from
the air, however, its enormous size
becomes apparent. And indeed, the
incredible feat, one among many across
the world, that this [music] site once
was an undertaking if once accomplished
with primitive tools, for example, once
of unimaginable hardship.
What one is seeing here, however, just
like within Kuap, is an incredibly
strategically wellthoughtout sanctuary.
one not built to keep people out, but to
prevent the fortress from becoming
overwhelmed [music] if it were to have
ever been attacked. It is an
unrecognized defensive [music]
masterpiece like the many others one can
encounter throughout this lost world
with many either built with tremendous
earth removal or built up significantly
foundations or simply gigantic
megalithic sometimes even polyonal
constructions. and on [music] occasion
all of the above features mesh together.
All the proof one would ever require
supporting the hypothesis that these
ancient fortresses once all the work of
the same civilization.
Yet all once differing tribes which
together made up this pre flood world
with undoubtedly one of the most curious
of Earth's ancient anomalies and one of
the hardest to explain without resorting
to an extraterrestrial origin.
undoubtedly that of the hippoimum.
Although one could perhaps forgive such
[music] assumptions once one learns of
the simply mind-meltingly advanced
features which throughout its many years
being within the public realm have
subsequently been deciphered all once
built into its very blueprint. also
known as the Hal Safleani located within
modern-day Malta. It is a structure that
was undoubtedly once created by a
civilization which just like that of
ancient India's many all-inspiring
temples or indeed the accuracy that went
into building Kufu with its little known
yet very real eight sides all once
masterfully constructed by a people of
tremendous intelligence [music] and
abilities.
Among its many impressive features and
what many believe was its original
purpose is the structure's spooky
ability to manipulate [music] and
control sound frequencies.
With the entire layout built with
laser-like accuracy,
the entire building itself now realized
to have enabled the complete control,
direction of travel, reverberation, and
even the manipulation [music] of the
resonance frequency of any sounds
emitted within.
For when one stands in a specific place
mysteriously known as the altar within
the equally enigmatically named oracle
room and speaks [music] at a respectable
volume, their voice will not only be
heard throughout the entirety of the
structure. But the voice in addition to
being somehow pushed through every
chamber is also bafflingly and
completely [music] inexplicably
amplified.
Additionally, and as mentioned, the
reason why one could be forgiven for
jumping to the conclusion that instead
of the work of ancient man with advanced
yet now lost stone cutting machines, the
Hall Safeni could instead have had a
more alien of origins.
The discovery once made within during
excavations, [music]
dug up shortly after its rediscovery
within the modern age, having been found
buried under an ancient [music] and as
one will soon see very familiar several
meter thick layer of ancient sludge and
[music] sediment amongst nearly 7,000
decapitated and mutilated skeletons. the
remains of a number of strange beings,
[music]
all displaying incredible yet completely
puzzling elongated skulls, which
although displaying characteristics
reminiscent of the tribal practice of
skullbinding, are instead all seemingly
absent [music] the usual napping, which
one would expect to see upon that of a
human skull, [music] as if they all once
naturally grew into this elongated
shape, which just [music] like what
several of the skulls of paracas have
suggested instead of the result of
tribal binding practices, this is
instead the skull's [music] natural
original form.
An interesting caveat being that many
ancient sculptures still to be found
within ancient Egypt, such as that of
[music] Nefertiti, for example, which
although many are unaware due to most of
the images of her, she is seen depicted
wearing her headdress beneath these
elaborate cloaks along with many other
such figures and [music] pharaohs, I may
add, share in this same bizarre skull
shape. Was the [music] site once invaded
and all its inhabitants killed? Or
perhaps those who built and dwelled
within and [music] around the Hippoium
once meeting their demise during the
Cataclysm. It is simply unknown why so
many remains were found within or indeed
why these strange possible alien skulls
were also found with them.
Perhaps they like so many other more
modern ancestors once reutilizing the
Hypogium as [music] a tomb or burial
site. Yet for now, we simply have no
idea. These bodies, as one may have
already predicted, have all since been
declared missing or stolen. Although
this is, I may add, not before my work
had shown a spotlight on the site, and
indeed its strange alien inhabitants,
[music]
which it would seem was the very thing
which had provoked those involved in the
academic study to even try to deny they
even existed,
suggesting nothing but human remains
were ever found within. [music] This
also in direct contradiction and denial
of the photographic evidence fortunately
[music] once taken of them all with many
more anomalous buildings also found
[music] hidden within Malta which long
ago were all simply brushed under the
rug by [music] modern academia.
The Halarian temples for example which
litter the landscape. These complexes
clearly once highly sophisticated
structures with some even appearing in
areas to have been similar in their
layout to the longargued oldest ruins of
earth. That being of course Gobec Leepe
temples which as one will see have many
other unexplainable connections with
many other sites found worldwide [music]
and thus even more compelling evidence
of this pre flood civilization having
once been responsible [music] for much
of ancient Malta's temples.
For along with the aforementioned
outstanding capabilities exhibited
within the Hippoium, the Hal Tarxian
temples in particular also [music] in
possession of single stone blocks
weighing upwards of 50 tons each, all
once used for [music] its construction.
Furthermore, there are many other
lesserk known or indeed academically
shared curiosities which can be found
throughout the temple complexes,
intricate spirals and other precise
carvings. an extremely ancient form of
concrete. Even the familiar machine
drilled stones just like that of what is
found within the basalt floor in Giza
along with many others we shall cover
later. All seemingly once accomplished
with the harnessing of now
long-forgotten highrevolution power
tools.
The Halarian temple is widely accepted
to be the partner or sister temple to
the Hippoium with many concluding that
the structures were built at the same
time and by the same builders. However,
[music] again, any explanation as to how
they accomplish this task like all the
other sites we indeed shall cover, all
being clear evidence of an advanced now
lost civilization obviously continues to
elude all who stick within the currently
upheld paradigms.
End of chapter 13.
I am now completely demonetized across
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For as you too will see, not only am I
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