Accessibility in Academic Events
Watch on YouTubeVideo summary
The session on making academic events accessible begins by reframing accessibility not as a static checklist but as an iterative practice rooted in equity and belonging, drawing on Indigenous perspectives that view it as a shared responsibility. The presenters introduce the concept of "access invitations," which encourages attendees to position themselves comfortably, utilize captions, and engage with anonymous Q&A features to foster a supportive environment. Central to this approach is the definition of disability through conditions requiring accommodation due to non-neutral default structures, leading to a call for "accessible design by default" that reduces the need for retroactive adjustments. This philosophy extends beyond physical mobility to include acoustics, technology, scheduling, and social norms, benefiting individuals with chronic illnesses, language differences, temporary injuries, and caregiving responsibilities alike.
To operationalize these principles, the discussion highlights the critical role of an "access coordinator" who serves as a named contact responsible for embedding accessibility throughout the event lifecycle rather than managing isolated requests. Early planning decisions must involve identifying target audiences, selecting appropriate formats such as hybrid or virtual options, and budgeting for essential services like CART transcription and ASL interpretation. The session emphasizes providing "access copies"—accessible versions of slides, agendas, and references with image descriptions and alt text—at least 24 hours in advance to reduce anxiety for users of assistive technology and allow interpreters to prepare for specialized terminology. Furthermore, physical spaces must be designed with clear wayfinding, accessible washrooms linked to elevators, ergonomic seating, and designated quiet areas, while virtual environments require robust captioning and multiple participation methods to ensure equitable engagement.
Audio accessibility is identified as a vital component that reduces listener fatigue and improves caption accuracy, benefiting not only deaf or hard-of-hearing individuals but also multi-language learners and those with neurodivergent traits. Organizers are urged to proactively provide captions as a standard feature rather than an accommodation, ensuring speakers identify themselves during auto-generated captioning and collaborate closely with interpreters by speaking at a moderate pace and spelling proper nouns. The presentation outlines a comprehensive timeline starting three to six months in advance, which includes budgeting for accessibility services, appointing coordinators, and communicating best practices to presenters, followed by finalizing registration forms, conducting technology tests, and performing safety walkthroughs closer to the event date.
Ultimately, the core takeaway is that accessibility must be embedded into the initial design and culture of academic events rather than treated as a reactive measure, with funding opportunities like the Workplace Accommodation Fund available to support necessary enhancements. By modeling accessible practices, sharing materials in advance, and visiting field trip sites to assess physical barriers, instructors can create inclusive environments for guest speakers and student presentations alike. Post-event actions such as sharing recordings, gathering feedback, and documenting lessons learned further empower continuous improvement, while resources like the Census Access pilot program and Accessibility 101 website provide ongoing support. Through these integrated strategies, academic events can evolve from mere compliance exercises into meaningful spaces where everyone can participate fully without the pressure of navigating exclusionary structures.
Read the full video transcript
Uh, welcome everyone to
strategies for making academic events
accessible. Um, my name is Steven
Bonuto. Um, I work at the center for
workbased accessibility.
I come to this by way of experience
organizing uh lots of events um for
disability studies organization at my
previous institution
and I have recently been a part of the
team who rewrote the uh EBC's accessible
and inclusive planning guide and I'm so
happy to be here today with colleagues
from the center for work from the center
for accessibility as well as the center
for teaching learning and technology.
Um,
I'll let uh my co-panelists today
introduce themselves. I'll pass it over
to AC first.
>> Hello. Uh, my name is AC. I work with
the Center for Accessibility. I also do
some work with CTLT uh when it comes to
especially programs like um open
educational resource grants and the UDL
fellows program. I uh love to answer
questions about formatting um all kinds
of queries you might have about uh PDFs
uh and what we will call an access copy.
That'll be most of what I'll be covering
today. Um, but I'm really excited to be
here with my colleagues and we're hoping
we have lots we can share about how to
make your events more accessible. And
uh, Bosan, I'll I'll pass it to you
next.
Uh, hello everyone. My name is Boson
Kim. I'm a learning designer from CTL. I
often work with faculty instructors
uh, to help their classroom and then
some event accessible. So now I will
hand you over to Rachel.
Hi everyone. I'm Rutil. I also work at
the CTLT um for the events team. Um so
usually I'm on the ground um executing
all of the events. Um I'll pass it back
over.
>> Oh, so we'll start today with our land
acknowledgements um coming today from
the EBC Point Gray campus which is the
traditional ancestral and unseated
ground Musian people.
I've recently um uh been thinking and
reflecting on the First Nations Health
Authorities's recent project um a
four-year project uh asking indigenous
um nations, First Nations members what
accessibility means to them. It's been
published as a journey towards
accessibility. Um it's a really powerful
um document that asks us to move beyond
physical accessibility to think about
all the ways that accessibility fosters
belonging, allows us to live well in our
community.
I I encourage you to to to seek that
out. Um and I'd love to have a
conversation with anyone who's also read
it. Um, with that we'll we'll move into
the housekeeping portion.
A few things before we start which I'm
today reframing as an access invitation.
Invite you to have it the space in a way
that suits your body mind. Sit, stand,
stem, step away as needed.
Captions are enabled. Um, and you can
turn them on interface.
Cameras are optional. I say this because
uh it's important for accessibility to
state these unwritten social norms. Uh,
so cameras on, cameras off as you see
fit.
Our event is being recorded.
A uh a video and text transcript will be
available after u for people who are
joining us as for people who are joining
us or not not able to join us today.
Uh for participation today uh the chat
is open and also the Q&A Q&A is enabled
with anonymous uh options. So if you'd
prefer to submit a question or comment
anonymously
um please do so.
U for cognitive accessibility I want to
give a short sort of agenda. Um it'll be
this will be about a 75m minute
presentation divided across four
speakers.
We'll offer uh a 3 to five minute break
before um our our Q&A period uh as a way
to acknowledge the different uh
different ways people uh different
cognitive styles and allow space for
reflection before answer as you pose a
question or think about a question you'd
like to ask.
Uh so next slide. Um we hope you leave
the session with an invitation to uh
invitation to accessibility as a a
practice, a culture and a way of
thinking.
Hope you come away with some key
insights from UBC's new accessible and
inclusive event planning guide.
And uh throughout we'll hope to connect
access practices to u belonging
participation and equity.
And throughout we hope to develop
practical practical considerations for
your event that will increase your
events uh access resilience.
And we'll leave you with uh key
resources and where to find more info.
Slide.
This is the access check-in. I both want
to describe and practice it in the same
slide. So um
the nexus check-in often
begins with um a verbal description of
the space you're in. Um so since we're
not in person today, I'd like to
practice that. I'd invite everyone to
close their eyes and imagine that we
have gathered in this physical space and
I will do a verbal description of this
imaginary space. And this will be a way
of providing a cognitive map, a
cognitive map of access for the space
that we're in. And we'll make access
ordinary and recognize it as part of the
infrastructure of our event. So I ask
you to close your eyes and imagine
you're in a lecture hall. Um, and I'll
describe to you that there are priority
seats in the front uh that allow um
clear sight lines for the presentation
screen for anyone who's using captioning
today. um relying on that as a support
for access need. I'll point out that
there are also um priority seats on uh
the edge of the room that the side of
the room uh that most directly um
adjacent to exits for anyone who needs
to step away um the space need to step
away during the event. Um, I'll talk
about I would talk about the emergency
exits of the room. Point those out. It's
also accessibility is about feeling safe
in the space you're in.
And having described the
having described this access map uh this
infrastructure of access built into our
event, I would then check in with you
the audience. Um, so this is a virtual
today. So, I I would check in I would
I'll check in and say like I would ask
invite feedback about the sound quality.
Um the volume of my voice um the the
pace of my delivery.
If you were in person, you might ask
about the environmental conditions, uh
air, lighting,
uh the availability of seating. Does
everyone who has a seat need one? Does
everyone have a seat where they need to
have a seat?
And this is a way of making access a
collective shared responsibility.
And it's also a way of acknowledging
access as an ongoing iterative practice.
You put all this work into your event.
You built it access into the beginning.
And this is a recognition that you can
still at this moment the dynamic
unfolding of your event like still check
in and make changes. It can have a
really transformative effect. It it
helps the room take the shape of the
people who are in it rather than asking
the people who are in it to shape them
to fit themselves into the space.
I the first event I planned
>> I put a lot of thought into it and more
people showed up than I thought. It was
a crammed room
during the access check-in. people moved
around, shifted space, shared that space
so that people had could inhabit it in a
way that fit their their access needs
and their support. Um, and yes, I
encourage
it's really beautiful to happen and to
see in motion.
Next slide.
Um,
>> uh, disability is a design problem. I
want to start uh by anchoring us in a
definition of disability definition that
I take from a recent work of media
studies scholarship at the intersection
of media studies and disability studies
book by Nita Alexander called interface
frictions how digital how dility how
digital how digital reshapes our bodies.
Uh in this book she says um
uh I will use the term disability to
describe
any physical or mental condition that
makes it difficult if not impossible to
utilize default social institutional or
physical structure without
accommodation.
And what I really love about this
definition is the way that it hinges on
the default, the starting point. Uh
what's immediately available for use. A
default um our defaults are never
neutral. Uh our defaults shape who feels
included and excluded. Default is often
something that we don't we don't see.
It's invisible. It's too ordinary. Uh
but a default
a default a starting point is you know
radically contingent. It's open to
radical change like the pandemic this
radically shifted our default produce a
mass disabling events or it can be a
small it can be a default could be
changed through intentional design
through like one choice made
every event building up towards more
accessible futures for us all. So as we
begin this presentation, I ask us all to
consider, reflect on what are the
default uh conditions, norms um or
structures that make academic spaces and
events inaccessible whether they be
conferences, symposia, workshops,
lectures or poster sessions
that I'll turn over to.
>> All right, thanks Stephen. I love that
kind of leadin that is available through
that idea of um how we understand um
barriers within the environment. It's
kind of being part of what we're dealing
with today and trying to imaginatively
figure out what we might not perceive as
a barrier but might be a barrier
nonetheless. Um, so to kind of start my
conversation, I'd like to kind of carry
on in that vein uh where Stephen started
us to think about ways that we can
change that culture, ways that we can uh
change our approaches to spaces. Um,
ways that we can start from the very
beginning to plan out events that would
be more accessible by design. Um, the
nice thing about accessibility is that
it is a philosophy that does shape those
decisions from the starting point of uh,
event design, which sounds a little
intimidating at first. It sounds like a
whole added planning stage that you're
going to have to bolt onto your
processes and is this going to add a
great deal of work on the front end and
how is this going to be manageable? uh
because you're doing some of that
planning work before you begin
committing to things like um spaces,
schedules, time frames. Um that lets you
have a lot more flexibility in that
early planning stage and you don't end
up having to do a lot of work on the
back end of things trying to retrofit,
trying to scramble, trying to deal with
barriers that maybe you didn't realize
you were setting up for yourself and
your attendees in that first place. So,
um we can't really offer something like
an accessibility checklist. uh we can't
necessarily have kind of a built-in um
series of boxes to tick to know that we
have made our event accessible to
everyone and we're all good to go. Um
it's not really a compliance exercise
making sure that we're not, you know,
breaking the rules or going to get in
trouble with somebody going to get
yelled at. Um and it's definitely not
something we want to be handling at that
last minute once we've already booked
our spaces, put the chairs out, um laid
out the tables, and told everyone where
to sit and stand. Um, we want to make
sure that from those early stages, we're
thinking through the best way to invite
people into this space. Um, why we're
holding our event, who we're holding it
for, and how we can make sure that they
can engage with each other in that space
fully. So, it does require something of
a cultural shift. Uh it does require
everyone from organizers to presenters
to volunteers to attendees. Uh all to be
on that same page and to all be in
agreement that um we're going to feel
comfortable um letting folks know when
something isn't accessible. And we're
going to feel comfortable hearing that
feedback and acting on it and getting
creative as opposed to getting panicky
or or kind of getting like, you know,
anxious and feeling need to shut down
some of some of those uh bits of
feedback we might be hearing. because
the goal is meaningful participation for
everyone. Um why hold an event if people
aren't going to come away from that
event with a sense of having learned,
grown, connected with each other. Um
that's what's kind of motivating you to
put on your events uh to bring people
together in that space. So making sure
that everyone can come together in that
space um and participate uh fully and
bring their full selves to that event is
the goal of any uh event, I think. So
hopefully we'll talk today about some
ways to make sure that we're doing that
and making it easier on ourselves too.
Um as uh kind of that quote from Stephen
touched upon um accessibility would be
design choices that help uh recognize
the fact that when there are barriers
they require accommodation. If somebody
is coming into the space and bringing
with them um a barrier in the form of
disability or some other way that they
move through their environments, engage
with content, uh communicate with others
that will be locked by having that kind
of structure in place for the event
space. So when we're thinking about
accessible design, we're thinking about
ways to make design choices that allow
the largest number of people to
participate with the least number of
barriers encountered and the least
number of accommodations that we might
have to make on our end um once people
are in that space and experiencing those
barriers uh to get those barriers out of
the way uh to make sure that
participation can can take place. So,
when we're talking about accommodations,
um, folks might be particularly familiar
in the academic contest with things like
letters of accommodation, uh, which, uh,
my colleagues and I at the CFA are
often, you know, pelting people with at
the start of each term. Um, those
letters of accommodation are recognizing
the fact that there are barriers to
learning for students with disabilities.
Despite the best of intentions and the
hardest work that we put into ensuring
that students can participate, sometimes
there are barriers in place to that
equitable learning environment. So, we
had the letter of accommodations as a
workaround. Uh, when we're designing an
event, uh, we want to try and make sure
those barriers are not in place. So, we
don't need to worry about, um, making
quite so many one-off accommodation um,
arrangements for folks that people don't
necessarily have to um, you know, look
on the uh, UBC website and try and
figure out what the event space is like
to get in their accommodation requests.
um even with the best uh accessible
design practices in place, the biggest
budgets in the world and all the
flexibility one could ask for which
seldom is the case when when one is
planning events. Uh but even in that
best case scenario, there will still be
times when folks might need specific
accommodations. So even events that are
accessibly designed do still require
some kind of accommodation process in
place so that folks know where to go if
they need accommodations that um people
who are handling the event know how to
get those accommodation requests met.
Um, but the better we do at kind of um
perceiving barriers that might exist in
our plans or in our planned spaces,
addressing those barriers in the
planning stages and making sure that we
allow people to get around them or
remove them where possible, we don't
have to then field quite so many of
those accommodation requests, which gets
a lot easier when it comes to uh, you
know, the day before the event when
we're making sure everything is in
place. So, while we do still need to
make those individual modifications
through accommodation in some cases, um
accessible design means that we don't
have to make as many of those
accommodations. So, we have um more time
to kind of commit to the event as a
whole. We don't necessarily have to
scramble at the last minute and try and
make alternate arrangements because of a
barrier that we didn't anticipate. We're
hopefully getting all of that out of the
way before the event starts.
Um, so I think everyone here is coming
here because we we feel that
accessibility is important. That would
be why you you decided to attend the
event. So, thank you for coming. I feel
like we don't necessarily have to, you
know, push you into understanding why
accessibility matter matters. It clearly
matters to you. Um, that's why you've
taken time out of this beautiful day to
come spend time with us in a little box
on our screens. Um but just to kind of
talk through all of the ways in which um
accessible planning can benefit uh you
as a planner, your attendees and kind of
uh the success of the event as a whole.
Um academic events can like any event
present barriers and the barriers tend
to you know depend upon the nature of
the spaces we're operating in and the
kinds of activities that we want to
engage in. So, as kind of Steven mapped
out in that exercise of envisioning the
space where you might be holding an
event, um we often think about barriers
related to mobility. Are there steep
stairs? Do those stairs have handrails?
Is there space in the room for people
who might be using mobility aids to
navigate? Are there a lot of tight
corners? Um is the lighting clear? is
there, you know, enough to navigate
around the space without folks getting
hung up on edges of tables, that kind of
thing. Um, communications, uh, how are
the acoustics? Um, will people have
access to microphones? Um, will people
be able to, uh, clearly see any screens
that are being broadcast or have, uh,
access to the content if they're not
able to see those screens? Um, will
people be able to communicate uh back
with the uh presenters easily? Um, can
attendees communicate and mingle with
each other in person? Um, barriers of
technology, scheduling, information
processing, social norms. Um, there are
many different types of barrier that can
present itself. Uh, some easier to
anticipate than [clears throat] others.
We'll talk through ways of uh kind of
planning for those and strategies for
thinking through how to address them a
little bit later in this presentation.
But um there are quite a few barriers
that can be posed depending upon uh your
audience and how they are going to be
participating with your content at your
event. When we plan for accessibility,
we're making sure that everyone who
we're inviting can participate in our
space. um it improves participation for
folks who may have a harder time getting
to these spaces in the first place and
comfort participating in them. So um
folks with disabilities, deaf, heart of
hearing, um blind or low vision, uh
folks who are neurode divergent, um
maybe have chronic illness, chronic pain
that might impact their functioning from
day to day, um folks who are aging, all
of us do, uh folks with caregiving
responsibilities, be that kind of for
children, for other family members and
other underrepresented participants. um
many folks you know I think all of us
you know in some way would participate
in some of these categories. Some of us
may have overlapping um you know
presences in some of these categories
and certainly our attendees will too
because all of these uh things we we
touch upon are just aspects of of living
and aging as human beings in our bodies.
So by uh anticipating the fact that you
know we're all people we all have um the
need to exist in physical space um we
are making sure that we are
acknowledging the fact that we're not
just kind of disembodied um
consciousnesses even though in academia
sometimes there is a push to kind of
just focus on that aspect of being a
human we are in bodies too. Uh so
accessibility is going to also improve
participation not just for folks who
might have disabilities or other um kind
of barriers related to those experiences
but also attendees who might be
attending who uh speak many languages
but maybe the primary language being
used at your event is not uh their
primary language. So, if we're offering
transcripts, if we're making sure that
there are a lot of options for people to
listen and engage, uh, we're supporting
folks who might be working extra hard
because they're communicating in a
second, third, or additional language.
Um, folks who might show up at your
event with a temporary injury. They
maybe didn't think they were going to
need a disability accommodation, but
maybe they're unexpectedly using a
mobility device because they
unexpectedly broke a leg. Maybe they are
currently having some other temporary
disability that they are learning how to
navigate with. Um maybe didn't, you
know, have a chance to let your event
staff know about in advance. Because
we've already built a more accessible
space, people who are maybe dealing with
an unexpected form of disability uh will
be having an easier time as well and
won't necessarily feel as much pressure
to cancel out of concern that oh no, I
was not planning for this. uh your
planning for this by building an
accessible design for your event has
already helped take care of some of that
strain uh potentially on your attendees.
And I think this would be where I hand
it back over to Steven if I remember
correctly because we are now talking
through the role of the access
coordinator, the person to whom all of
these requests can flow.
>> Thanks AC. Yes, like an event is an
exciting opportunity. An event change
your life, but you need to be in the
room where it happens or feel invited
into that space where it happens. And
events in academic spaces, um there are
established routes for accommodation for
students and faculty and staff through
different offices, but um in these
formal or informal academic spaces,
they're often
access can often not be prioritized. So,
um, in designing the EBC's new
accessible and inclusive event planning
guide, um, I've outlined the role of an
access coordinator. The access
coordinator is a large appendex, um,
with resources
that's a part of the guide. So, the role
of the access coordinator, you'd assign
it to a person in your event planning
group. um they would be responsible for
the idea behind it is they would embed
accessibility considerations throughout
the event.
Access would be in the room where it
happens like
that being in that room being the voice
for access in that room where you're
planning the event like helps give a
particular shape and design to the
accessibility you design for your event.
Um and it's really important that like
to think about accessibility as
individual um sorry access accessibility
as as very specific like it's not about
um uh having a checklist but it's about
a way of growing with your event grows
evolves with your event. So practically
speaking what would the access
coordinator do? There would be a named
contact for accessibility inquiries um
in all event promotions and materials.
And it's really important to have a a
named contact. Um
many forms rely on it just being part of
the survey you're filling out for
registration, but having that named
contact really gives uh trust and
accountability
for both yourself as an organizer and
for your attendees.
So, if you uh you're more likely, I
think, to
let someone know about your access need,
if that person is a person with a name,
an email, a phone number, multiple ways
to contact them,
and there's accountability. So, for
example, if you submit an access need or
request for support on a registration
form and you don't hear back from an
event and you're waiting and waiting and
waiting, uh there's no real way to like
know who to contact. And it [snorts]
also like you're saying something about
yourself as vulnerable and you're saying
it to a form. So, having this named
contact I think is a really important
feature of the duty of the access
coordinator.
The access coordinator is also going to
coordinate accommodation requests from a
speaker or from the guests
[clears throat] and throughout the
access coordinator is going to
distribute the care the care and labor
of access. They have this both internal
and external um facing role um and we've
given you some resources to carry out
this role in the form of templates. So
templates as opposed to checklists. Like
templates are these like
basically like starting documents.
They're like reusable revisable content
that you can expand or contract to fit
the shape of your event. And there are
temp there are three templates that are
available. Templates for um training
event staff or volunteers.
Um gives them some uh vocabulary, some
familiarity with access needs. uh
interacting with
guests with access needs, the kind of
information you would would want to be
prepared with as a volunteer to answer
questions. It also includes a template
for communicating accessibility
information
like the Basey was saying like
accessibility and accommodation
are knowing concepts. So like what I
need to ask for as an accommodation as a
disabled person really depends on
what accessibility measures are already
in place. What's the environment? What's
the default? Where am I starting from?
All this shapes like what I need to ask
for if anything.
And finally, it offers a u
a template for um
offering guidelines for accessible
presentations for invited guests or
speakers.
Um next slide, we'll we'll talk a little
we'll talk through uh early planning
decisions.
Um identify your target audience and
potential barriers. This might mean
being aware of the room and any
modifications you might need to make to
it.
You want to choose your uh event format
with accessibility in mind. Um and that
really depends on the nature of your
event, whether it's going to be um and
your audience and how you wish to engage
them, whether it be a inerson, virtual
or hybrid event.
Um it's really important to build
accessibility into budgets which I'll
talk about in a separate slide.
Um you want to select accessible venues
and platforms. Um
and
you want to consider um the timing of
your events and how it impacts different
people.
Especially like thinking about like when
you start events, starting event at 9 or
9:30, like that puts a lot of pressure
on someone to get to campus.
Or for example, if uh you're having a
conference and all your networking
opportunities are at the end of the day,
that puts a lot of pressure on people
who have caregiving responsibilities. Um
and this, you know, can lead to
unintended exclusion.
And
lastly, you want to develop
accessibility statements and
accommodation protocols. You want to
have a process for responding to people
who seek accommodations.
Um, and you want to create an
environment that welcomes people by
creating accessibility statements.
One example of an accessibility
statement that I worked on recently is
uh for the staff faculty barbecue. um
that sort of puts into practice the
guidelines from the new event guide,
lets people know what to expect, sets
cognitive expectations, it describes the
physical location, it describes the
sensory conditions, uh it tells people
about the availability of different ways
to participate in the event, but want to
sit next to the live band or uh enjoy
your lunch in in a quiet tent.
So, next slide please. Budgeting for
accessibility. Budgeting for
accessibility. The most expensive
aspects of your budget could be
car captioning, communication, access,
real-time translation
services or ASL interpretation.
And
there are different ways to think about
providing these. If you're providing
these,
if they're requested as an accommodation
um from a particular student or a staff
faculty member, you can work with the
center for accessibility or the center
for workplace accessibility to provide
fulfill those requests. If you are
looking to uh engage your audience and
provide these uh services as a proactive
accessibility design feature, uh you
should be aware of their cost. Um
uh communication access real time the
cart captioning could be up to $250 per
hour. Um ASL interpretation is usually
around um $80 per hour.
Um,
you may also need to have think about uh
budgeting for additional space, a quiet
space, a space for people to uh
decompress or self-regulate or just take
a break during the event.
It's a way of recognizing
your divergent attendees, people uh
might have energy conditions, uh people
who have an episodic flare up and just
need a place to
to decompress
alternative formats.
These can be
this is generally a lower no cost
option.
Um you can seek additional support for
accessibility consideration or for
accessibility um coordination.
There's uh avail available resources
through the EBCAV team. They have event
staff
uh a limited staff but they are able to
offer consultation
as well as your embedded AP and IT
support
and you can think about travel supports
or beraries if that's possible.
Next slide. inclusive
uh inclusive programming. You want to
look to recruit diverse speakers
using broad outreach methods.
Consider who's missing from the convers
who's missing from a conversation
whether that's based on gender,
race, ability.
Consider offering different um ways of
engaging
of engaging your audience through
different varied forms of presentation
whether that be a lecture,
a round table, a workshop or a
facilitated discussion.
Next slide, please. Um designing
physical accessible spaces. So your
physical spe your physical space in some
ways is the thing you have the least
control over but knowing it um
evaluating it communicating it to your
audience makes them feel welcome makes
them feel like their needs have been
anticipated. Um
so locating step free access and
elevators not every building in UVC will
have uh step free access on the front of
the building. So, if
guests need to to enter the building in
different ways, it's important to
provide them directions and instructions
for how to do so. Um,
thinking about elevators is also really
important when you link it to accessible
washrooms.
People
and their day around where they're able
to use the washroom, uh, whether that
has to do with disability or chronic
health condition. Um, it's linked to
elevators because, uh,
the accessible washroom may not always
be on the same floor as your event. So,
if you're thinking about spacing, um,
pacing for your event, you want to think
about, uh, how long it would take a
person to access the washroom during
during a break and think about, uh, how
that matches up with the break you have
scheduled.
Um, you can think about accessible
seating options. We talked about ways in
which you can have priority seating. You
can also look for places that have
ergonomic seating or adjustable height
desks.
Um really important is clear signage and
wayfinding. How are people going to find
or be invited into that space?
So I've I've seen um the event guy been
taking up in really interesting ways. Uh
there a team in sold that has developed
some interior way finding. So they have
uh set they have a few a few rooms where
they hold lots of events and they
developed um
these narrative descriptions about how
to go from the front door to the event
space. So they're narrative they're
descriptive they tell you what you're
going to pass like the sort of the
couches how the lighting will change
whether you pass windows um
and it really helps invite into invite
you into that space um in a different
way. I've seen the department of
kinesiology um who's moved in the new
the new gateway building they have some
of their events they have uh
they've uh taken video to show people
show people the new building to show
people how to enter and find the find
the the event space is also really
interesting just another way of saying
like there's lots of different ways to
practice accessibility
um
and also fin thinking about the space in
terms of its its sensory qualities. Um,
does it have good lighting? Is the
lighting too intense? Are there ways to
think about um
and and if the lighting is too bright?
Are there ways to um mitigate that? For
example, by starting with the lights off
um and taking them up as you the
presentation or the workshop um gets
underway.
Um
and think about you know whether there
are places within the event space or
adjacent to it for you quiet or sensory
spaces.
You see these spaces popping up across
faculties at UBC. Um
um next slide please designing
accessible virtual spaces. Um
so
um I'm going to move through this slide
quickly in interest of time but
designing is it's important to think
about uh the availability of captions.
Think about uh multiple participation
methods and the ways that they open up
uh different voices or ask perspectives
in the room. uh whether that be like
chat or reactions,
anonymous forms of questions like the
Q&A,
you can offer recordings when
appropriate.
Again, depends on the nature of the
event and the audience and what you hope
for.
Also remembering even though it's just
an online event to plan regular
breaks
Um,
with this I'm going to pass it back to
AC to talk about another practical
aspect of opening access and
participation.
>> That's great. Thanks, Stephen. Um, so,
uh, Stephen kind of touched briefly on
this idea of, um, making sure that
materials are accessible. So, that would
mean um, accessible to folks who might
be using different types of assistive
software like a screen reader. Um, folks
who might have different ways of
navigating through content. Um maybe
they have uh less a graphical user
interface and more kind of an auditory
interface if they have um visual issues.
For example, um maybe they are using a
keyboard rather than a mouse. Maybe they
have another input device. Maybe they're
using dictation or um speech to text
when they are uh communicating
themselves. Um so making sure that the
content is accessible um to folks no
matter what way they like to engage with
that content. um is the goal of the
access copy. So, an access copy um is a
an a phenomenon that goes by multiple
names. You might have heard them called
um other things as well. You might have
never heard them really have a name
before, but just kind of oh, can I get a
copy of your slides? That sort of thing.
At its simplest, that is an access copy.
Um an accessible version of presentation
materials uh provided to attendees in
advance of the event. I know that can be
a challenge especially when you're
coordinating multiple presenters who
have multiple demands on their time.
Maybe they also have their own kind of
barriers or navigating through their
prof professional personal lives.
Sometimes despite our best of
attentions, we don't always get our
slides done super far in advance. Um,
but where possible, setting a deadline
for presentation materials to enable you
enough time, at least 24 hours ideally,
to get that access copy um, together to
get it edited into a format that you're
pretty sure is pretty accessible and get
it sent out ideally via email to your
attendees in advance can do a great
service for folks. And um it's uh hard
to kind of list the different ways in
which these can benefit people
regardless of whether or not they have a
disability just because it provides an
easier way for people to follow along
with that content. It might be rather
dense. It might be a really
action-packed day or an action-packed uh
conference going on for several days or
a week. Um sometimes we get a little bit
overloaded. Sometimes we don't make it
to the first part of the presentation
and we don't know what we missed.
Sometimes we'd really like to be able
once we get back home to look back on
something that really caught our
attention from a presentation and maybe
we took notes, maybe we didn't, maybe we
had noted things down in the conference
guide or in our kind of schedule and we
didn't keep the paper. Um, having that
access copy in advance is really handy
especially kind of in that academic
context. So the first kind of idea of
the access copy is to support folks who
might be using different types of assist
of technology who might have difficulty
hearing, seeing or following along in
real time with the presentation in that
standard presentation format of person
talking to microphone and maybe is also
pointing at some slides or maybe showing
clips or maybe talking through a poster.
Um, so any issues that impact hearing,
vision, or concentration, um, having
that access copy to fall back on can
reduce a lot of anxiety for folks who
might be concerned about, um, whether
they missed something, trying to
remember something that they previously
heard or feeling like they're missing
part of the conversation because maybe
they're unable to hear or see to engage
with some of the content that is part of
that presentation. So an access copy
advance lets people figure out what kind
of media will be presented if there's
anything that they need to do to be
prepared for that or maybe they want to
kind of run through some of those um
descriptions of uh complex images some
of those you know kind of more complex
table formats of content prior to
attending so that they're ready to go
and able to keep up with that
conversation.
um accessibility support providers uh
like the uh c uh professionals, the
captionists and the ASL interpreters
that Stephen mentioned earlier uh really
appreciate having access copies made
available in advance of the event. Um
they are concept professionals. They
encounter all manner of of content, but
especially if there is perhaps
specialized terminology being used in
some of the presentations. um if proper
names or place names are being used, if
there are multiple languages being used
at the event or um kind of specialized
jargony phrases. Uh making sure that the
uh pres the people who are providing
that accessibility support uh can keep
up with the presenters by knowing in
advance what concepts and terms they
might need to figure out um spellings or
translations for is really really handy.
so that they're not kind of on the fly
trying to uh make sure that they are
correctly understanding what's being uh
presented. Uh making sure that your uh
audience is actually getting a real-
time and correct as accurate as possible
um transcription or interpretation of of
what's being said. Um, sometimes
translation can be an imperfect art, but
making sure that they know uh the full
context of the presentation helps make
sure that their word choices is spot-on
and that they are keeping up without any
gaps or pauses, making it tougher for
folks to follow along. Um, all attendees
this way uh know what to expect. They
feel prepared. They can relax and focus
their attention more fully. Um,
sometimes the uh anticipation of not
quite knowing where something is going
makes it hard on the other presenters.
Making sure that everyone is kind of on
the same page feels prepared uh allows
that anxiety to decrease. Um, it might
help your presenters feel more relaxed
as well. It might initially sound like
it's adding more stress and kind of more
to their plates by asking for slides in
advance. But that way, your presenters
are coming in without feeling like they
need to scramble. they know that their
presenters are coming in with the field
to scramble and everyone is just a
little bit more calm. So, it it can help
a little bit. Maybe pitching it as a way
to make sure everyone feels prepared as
opposed to a you know, this is a hard
and fast deadline might help ease that
anxiety a little further. But it is a
great way to ensure a successful
engaging event for everyone, especially
when there might be some of those
additional access needs at play. But
even when it's just uh kind of making
sure everyone's you know confident and
ready to go.
Um there are lots of different types of
format that can be considered for access
copies really depending upon what the
content is in its original state. Um
making sure that people have uh
accessible versions of session agendas,
abstracts, um any kind of guide or um
kind of conference brochure that might
be provided. Um, things like reading
lists, references, bibliographies,
including those in those access copies
of presentations is really handy because
then if people want to kind of learn
more about your presentation, they can
easily jump to that bibliography or list
of references and engage with that
content that you're drawing upon more
readily without having to hope they
maybe transliterated the name of an
author, right, when they scribbled it
down on the back of a napkin. um making
sure that your slid copies are provided
as accessible PDF, DOCX or PowerPoint
files. Um any of those three can work.
It really kind of depends on the format
being chosen for the original
presentation. Um Excel PDFs are kind of
a default but sometimes require a little
bit of extra work. Um I've included
links in this slide uh if you have um
you know the the time and interest to
check them out later. um kind of ways to
make accessible versions of each of
these kind of three standard file
formats. Um you do want to make sure
that you're including image descriptions
and alt text for any uh complex visual
content as well. Um those links included
will talk a little bit more about that.
Uh we also can talk later about
resources for making sure that you are
creating uh accessible content in those
access copies because if not stopped I
will I will talk about accessible PDFs
all afternoon and nobody wants that. Um,
but making sure that your access copies
are actually accessible is a a critical
step in providing those access copies to
your attendees. Um, including links to
audio or video content that's going to
be played during the presentation. Um,
ideally content that has captions,
transcripts, and we're uh available
described video is really handy for
folks who might have trouble seeing or
hearing that content. then they're not
kind of left hanging while everyone else
is engaging with that content wondering
exactly what the uh what the clip is
covering. Uh so they can come into that
conversation feeling more prepared. Um
making sure that you're providing
accessible digital versions of posters
and other visual materials. We'll talk a
little bit more in a moment more
specifically about poster sessions and
how to make those very visual, sometimes
not all that physically accessible type
of event a little bit more accessible
whenever possible. um making sure that
you include um appropriate descriptions
and uh that all text incorporated in any
of these complex visual uh elements is
selectable. Meaning that if you take a
mouse and you try and highlight it, it
doesn't just turn into a big block, but
you can actually highlight line by line
the text. Um makes the helps make sure
that those uh things are more accessible
to folks, especially those using
assisted tech like screen readers.
Selectable text is text that um screen
readers and other accessibility uh tools
can actually recognize. If the uh
machine is not able to select that text,
the uh machine is not able to see that
text in the sense that it can't really
recognize it. It cannot tell the user
that the text is there. So people are
missing out on all of that content if
you're not formatting that text
excessively. Um the link included helps
uh kind of explain a little bit more
deeply what that might mean. But
basically just making sure that if
something is being provided to folks,
it's provided in uh formats that they
are actually able to use, select, and
see.
Uh so poster sessions um poster sessions
are a great way to get people mingling,
chatting, building connections, um
meeting people that they may not
otherwise have opportunity to meet. Uh
sparking some questions by having really
kind of engaging content right up there
on the wall. Um they're not always the
most accessible spaces. Uh I've been to
some that are in some pretty narrow
hallways. Again, we don't necessarily
have a lot of luxury over the physical
spaces that we get booked into
sometimes, but I I think anyone who's
been to a poster event has had an
experience of maybe feeling a little bit
too short to actually see some of the
content, maybe trying to push around
people, maybe feeling like they can't
actually get in to see some of that
really fine print or detail. Um, maybe
trying to take a picture of a poster for
review later and realizing that
somebody's head was in the way and they
really didn't capture the content they
were trying to engage with. Um, feeling
awkward if maybe it takes you a little
bit longer to read some of that content
and feeling like you're blocking other
people from engaging as well. Um, it can
add like stress and kind of just
physical discomfort at times trying to
navigate through that space. Um, when
possible, providing digital versions of
posters, even if you're planning on
having an in postperson poster session,
is a great way to make sure that
everyone actually can read every poster.
Sometimes you don't get that chance just
because of the crowd flow or because
you're just not able to uh because of
contrast, lighting, font size, any
number of reasons able to actually read
that poster. Um, it also lets you uh
refer back to any ideas that really
sparked a great conversation with the
presenter. Make sure that you have
access to contact information. If you
want to email somebody and say, "Hey, I
really loved your poster at such and
such. Are you attending this conference?
Would you like to work on something?" It
makes it easier for people to continue
that networking even after that poster
session and helps ensure that if you
know attendees are absent-minded the way
I am, they don't accidentally lose
somebody's contact information and then
kind of feel awkward in that email back
and not really get the chance to take
that wonderful event experience forward
into more wonderful events. Um, digital
versions are also going to allow the
people who are doing the hard work of
presenting the posters to see everybody
else's posters, too. Sometimes you might
be presenting a poster, having a really
great conversation. You don't get to see
all of the other cool stuff. This way
you do get to see that cool stuff maybe
just a little bit later. Um, it doesn't
make you feel that pressure of time to
break off a conversation and run to the
next poster or continue that
conversation and have that kind of fear
of missing out on the next cool thing.
Um, attendees don't have to try and take
photos for later, sift through, try and
find the content they're looking for,
realize they didn't get that content,
email the presenters, email the uh
people who were organizing the event
trying to get some of that content that
they accidentally didn't capture. So,
it's just a great way to make sure that
everyone, presenters and attendees
alike, get a chance in a more relaxed
way without quite as much time pressure
to really engage with that content at a
pace that makes sense for them and in a
way that feels comfortable. And that
folks who maybe are not able to uh
physically maneuver through that hallway
or see and read posters up on the wall
are still able to enjoy that poster
content and kind of engage with the
topics at hand. And there are also ways
to uh kind of make those digital poster
session options um less synchronized
when that's something that might be
appealing depending upon the space
that's available to you in your event,
depending upon the time crunch. Um if
you feel like you'd like to do poster
sessions, but maybe they don't
necessarily match up well with your
schedule. If you're concerned that
always putting poster sessions at lunch
or the end of the day is maybe making it
so people who um are facing other
barriers like uh childcare commitments,
lack of energy at the end of a long day.
Um maybe a need to go and get um food
that's allergy safe or works for them.
maybe just need to kind of get out of
the conference space and chill for a bit
that those people don't feel like
they're totally missing out on the
poster sessions because they just didn't
have the capacity or uh schedule
flexibility at that given poster time.
Um so the inerson with access copies of
posters is one option. Um hybrid can
also be an option if we are maybe doing
um inerson displays with either
synchronous or asynchronous sessions um
via zoom or teams or other kind of
platform of your choice. Um there's also
the option of going purely virtual which
would be zooms or team based with a
schedule. Um I've kind of encountered
some uh nicely run poster sessions that
do have that virtual model where they're
almost kind of organized like a
conference within a conference. So
you'll kind of have like sessions where
you'll have breakout room one with maybe
three poster presenters, breakout room
two, three poster presenters. People
choose which um panel essentially they
would like to attend and then they have
that virtual poster session presented in
that breakout room with the ability to
move freely between rooms. If there's a
poster session, you know, in breakout
room two and then one and three that you
would also like to see, you can kind of
skip around. Um, but you're able to kind
of view it on your device, on your
screen of choice with setup that works
best for you with any assisted tech that
you need. Um, maybe you have an access
copy on the side so you're able to zoom
in and see it more clearly while the
presenter is talking through it. Um so
there are a lot of different ways to
make poster sessions work but I think at
at the core making sure that people do
have accessible versions of those
posters uh available to them whether uh
you know as an accessible PDF hosted on
a website something that again has that
selectable text something that people
can engage with and use uh with their
assisted technologies um read through at
their leisure at a time and at a place
that makes sense for them really helps
make sure that everyone gets a chance to
enjoy those posters and you Ideally,
treat them as a text that they can use
going forward. And it helps make sure
that those conversations that are
sparked in your event can carry on and
deepen over time and maybe uh spread
over into new sessions as well.
I'm going to I think pass this back over
to Stephen uh to talk a little bit more
about uh the importance of microphones
and acoustics because people can't hear
you. they are not going to get to enjoy
your content and you will be feeling
rather awkward talking into space.
>> Yes, thank you from JC. I think um yeah,
you've spoken beautifully about access
copies and the way they keep
participation and offer flexibility
um expand possibilities for connection.
I I'd add one like one one other like
way I kind of access copies was as a
physical copy of something. They come
from a literary studies background and
um that often
uh an event just means someone reading a
paper. But when they have an access copy
that really opens up the access
resilient that like it really increases
the access resil resilience of your
event. For example, my close
collaborator in grad school was um deaf
or heart of hearing and like
availability of an access copy meant
that she could attend an event with
confidence um that she didn't have even
if she found out about it late
>> didn't have time to request an
accommodation for ASL or
>> uh current captioning. She could have
that confidence to go and show up and
follow along presentation, be a part of
that room. I think it's just so
powerful. Um but I
Yeah, that's a great point just just to
kind of build on that too. Um, I feel
like especially for folks who maybe have
their concentration drift sometimes or
maybe um have difficulty with auditory
processing, having that transcript or
that um kind of textbased version that
you can follow along with when you are
especially listening to something in
like long form audio without maybe a lot
of kind of breaks to talk through a
slide I think is is super helpful
because it can be quite easy for um
people to kind of realize they missed
maybe the last like third of your
sentence and and then it's really hard
to leap back into that paper and then
you're kind of feeling self-conscious
about having missed that part of the
paper and then you're missing all of the
paper. So, it really is a great way to
make sure that you're keeping folks
engaged and that they have something to
anchor themselves with.
>> Now, I'll pro now I promise to talk
about uh sound, not only text. Uh so,
microphones microphones amplify access.
They're going to improve the clarity and
audibility
for everyone in the room. they're going
to reduce listener fatigue. If you're
only if you're only using your voice,
then your voice is competing with the
acoustic environment. It's competing
with moving around. It's competing with
uh an open window, perhaps the HVAC
system. All these things can like
detract from um
and make people work hard to listen to
what you're saying. Whereas,
so it's essential to use a microphone
even in a small room.
This is one small way we can think about
shifting the culture towards a culture
of accessibility instead of thinking
about microphones as options
we as optional. We can think about all
of the options that microphones allow.
You can think about the affordances of
microphones. The affordances of
microphones give these positive feedback
loops where like uh if you have a have a
roving mic. ly now you have the same
sound quality and audibility for people
who are asking questions um as people
who are presenting
a high high quality sound um through a
mic system it's going to improve u the
accuracy of your captions especially if
they're um autogenerated
and it's absolutely essential for
equable equitable hybrid events that
sound quality is going to bring your
hybrid participants into the space of
the event, make them um equal
participants
and um use a microphone. It's also going
to connect to assisted listing systems
where they're available. They're
available in some um classroom learning
spaces at UBC and are coming soon to
more places that that assisted listing
system is going to like take the audio
directly to someone's hearing aid.
So yeah, there's lots of things you can
do with microphones.
Um, and next slide. Uh, captions.
Captions are something that's really
crucial uh to support and enhance uh
access
material, verbal material. Um, and the
captions are something that helps more
what more people than you think. Helps
people who are deaf or heart of hearing.
It's going to assist people who are
multi- language learners or English
language learners. It's going to help
like AC was saying anyone who prefers
prefers reading along like neurody
diverent folks, people who are anxious
in the space. Lots of people are anxious
in academic event spaces like having the
anchor of of captions actually to read
along to.
It's a way to reduce the the cognitive
load of an environment. Imagine you're a
nerd divergent student and you just walk
across campus and there was a large
event outside. You're overwhelmed by the
science by the sound of the site and
come to invent and you're able to pop in
a pair of um earplugs and just follow
along with the the captions. Um
um next slide.
Uh so understanding your options for
captioning you can have um autogenerated
captions which are available in Zoom and
Microsoft Teams. In Zoom captions are
not a default option. So if you're using
Zoom as a meeting host you need to
enable that in your settings before you
start a meeting. Uh
in Teams it's a default option. We also
found that for inerson presentations uh
PowerPoint has a live PowerPoint live um
is available on the web- based Microsoft
365 that UBC has uh has quite high
quality
quite high quality u autogenerated
captions. Uh that said, there are some
limitations.
Um if there are if there's excessive
background noise um or some accents or
or disciplinary specific language um
that may or may not be picked up well by
autogenerated captions.
Um on the other hand, you could have
cart or communication access realtime
translation. So this is like human in
person. Um, and it's a it's a trained
professional uh that types out the
content as it's being spoken.
It is a significant cost about $250 per
hour, but that's something that you'd
want to think about as you budget for
your event.
Um, it's essential certainly when it's
requested as an accommodation for event,
you'd want to consider it fully.
It's really uh well suited when there
are multiple speakers at an event. For
example, like a roundt will capture that
um capture the back and forth of
conversation much better than
autogenerated captions.
That said, if you're doing autogenerated
captions, you could have
uh mitigate
say like for this presentation I'd say
this is Stephen so that like speaking so
that uh in the transcript it would it
would note like who in the round table
was speaking
and that would also help in the virtual
presentation
um because you can't depend on people
looking at the screen essentially um
during a virtual presentation that helps
people track the conversation. Um
um
um so I'm drifting a little bit but
we'll go to the next slide in the
interest of time. Um
um so working with cart and ASL organi
working with cart and ASL providers
as an event organizer you want like AC
was saying to have
to ensure there are access copies them
to work with because they may or may not
be familiar with the language of your
presentation.
Um, and again, think about like access
being this distributed uh system of of
care and labor. Um, as a speaker, if
you're working with an ASL provider, you
want to speak at a uh speak at a
moderate pace. Um, you want to be
mindful that place names and proper
nouns or place names and proper names um
are often finger spelled. So they will
take the ASL interpreter uh additional
time.
So
and especially if you go off script and
ad lib um you want to give it be mindful
of your interpreter and give them time
to catch up.
Um, as a moderator, um,
you want to be mindful of the Q&A
session. If new terms are, um,
introduced in the Q&A, uh, technical
terms, uh, terms in the foreign
language, proper names, you want to ask
the person who asked the question or if
you know how to spell it, spell it out.
Um, so that would aid both the um that
would aid both um the car provider or
the SL interpreter. It also enhance like
accessibility for attendees in the room.
You know, if you're introduced to a name
of a a thinker for the first time, um
you may or not know how to spell it,
like spelling it out letter by letter um
will enhance uh your connection and your
um
the likelihood that you'll be able to
follow through on the interest.
Um next slide, please. And I want to
talk just briefly about how design
shapes who feels welcome at an event.
Just thinking about the example of of
captioning. Um so if you're hosting an
event and there's no captioning, um
you have the assumption or you're
conveying the assumption that everyone
hears and interprets sound the same way.
And this can lead to unintended
exclusions.
uh you could offer
captions as foundation.
This would convey your openness and
awareness of of a diversity of ways of
processing information.
But then as an accommodation, it's also
going to leave uh the individual to bear
the burden of like coming forward and
also you know people don't always know
what they need. So
the third example, you have provided
captions as part of the accessibility of
your event. Um
this sends a warm and inclusive um this
creates a warm and inclusive atmosphere.
It shows that you've recognized and
anticipated the needs of a diverse
a diversity of body minds. Um and it's
available it's available for anyone to
use whether you know you need it or not.
um it's just a resource in the room. Um
um and lastly, I'll speak about um codes
of psychological um
uh codes of conduct.
So accessibility is also about
psychological safety. So it it's
important about
uh publishing a code of conduct.
Uh think about publishing
anti-harassment
procedure.
Describe any way that uh the reporting
mechanisms accountability way that
you're going to make this space a safe
space for everyone to be invited into.
Um
and in in time, I'm going to pass it
over to Rachel to give her events
perspective.
>> Sure. Thanks, Stephen. Yes. So, I want
to be aware of the time, so we may have
to breeze through a little bit. I do
want to remind folks that if you do have
any additional questions, we will have
our emails at the end of the
presentation. Um, and we do welcome any
followup, so feel free to ask away then.
Um, so yes, um, this is just where we
will walk through an event planning
timeline together, starting with the 3
to 6 months before the event. Um, going
over those early planning decisions we
had talked about earlier in this
presentation. This can also include
building in accessibility into the
budget. We simply want to communicate
this sort of commitment um to
accessibility and outlining those best
practices for the planning committee and
everyone else involved. Um so you can
make your modality decisions at this
time. Like we mentioned before, there
are quite a few different factors you
want to be aware of um when making this
decision. Again, we have all of this
information in the um accessible event
guide um which we will also share at the
end um that will help you um and guide
you in that process of choosing. Um you
can also make your time and date
decisions at this time. So considering
what timing may be best for faculty,
staff, students, families, your
designated audience group in general. um
and being mindful about um conflictions
with any major holidays. Um if the event
is related to a major holiday, then
ensuring that the appropriate
observances are being taken.
Um this may be a good time to appoint
your access coordinator, something that
we have talked about previously. Um and
then also communicating any best
practices to your um presenters um on
board. So providing any guides,
resources or templates um that can be
helpful for folks. Next slide.
So this is a bit more admin related. Um
so one to two months before the event,
you may want to think about starting
registration early enough to accommodate
any accommodation requests um that come
through. Um, even specifying requests
timelines can be helpful for folks, um,
just so they know when to be getting
these in to you. And providing that free
text accommodation requests field is
helpful um, so that folks do have this
space um, to do so. Um for inerson
events um making sure that you have your
questions regarding dietary restrictions
for your catering um can be done on your
form itself. Um and then having the
access coordinator information um
anywhere on the event registration page
or in the form um so that any questions
and concerns can go directly to them. I
do want to mention though that it is
okay if you don't have any um or if you
have inaccessible features to your
event, simply communicate this. Um so
this can be done in a short disclaimer
on your registration page um the form
itself, your email confirmation. Um just
simply communicating that to folks um is
a good way to go about that. Um and then
this is also the the time to coordinate
those accommodation requests. Um, this
can mean booking or confirming staff.
Um, learning more about the event spaces
and their capabilities.
Um, you may even want to review and
prepare presentation materials for
accessibility. So, there is a designing
accessible content section in the
accessible event planning guide um,
which is great and you can check that
out as well which is very um, helpful.
And then for the email confirmations, we
do um encourage plain language in the
event descriptions. So any additional
information, you can also remember you
have the email confirmation space. So
this can include um talking about
wayfinding, any sensory accommodations
um and anything else can go there. Next
slide.
So about a week before the event um you
can communicate this expectation of um
collecting access copies to your
presentation or your presenters um and
so that they can submit those in advance
to you and then you can then um give
those to your participants. You may also
want to share materials with your
accessibility support providers. So
bringing them in and informing them of
the content in advance. We mentioned
again previously the importance of
providing them with these access copies.
And then for um physical spaces, you may
want to test any technology that's in
the room um and conducting an
accessibility walkthrough. So the
accessible event planning guide again
has a great section for choosing an
event location that includes some
considerations that you may want to be
aware of. um as well as in the in-person
event prep section. Also a very good
resource for that. I also want to um
bring attention to a safety walkthrough
as well. So reminding folks like
locations of emergency exits, including
a protocol for folks with limited
mobility or any other disabilities. Um
and then letting folks know that they
can always contact the access
coordinator if they have concerns about
um how they would safely evacuate during
an emergency. And then of course
briefing all any all and any um staff
and volunteers who are helping you with
this event. Next slide. We'll jump to
during the event. So again we have um uh
explained and demonstrated earlier what
an access check-in is. So that is
something that you can start off with.
Um and just having your access
coordinator also monitoring any um
concerns that come through and then
responding quickly if any barriers do
emerge. Um there here are some tangible
points um that can be communicated to
presenters um as part of their best
practices guide for the presentation.
But we'll move on to the next slide.
Um so food and catering um best
practices to be aware of. So just be
aware of crosscontamination.
If the event is selfs served, ensure
that there are just excess serving
utensils um and they are used for each
dish. Clear labeling can also be very
helpful. So including ingredient lists
um and which items may be friendly for
different diets. providing just like a
disclaimer um to attendees that despite
efforts to reduce priority allergens, it
may still um exist and we cannot
guarantee completely that it will be
free of allergens. Just making sure that
we have these disclaimers around um so
folks are aware. One other point are
that straws are not commonly provided by
catering services. Um but you could
consider requesting for some um for
those with mobility or vision
disabilities.
For participation, we do just want to
encourage participation agency um and
flexibility and how you engage with the
session. Um, and you can even build in
alternative participation options like
Padlet or a Slido or note cards if
you're in person um for that anonymous
participation aspect. And then quickly
just to go over networking. So offering
name tags could be helpful. It sort of
introduces
um these gestures to make the event more
inclusive and welcoming. And then also
being mindful about when this networking
is t being t place um during this event.
So for example, late networking hours
can cut into folks's caretaking duties
um or just making sure that if you are
having the networking take place at
another location that that is being
communicated um in that wayfinding
aspect.
Um and then next slide please just after
the event. Um so again sharing the link
if the event was recorded sharing any
event transcripts presentation materials
um content material information or any
other sort of links that were shared
during the event um can be provided to
all your participants. Um and then also
if you do have permission from any of
your speakers or guests um you can even
share their contact information to
attendees who wish to follow up or ask
any um questions after the event as
well. And then gathering feedback. So it
is nice to sort of allow for that
anonymous feedback but also offering
attendees the option to provide their
contact information if they wish to
receive a follow-up. Um, having those
two options available is helpful. Um,
and if you are looking for some sample
questions to include, they are actually
available in the access accessible event
planning guide. So maybe another push to
go see that. Um, but it is beneficial to
add that accessible or accessibility
evaluation question and document those
lessons learned and then hopefully they
can all be integrated to your future
events. um yeah that you continue to
plan in the future. Next slide. Oh I
think I pass it on to Bosang here.
>> Thank you Rachel. Uh we just have few
slide left. So I'm positive that we will
be able to finish all of them on time.
So making special class session
accessible. So in a teaching context, an
event would be uh a special activity
that happens as part of course but is
much different from the instructor's
regular teaching such as guest speakers,
student presentation like capstone
event, field trip or special
demonstration.
Uh instructor often plan this event on
their own without a dedicated access
coordinator. So the instructors are
taking some of the coordinating role by
thinking about accessibility in advance.
It sounds a bit intimidating. Uh however
many accessibility practices are the
same. So what we have just uh learned
from the session can be applied to
classroom event. For example, sharing
information in advance, aiming to
identify and reduce participation
barriers, maybe by providing some
flexible options and providing
accessible material. Next slide, please.
So when inviting a guest speakers uh
guest speakers may have their own access
means and there is a high chance that
they may not be familiar with the
classroom environment and the technology
available in your classroom uh or some
accessibility practices. So having a
short conversation before the class with
a guest speaker can definitely help
identify any access need and prepare uh
guest speakers for your teaching
environment. Uh again the UBC accessible
event planning guide includes an
accessible event template. I took a
screenshot from the guide uh that
instructor can adapt when communicating
with the guest speaker including like
presentation tips uh some special tips
for virtual presentation and then how uh
they are introducing and do access
checkin during their presentation. Next
slide please.
Uh a student presentation when students
are presenting they become presenters
too. So one of the simplest things
instructor can do is to model accessible
presentation practices in their own
teaching. For example, using accessible
slide describing important feature
during presentation and facing student
when you're speaking can help students
see this practice as a normal part of
presenting. So before student
presentation
uh highly encourage you to share a few
important accessibility guideline and
also briefly explain why they matter.
This helps a student to understand the
accessibility as part of the effective
communication rather than simply a set
of some formatting requirement. And
where appropriate uh also consider
giving student a space a way to share
their presentation material in advance
so their classmate can review them
before and after presentation uh if
needed. Uh next slide please.
So field trip uh field trip is somewhat
different because it takes place outside
the regular classroom. So they often
require additional planning for both
instructors and a student. Uh if a field
trip is part of the course uh make sure
to include that information in the
syllabus. If the site has a host or
representative
uh connect them connect with them only
and ask about accessibility features or
any available support and resources and
then share relevant information with the
student in advance. If possible, you may
want to visit the site in advance to get
this information such as transportation
option including accessible parking and
transit bus route information or any
turn information like a site condition
whether it has some slope or muddy
condition, walking distance from uh the
transportation and then some physical
demand information. also accessible
washroom information that is needed for
uh people with some physical disability
and other features of the site that may
affect participation uh that need to be
shared with the student. A short
orientation to the site can also help a
student understand what to expect and
ask a question and plan for access need.
A video or some uh photo might could be
really helpful and if it is needed
instructor may consider flexible ways
for student to participate and meet the
learning outcome. Then it become more
accommodation. The goal here is to
provide an equitable opportunity to
learn uh even when student may engage
with the field trip experience in a
different way. Next slide please. So
here's the key takeaway from our
presentation today. Uh the goal is not
simply to provide accommodation after a
barrier appears. Uh here the goal is to
create some academic space uh where
accessibility is embedded from the
beginning in our planning, design, uh
participation and in our culture. When
people know what to expect and then have
the information they need in advance and
feel welcomed uh to participate, we are
much more likely to create it uh create
an accessible and inclusive event. Now
I'm going to hand this over to Steven so
he can talk about some funding
opportunity.
Stephen.
>> Absolutely. Thanks Bosang. Uh yeah, we
want to let you know about a UBC funding
opportunity that is a way to put this
practice into action. Um I left the key
point off the slide. Um the fund is um
for events that are that have uh faculty
or staff as their main or majority or
target their main or target audience. Um
so the fund is the workplace
accommodation fund and uh it's sponsored
by the center for workplace
accessibility and the fund for enhanced
uh this opportunity for adv enhancing uh
event accessibility is a 50-50 cost
sharing model. Um, so if you want to
embed some proactive uh
things, proactive considerations into
your next event, whether that be uh CART
or ASL, uh, AV enhancements, sensory
kits, and more, uh, there's a 50-50 cost
sharing model and application available
at the link above. Um, and yeah, we're
really excited able to be able to offer
this and uh work with you collaborative
collaboratively to
to make um accessibility accessible and
make it part of our culture. Um, and
with that the next slide we'll leave you
with a few resources.
Um, the center for replace accessibility
has also launched a pilot program. Um
it's be found here at this it's called
census access
and this is a place that you can direct
your students and you can also use as a
faculty member place you can direct your
students uh to um easily convert
documents into a variety of formats. It
can make it it supplements but doesn't
replace the amazing work that AC does
with their team at the CFA. Uh but it
does make accessibility
um available at scale and makes
makes kids empower students to choose
what they when they read and how they
read. Uh and lastly, the CTL has website
called accessibility 101 where you can
find further information, dive deeper
into some of the topics we've discussed
today.
Thank you so much everyone for joining
us today. Um we've almost run up to the
limit of our time. Um, I do want to open
it up to questions if people do have
questions.