A Fierce Commitment to Teaching: Michigan Faculty Voices on OER
Watch on YouTubeVideo summary
The session at CCCOER, moderated by Elizabeth Rodriguez, brings together Washtenaw Community College faculty members who demonstrate a fierce commitment to teaching through the adoption of Open Educational Resources (OER). Located strategically between Eastern Michigan University and the University of Michigan, WCC has set an ambitious goal to develop over 100 OER courses by fall, having already saved students nearly $3 million in textbook costs. Faculty members such as Molly Letterman, K. Graves, Mary Mulholland, and Josiah Jackson explain that their motivation stems from a desire to eliminate prohibitive textbook prices, diversify content beyond Western-centric narratives, and build trust with first-generation students who often feel overwhelmed by commercial materials. They emphasize that OER offers academic freedom, allows for the integration of current scholarship like AI applications in archaeology, and provides a platform for marginalized voices that traditional textbooks often exclude.
Transitioning to OER has revealed surprising benefits, including robust support systems at WCC and the ability to remix content rather than relying on static texts, which significantly boosts student engagement and relief. While initial projects may require substantial time, such as Mary Mulholland's semester-long sabbatical, subsequent efforts become more efficient as faculty gain experience. Practical strategies for success include using spreadsheets or annotated bibliographies for organization, color-coding licenses to navigate copyright complexities, leveraging primary sources, and utilizing AI carefully for translation and accessibility while respecting licensing terms. Faculty leaders also advise giving themselves permission to create imperfect first drafts rather than aiming for perfection immediately, suggesting that hesitant educators should approach OER creation like tasting new food, knowing they can always switch back if it does not work.
Institutional support remains a critical factor for overcoming licensing challenges and sustaining these initiatives, with experts noting that while some institutions prioritize funding over release time, saving time by avoiding textbook sales representatives allows faculty to focus on creation. Simple, modular resources like Google Docs can be developed to integrate easily into platforms like Canvas, reducing the setup burden for colleagues. Sustainability is achieved through shared burdens and partnerships rather than working in isolation, fostering a community where feedback from students leads to precise adjustments over time. Ultimately, the panelists stress that successful OER initiatives require top-down institutional investment including funding or release time, not just passion, but they find enduring hope in their students' humanity and the ability to build caring communities through these educational innovations.
Read the full video transcript
Okay, so good afternoon everybody. My
name is Elizabeth Rodriguez. I am the
Dean of Academic Innovation and
Technology at Laredo College and this
year I had the honor of serving with
CCCOER in their
professional development committee and
today I will serve as your moderator.
Let me just click over to the next
slide. And just a little bit of history
on CCCOER if you're not familiar with
the organization. We are part of OE
Global and it is a vibrant community of
practice dedicated to advancing open
education through collaboration, shared
learning and meaningful connections. We
bring together educators, institutions
and organizations who are passionate
about involving improving teaching and
learning through openness. Through
professional development opportunities
such as these, webinars on emerging
trends and best practices and active
listserv and the leadership of our
executive council and committees, CCCOER
supports a growing community of over 90
members across the 31 US states and
Canadian provinces.
At its core
Oops, sorry.
At its core, CCCOER embodies the belief
that communities of practice are about
learning how to do things better
together and that collaborative spirit
drives everything we do.
So that is a little bit about CCCOER.
So just a quick reminder about our book
club. The book club is actually part of
the equity diversity inclusion
committee and they are um
having four different sessions
throughout the summer months.
The first one May 28th is on global
perspectives on open education and there
is a link already on the website and I
think that we're going to share the link
to the website where you can get more
information and you can see a little bit
more about that and you can register
through the website as well. Um, each
session covers a different topic as you
can see here and then they'll be also
sharing articles. And just so that you
know, even if you register for one um,
and then you skip one and then register
for another, you won't miss anything. So
it's it's they don't it's not a
continuation of the topic, but it's a
specific topic um, throughout the summer
of the book club. So any questions on
that?
Okay.
All right, so now I'm going to hand it
over to Heather.
Um, she's our director of CCCOWEAR and
she's going to be talking about her
experience with this particular um,
group of educators. Heather.
You're on mute.
Thank you. Um, I won't take up too much
time. Um, I just wanted to uh, share
before we get started that I attended
the Michigan OER conference at Washtenaw
Community College last year and one of
the things that really stayed with me
the most was the camaraderie among this
particular group of people, which is why
I invited them and I was so excited that
they accepted it uh, the invite to be
here today. Um, there was such genuine
care for teaching, for students um, and
for each other that it it became really
easy to see why their work with OER has
been so impactful.
And I'm excited for you to hear not only
about their practical experiences and
strategies today, but also to get a
glimpse of the collaboration and the
fierce commitment to teaching that
drives their work. So I uh, thank you
for letting me introduce you in that way
and I'm going to hand it over to Molly
and please take it from there.
Sounds great, thank you. Um, we'll just
quickly introduce ourselves. So um, I'm
Molly Letterman. I'm a faculty librarian
at WCC. I'm liaison to all three of
these folks here. I'm liaison to
English, humanities, social sciences,
languages, and the arts, and I lead the
campus's OER initiative. And this fall,
we're going to hit the milestone of over
100 courses developed with OER. That's
That's really exciting. So, I'll turn it
over to K.
Uh good afternoon. My name is uh K
Graves, pronouns he and his, and I am a
humanities and global studies faculty
WCC.
Um and I'm excited to be here to talk
about the humanities and arts experience
with OER. And I'll pass it to Mary.
Good afternoon. My name is Mary
Mulholland. Um I pronounce she, her,
hers, and I teach in both the English
department and the education department.
Um I do a little bit of both. I
specialize in children's literature, um
but I also teach a lot of introduction
to uh teaching courses. So, um
I've been working with OER for um
over 15 years, and I just love being
able to reduce barriers of access for
students and and create a more equitable
educational experience for them.
Josiah.
Hi.
Uh my name is Josiah Jackson. I am an
English faculty member. I teach writing
and literature,
uh and I really love working with OER
uh because it really for me, at least,
allows students uh to kind of see into
the back end of education and get uh a
little more stake in the game when they
are actively thinking about their
materials instead of just being told,
"Here, you need this." So, I've really
enjoyed working with OER, and I'm
excited to be here with you all today.
Thank you. Um we can go to the next
slide, if that's okay.
Um and let's go to the next slide. We
just introduced ourselves.
So, I'll give you a little bit of a
quick background and context on
Washtenaw Community College before we
start asking our our panel lots of
questions. Um, just so you kind of know
what our where our college is and and
how big it is. Um, we're located in Ann
Arbor, Michigan, sandwiched between two
four-year institutions. So, Eastern
Michigan University is two to three
miles down the road in one direction and
University of Michigan is about two to
three miles down the road in the other
direction. Um, we have 10,000 about
10,000 FTE students and this year WCC is
celebrating its 60th anniversary, which
is pretty exciting.
Could you go to the next slide, please?
I'd like to turn it over to Mary to talk
a little bit about an interesting piece
of that history and our our fierce
commitment to teaching.
Yes, so um
it's so funny the way this this happened
cuz it sort of happened backwards. I was
meeting with a former English um faculty
member who was one of the original
faculty members. And she and I were
having lunch and she talked about
receiving her um you know, like
you've been hired, welcome to your first
day
um telegram, which she received in 1966
welcoming her um for her first year of
teaching and part of it thanked her for
her fierce commitment to teaching. And
um
and that that phrase was so uh
you know,
salient for me and especially then she
she continued talking and she was then
talking about the the second summer
um
of of Washtenaw Community College's
existence was happening during the time
when Detroit was on fire um because of
the infamous um Detroit uprising or
riots, depending on how you want to call
it. Um, and there were fears, even
though we're you know, an hour outside
of Detroit, um there were some fears
that uh our WCC campus was going to also
be lit on fire. And so WCC faculty and
staff and folks in the neighborhood
around the community college came and
just hung out all night at the college
to protect it.
And it just
meant so much to me
in thinking about in our current uh,
political space about how the world
feels like it's on fire.
>> [laughter]
>> And um, so it's inspired the sort of
mantra among all of us about our own
fierce current fierce commitment to
teaching and really trying to think
about what that means in this moment in
time and what actions we can take to
stand up and protect our our education
and our our students. So all of us here
today are wearing I'm going to just move
a little bit our fierce commitment to
teaching t-shirts
>> [laughter]
>> that we had made for the college to kind
of help again create a visible symbol of
of really wanting to stand up for for
education and justice. So. Mhm.
Thank you. Go to the next slide, please.
And
just I think as Mary was saying you can
you can feel that fierce commitment to
teaching and I think it's really evident
when you look at what work we do around
things like OER.
So for example, OER have been in use at
WCC since you know, we have stats from
around 2015 but as Mary was saying
they've been in use even before that.
And we started kind of a formal
initiative in 2018 to say like how how
can we really move the needle on this?
And so we started building a campus
culture, we had advocacy, we built
a faculty cohort program to provide
wrap-around support to faculty working
on projects and
started course marking our catalog so
students could find those no and low
cost materials. And since then we've
added over
over 80 new courses using OER. Like I
said, we're going to hit over 100 this
fall, and we now have three full Z
degrees, six Z certificates, and we just
received a $200,000 grant from the state
of Michigan to to amplify our OER
efforts.
Go to the next slide. And the the impact
at WCC is is huge.
Just in the last year, we saved students
almost $3 million in in new textbook
costs. That's over 16 million since
2017. And I love this snapshot of of one
semester. So, one semester at WCC,
there's 20 departments using OER in 410
course sections, which means 11,000
student seats of of free textbooks
and $1.1 million saved. So, we feel like
our impact is real, and it's it's
because of the commitment of our of our
faculty
and the great work they do around OER.
So,
now let's let's hear from our WCC
faculty,
and yes, please post questions. Well,
we're going to I'm going to ask
questions of our panel to beginning, and
then we'll get to all your questions in
the chat and from participants at the
end.
So,
the first question that I want to ask is
kind of related to to getting started in
in OER work. So, what motivated you to
switch to using OER in your courses?
I can start.
For me, I've been using some iteration
of OERs even before I knew what they
were called since about 2015.
And
two main motivators for me, thing one,
of course, is cost, textbook cost.
Trying to make sure that students, you
know, they're already spending so much
money on their education, and having
worked pretty intensively within the
community college setting, and also
being um someone who went to community
college, I know that textbooks can be a
huge barrier for students for their
success. Um and so by using an OER, you
pretty much guarantee that they're going
to have access from day one, and you
don't have to worry about them trying to
source that somewhere else. Um I'll also
speak to just briefly my discipline,
which is um humanities, and so I'm
primarily teaching sort of art history
adjacent courses that tend to be very
interdisciplinary, um wide range of
humanities uh
elements that go into that, as well as
mythology and religion. Uh and those
textbooks uh tend to be pretty directed
towards the Western worldview, right?
They're very Western-centric. Um and
while that's a beautiful area to study,
and I myself am a
lover of the Enlightenment period,
right? And that's a lot of white dudes,
right? So that's that's what it
primarily is pulling from, but there's
also other people and other stories and
other elements that can can and are a
part of that narrative that
unfortunately do get left out a lot. And
so um one of the benefits of OER is
being able to leave that stuff in, or
direct student attention towards it more
intentionally, um and I'm able to do
that
through using an OER.
I'll go next on this one. Um
I think part of the big reason that I
like to pursue OER is um
I was [clears throat] and I am
technically still a first-generation
college student, and I remember showing
up to college my first time and feeling
utterly tricked and bamboozled by the
college system, that not only did I pay
all of this tuition money, in fact all
of my money to go to this college, uh
but now you're telling me I need 600
more dollars for books that I'm only
going to read one chapter of, and maybe
they'll use it. I remember the like
blinding white rage I felt on one of my
first semesters of college, when the
teacher on the first day was like, "Oh
yeah, we don't even use it. I just have
to list one." And then when I tried to
return it, they would only give me store
credit on it. So
um I think that using OER is a good way
to build trust with students
and also to Kay's point, one thing that
I have found in my career is I have
never found a textbook that I actually
like everything that's in it. And so,
why not build one where I like
everything in it and then I know what's
there and I know how I want to use it.
So, I really like the academic freedom
it gives you and I like the honest
connection you can make with students
through it.
Yes, and I will I will follow up
everything Josiah said. Um, the first
OER textbook I made was for a
composition course and I was getting
just so frustrated with how
expensive the composition textbooks were
and even when I tried to get like the
condensed [clears throat] editions, like
they were okay, but they didn't have all
the things that I wanted. And so, OER
just finally gave me the freedom to like
get the I mean, in writing instruction,
students do not need a lot of written
text first of all. If you've ever tried
writing, they need [laughter]
to spend a lot of time writing. So, I
was able to like really skinny down to
like the essential what they did need to
help them with the writing instruction,
but the other thing that I was able to
integrate that I loved was
getting student My favorite thing about
some textbooks was when they had the
student example essays and we were able
to
get permission from students to use
their essays as example essays in
the OER and that just also just felt so
authentic that I could be like, look,
like these are literally your peers.
They're not even like fancy textbook
pretend students. Like these are like
literally your classmates. I know these
people. They wrote these, too. Like you
can write this as well.
So, so that was one thing.
Can I talk about the OER or should I
wait for that later, Molly? Go for it.
Okay.
So, that was a the first one that I made
was a real OER, but thinking about what
Kay was saying with humanities and just
like not being able to find books,
textbooks that that really feature like
the diverse range of of humanity.
One of the courses that I teach is
diverse children's literature, and I was
really struggling with finding textbooks
that even came close to addressing the
true diversity of of of the communities
that my my students are serving in. And
so, um
and that the field itself is just
constantly changing, right? So, there's
kind of two things. One, like both
trying to find all the diversity that I
knew I wanted my students to explore,
but also um things keep changing. I
mean, one of my units we talk about book
censorship.
>> [laughter]
>> Like, I teach book censorship I talk
about book censorship in much different
terms now than I did in 2019. Like,
things have changed. Um and so, OERs or
the faux OERs allow me to pull from
library database articles that are
current and and and speak to the current
times. So, that's that's the other thing
I want to say that I love about OERs.
Awesome. Um um my next question's for
Josiah specifically. So, you had the
unique experience of inheriting a course
that was already using an OER. Um what
was that experience experience like in
the sense of what um why did you decide
to continue to use that instead of
switching to a commercial textbook or
and did you um adapt it at all from
there or make any changes uh to it to
expand it or anything like that? Yeah,
great question. I actually inherited
Mary's OER.
Um and one thing that I enjoyed as uh
she mentioned was that uh it's small. It
is a really great uh writing guide in
that it gives you what you need to get
in, you get some examples, and then
you're able to get out. And so, what uh
we had there I didn't feel the need to
edit or adjust it all, but as I was
building out and redesigning the course
um alongside this text, um
I was able to bring in so many other
open educational resources um and marry
it with the textbook itself, but then
also doing this faux OER thing where
we're putting in these readily available
um pieces. And what was really nice in
that process was that I had a faculty
librarian to help me out uh because one
thing that I am want to do is stumble
into some copyright issues every now and
again and be like, "Oh, I'm sure it's
fair use."
It's not always fair use. Um and so it
was really helpful to have uh an
information expert with me in the form
of Molly to be able to help pull like,
"Oh, that is openly available. Uh we
have to email this author to see if
we'll be allowed to use it." I believe I
emailed four different people saying
like, "Hey, I really like your article.
Can I use it in my course?" Every single
one of them said, "Sure, you have full
permission to use it."
Um so it was a really good experience to
be able to use what existed, um not have
to be sold by 15,000 sales
representatives saying you should use my
book, um and actually finding things
that are going to be much more relevant
uh and uh recent for our students.
What surprised uh any of you most when
you transitioned to OER materials? What
was most surprising to you?
Well, I'll speak for myself just
briefly, just building on what Josiah
said, um is the uh level of support that
is available, right? I feel like when I
first started out, cuz I was an adjunct,
so I was, you know,
I was out there on my little island
doing what I needed to do to survive,
right? And um there wasn't a lot of
support and I don't know that there was
really that much incentive for faculty
of any variety to move to OER, um
at least where I was teaching at
previously. And so, um
you know, coming to WCC, I've been
fortunate to be with the institution
going on uh this will be my third
academic year coming up, um and Molly
has just been such a brilliant support
for anything that we might need and uh
I've emailed her so many times about I'm
trying to find this very niche thing."
Or, "Oh, I can't find this one
particular story that I'm trying to to
put into this textbook. Can you help me
out?" And she's been phenomenal in doing
that. And I really think that for most
faculty, when they're thinking about
transitioning to a new textbook of any
kind, it's scary, especially if they've
been using the same kind of textbook for
decades, right? Um and the idea of
moving to an OER, I think sometimes
people think free means not as high
quality. And so,
obviously that's not the case. Um but
having support can make approaching this
um transition less intimidating. And
having the support and the guidance
sometimes um it takes a lot of the
guesswork out of it. And so, I've been
very appreciative, surprised in a
positive way um for that.
I think for me, uh one of the surprises
was just in the I mean and I think
like the academic mind shift that had to
happen when I realized like I could that
I could not only adopt kind of bits and
pieces from different OERs, but that I
could actually even like if I hated a
sentence, I could rewrite it.
Right? Like [laughter] it just feels
very it was very much like not I mean
I'm I'm definitely the oldest person on
the call. So, like I can just say like
it was just not how like it the the mind
shift that I had to take of like this is
okay. Like I can remix this. I can I can
like take out whole paragraphs that I
think are, you know, irrelevant and I
can add a little bit if I need to. Um
so, for me that was definitely a
pleasant surprise, but also, you know,
took a took a minute.
Yeah, I can speak. Uh I think my biggest
surprise with OER happens inside the
classroom with how much immediate uh
trust and credibility you get from a
group of students when you tell them,
"Hey, all your books are free. You don't
need to spend money on it. I get that
it's expensive to be alive right now,
let alone alive and a college student.
And just how much buy-in and if you have
an open and honest conversation even
about the textbook industry, about the
way that these things make money, how
much
rapport you can build with students when
you actually talk to them just as people
and how thankful they are to get one
less bill on their plate and to be able
to see the curtain pulled back a little
bit.
That's such a good point. Do any of you
want to comment some more about how
students respond when they learn that
they have free openly licensed
materials? Yeah, as soon as Josiah
started talking about the students I was
like, oh yes, like the first day of
class and I mentioned it and like
everybody's shoulders just like relaxed.
It was like a collective exhale of like
Oh my gosh, cuz they also they're
waiting, right? It's like they're you
can tell that they're waiting for the
other shoe to drop for me to be like,
actually, like you didn't think you
needed anything but you have to spend
$300 and when I'm like, oh no, no, no.
No, no.
Um if yeah, it I feel like we all need
any sort of mental health reprieve we
can get and if I can give that gift to
the students of one less thing they have
to worry about.
Another idea that I have when it comes K
was mentioning earlier that there's kind
of this pervasive idea in our overall
overall culture that if it's free, it's
got to be bad, right? Or if it's free,
it's got to be of lower quality.
But what I find is that students also
come in with like such a mistrust of
capital A authority
that not using a Pearson or not using
one of the big names also helps to
ground it more in their lived reality
than some of the elitist ideas that they
might be thinking that college holds,
right? That you're like, no, this is we
built this for you because we think it's
good and will work for you, not oh,
here's the cookie-cutter fit into it.
So, I think it also
uh trusts them with their autonomy a
little more.
Absolutely.
Did you want to go ahead
>> Okay. All right. Two very brief things.
Um I do want to build off something that
Mary said earlier about being able to
update the text pretty readily, too. I I
often think of them as being like living
documents, right? So, the nice thing is
that you can um rapidly update them with
more recent scholarship. And I think for
my students especially, when we're
talking about, you know, like the
ancient world or we're talking about,
you know, the Middle Ages or the
Enlightenment or the Renaissance or any
of these things, they feel pretty
stagnant in students' minds, right? Um
but there's always new scholarship
that's being produced. We're always
finding out new things. And so, I get to
update the text with that stuff, and
they can see that there's more and more
things. Like most recently, um they're
using an Everyone has different opinions
on AI, but I do think this is a really
good use case for it if we are going to
use it at all. Um is they're pulling
like basically the fragments of burned
texts out of Pompeii that have been
there since Vesuvius erupted, and
they're scanning it using
some kind of technology, and then
they're feeding that into AI, and
they're able to get a clear picture of
what is remaining there. And then
they're able to translate those things.
And now we're getting all these new
interesting narratives out of Pompeii
that we otherwise would not have access
to. And I can tell students about that,
and it's a new interesting area that
they also could eventually go into
study, right? Somebody who does this for
a living is is really fascinating. Um
but in addition to this, right, as a
part of the sort of diversification of
materials, um I think students are often
very surprised when they encounter those
narratives that are otherwise left out
of a textbook, right? To talk about um
how, for instance, during the Northern
Renaissance, you might imagine that
everything is fairly insular as they're
coming out of the Middle Ages, but this
is and has been a globalized society for
centuries. So, you get all of these
really fascinating depictions of people
with melanated skin coming out of, say,
Germany, or even depictions of the
saint, St. Maurice, from the Holy Roman
Empire as a as a person of African
descent that they otherwise would never
see in any other textbook unless it was
a really good one. I haven't encountered
one yet that includes this. They're all
OERs that are including this stuff. And
so,
it's just a really great way, again, to
sort of challenge the canon or expand it
in ways that are really meaningful for
students to see themselves represented
in material.
I love that so much, Kay.
The other thing that I was thinking
about with what Jess I was talking about
with the
with the especially with these faux OERs
that I build for my students who are
going into education is not only can I
build, you know, current material for
them, [clears throat] but I'm also
helping professionalize them by by
showing them examples of articles from
well-respected publications. They're
like, you know, these are places like,
please look at the School Library
Journal. That's a great place to find
things.
And and all these different resources
that I can share with them without even
having to explicitly teach them, but
they just might notice like, oh, like
we're always going to this one website.
Like, it always has really good stuff on
it, right? That that that that is
another, especially for the faux OER
side of things, is just so helpful and
and adds another dimension that
textbooks just could never begin to
touch.
Absolutely.
I'm speaking of the students too as as
you're all of you talking about it. Have
you seen any differences in in student
preparedness or engagement when when you
switch to OER materials.
I can hop on this one. Um, I have found
that um
so many students have been almost
Pavlovianly trained to hate a textbook
that when I need to open my textbook, it
is time to be bored, kind of read it,
and disassociate.
Whereas if you can upset the expectation
of what a textbook is, what learning
materials are,
um I'll give an example out of the
diverse children's literature course I
teach. Um, Debbie Reese has an amazing
blog all about uh using children's
literature focusing on different uh
Native American communities. Um,
and when we go to that blog and see that
oh, this got updated six days ago, that
is so much more impactful to a student
than oh, here's this article from to me
2012 was yesterday, but for them 2012,
many of them were in middle or
elementary school, right? So,
um I think that uh having them see the
world happening within their materials
and not just the materials echoing the
world that may they may never have even
known is a really powerful way to do uh
and encourage student engagement.
Any other thoughts on engagement?
I'll just maybe make a note that one of
the other positive things about making
the OER is that you can customize the
activities, right? That go along with
the readings and things of that nature.
So, that's something that I've also
really enjoyed making is like little and
I know it sounds maybe
I don't know, it sounds silly to me to
say like yeah, like I make worksheets
and we do these exercises, but they're
all very applied things, right? Cuz I'm
very much an application-based
instructor. So, when we're looking at
stuff, we're not just looking at art and
kind of, you know,
pontificating about it or un-me-apping
at them for, you know, 10 minutes about
some Leonardo da Vinci piece, but we're
actually learning how to critically look
at and think about and talk about and
write about art. Um and so, the OER can
allow for that to be to feel more
integrated, to feel more organic.
Whereas, if we were using some other
textbook, it might feel like a
supplemental, um component, but it's
really integrated. And I think that's a
very powerful thing. Um and students
appreciate that. Like, I see it come out
in the data that everything feels very
aligned and organized. Um and as a
faculty, you can only hope that that's
one of the main things they walk away
with is that, you know, you had your
stuff together and everything felt good
and they left with a positive
experience.
Oh, that's such a good point. I just was
talking to a faculty member recently who
was talking about their OER, and she
said, "There's nothing in here that
students don't need." You know, she had
really just take like that everything in
there would be exactly what students
need and nothing else. So, yeah, to make
it feel more relevant to and integrated.
I love that. Um so, we've been talking
about why we love the OER, but let's dig
into the work of the work of OER. Um
because I know already in the chat
someone was saying something about the
labor involved. So,
how much time did it take you to
transition your first course to OER? Cuz
that's always the hardest one, right?
And and maybe think about that and also
what would you do differently or what
have you done differently the next time?
Um so, I I did one of the early college
OERs, and um I was They don't The
college doesn't do it anymore, but they
gave me a sabbatical for it, and it was
the best. And I used it. I used So, that
was like, how much time does it take?
Like, well, I had a semester-long
sabbatical. Um Um, and that was
phenomenal.
Um, and they don't do that anymore,
which is so sad. Um, so yes, I would say
ideally you need a good semester to just
get it done.
Um, now our college moves to has moved
to a stipend model, which just means you
just add them on top of all the other
things. As if you have nothing else to
do.
Okay, what are you going to add to that?
Yeah. I was going to say I think it sort
of depends because I think my first one
it probably did take me a little bit
longer.
Um,
I was just kind of grabbing stuff and
putting stuff together. I'm sure that
there were probably some some copyright
concerns. We won't need to speak of
that. That that textbook is no longer in
existence, that first one I made. Um,
but I think the first one that I did
correctly, it probably did take me a
semester to to really put it together
and feel like it was in a solid place.
Um, I would say since then though, the
ones that I built after that I feel like
I've gotten quicker with it. But it sort
of depends too on what's available,
right? So if there's a OER a couple OERs
that you're just remixing stuff, I feel
like that goes pretty quick. But I am
certainly running into the issue right
now with the textbook that I'm
developing that I'm like, I don't know
if I love any particular collection of
things. So now I have to like
figure out what that's going to end up
meaning or looking like. Um, and I'm not
totally sure yet. So that can be a
challenge, right? Is
um,
figuring out what resources you're going
to use and then if they don't exist,
how are you going to make the things
that you need? And that does take a
little bit more time.
Yeah, one thing that I found when doing
OER work cuz I mostly do these faux OERs
where we're pulling resources, but it's
not like one bound text all together.
Um,
is what one thing that I found was more
time-consuming than I anticipated was,
uh, finding wonderful, beautiful,
excellent, [clears throat] open, free
resources that I liked, but would not be
good for my students, right? I think
sometimes as educators it's easier for
us to forget that we already know what
we know, and our students do not have
the same entry points to these
knowledges we do.
Um, and so that's what I found to be a
little more time-consuming than I
anticipated was like, "Oh, this is
perfect. I love this. This is so good."
And then I'm like, "Oh, I have a
master's degree in this. Of course I
find this interesting and accessible."
No, okay, I have to put this beautiful
file on my own desktop for my own, uh,
edification later, and now I need to go
back and find something else. Um, but I
have having done this a bit, I've become
a better critical reader and like, uh,
self-audience-aware
that, "Oh, okay, just because I like
this doesn't mean it's going to be the
best fit for this."
Um, and I think that speeds up the
process cuz I would agree with what my
colleagues have said. Takes about a
semester to write a good OER and put it
all together, um,
but the more you do it, the quicker it
becomes.
Can Can any of you talk a little bit
more about your experience with like
finding and evaluating content for your
course? What things worked well? What
What kind of advice would you give for
others, um,
that are just embarking on the process?
I really embrace a spreadsheet, and I
feel like that's saying something coming
from English. Like that I didn't
naturally like gravitate towards
spreadsheets. I think Google has some
really nice little template table things
that made things easier than ever
before,
um, that I wish I'd had. I know the
first time I did it, I had a Google Doc
that I was using. I think Molly was like
adding things to and I was adding things
to, but oh, I wish I had a spreadsheet
just so I could like do quick little
rankings of things and add my little
notes about like this was great, like
this was terrible, um, because it's so
it's so complicated and there's so many
there yeah.
You know, especially every year there's
more and more OERs available to search
from which is great, but it also means
that there's more to sift through cuz
you don't want to miss a gem. Like I
think Molly when you were helping me
with my composition one, it was
something like that had just appeared.
Like I'd done all this research. I
thought I had everything I wanted to do
and then you found this one that was
like perfect. It was so good.
Um and I had to kind of restart all over
again a little bit. So,
yeah.
Yeah, I would echo the spreadsheet. I do
love a good like annotated bibliography,
too. I mean, I know that's a little bit
more time-consuming, but I do think that
it is helpful to cuz you know, you look
at so much stuff.
It's like what was in this one again?
What did I like? What did I not like?
Um
all of that is is a key factor and I
think yeah, sifting through so many
things. I would also add and I've I've
come back to this. I think this is where
I started in my OER journey and I kind
of left it and now I'm coming back to it
is returning to primary sources, too.
Um I know that they can be a little
dusty and clunky to work with, but
occasionally when I have a class and
we've been in it for a little while, to
challenge them with something that maybe
is a bit tougher to read um from a
primary source or sometimes you have an
easier an easier text that is a primary
source that somebody's written and um
I think those can also be really good
resources that sometimes um we might
neglect to look at because we're so
focused on what other things are kind of
being written that summarize, but I
think especially in the age of AI where
you can get a summary of anything in 2
seconds, right? Um coming back to that
primary source and really wrestling with
that um
I've seen some really interesting
discussions and responses, too, from
students who might not otherwise
encounter those texts.
Mhm.
And while I do appreciate a spreadsheet
and nobody tell the Lorax,
I am such a I need to print it out type
of person to be organized and I have
found that a lot of the things that I
best work with are when there is just
marked up in pen and move this over
here, put this here. I can physically
stack them in the ways I want them to
approach it. It's all I like to imagine
myself building an electronic course
packet. I'm like, okay, just how are we
going to get through it and then
literally pulling it out when it's not
time to be there. I think
one thing I try to teach my writing
students and all my students is there's
no right or wrong way to do X, Y, or Z.
There's just the ways that'll work for
you and the ways that won't work for
you. And so I encourage everybody to
even if it is a little silly like me
printing everything out,
if it's going to create a better product
and a better process for you, lean into
those things. Don't try to always bend
to the most efficient way of doing
things because that's for machines and
not for people.
That's such a good point, you know, and
to make you feel better, Josiah, I know
there's a faculty member from WCC in the
audience today who said I'm down to
deciding between two OERs, but I really
I just need to read them. Could I get a
print copy? So the library paid to print
both of them for her so that yeah, so
that she can literally look at them,
mark them up, and decide, you know,
maybe move pages around and things like
that. Um so yeah, any process that works
for you. Um so for those of you that
remixed and adapted materials cuz that
can get challenging when, you know, you
want to change stuff, but since there's
all the different licenses and you have
to follow the license and things like
that and and pay attention to copyright,
um can you describe any processes that
helped you with that part part of it?
Yeah, I can jump off here um because uh
Molly, you did it with me.
Um I remember I sent you a long list of
links uh in a Google Doc and you sent
back to me in that same Google Doc a
bullet point under legal, illegal,
legal, illegal, oh have to ask about
this one, more research needed. Um and
then we were able to find really good
strong uh
substitutions for the things we couldn't
use. We were able to ask permissions. Um
what I find uh and I kind of talked
about this earlier. Uh
people who write this type of stuff
generally really want people to read it.
And so if you just ask authors, they're
almost exclusively very excited to say
yes to getting their work disseminated,
especially for free to students. Um and
I thought I was going to come up against
like
well, let me ask my lawyer and we'll see
if we can open the copyright da da da,
but every time it's just been sure. I
had uh a website I was using for good
PowerPoints uh and like how to use low
language, good images. Uh and I was so
sad cuz the guy redid his website so all
of my links died. Um but I was just able
to email him and be like, "Hey, do you
have an archive of this uh
uh article?" And within 36 hours he sent
it back um with updated links and like a
special way for students to reach out to
him if they ever want personalized
coaching. And I was like
I would never have thought that would
have been what would happen. Uh I just
think uh
it take the leap.
Um I'm remembering when I was remixing
like a couple things were really helpful
for me. One was having my own outline of
like what I needed
like what kind of content I needed for
each area. Um and then I did also have
paper. I don't want to be like I'm all
tech cuz you know, I definitely had
paper and I think I had different
colored um
highlighters that I was using to like
indicate which type of license each one
you know so I knew like this one I can't
I can't change you know I can't move
with this content around and this one I
can't you know like trying to like help
me figure out like what pieces work I
could remix and what was going to go
where. I think there were numbering
involved too. It gets complicated. It's
It's not It's not simple.
It's true.
I think a color coding is a good idea.
Kay, what were you going to add? Oh, I
was just going to say yeah I I would
echo everything that everyone else has
said and I think this is also one of the
the benefits sometimes of those old
dusty texts because they tend they've
entered like the the public domain,
right? So you don't have to fuss with
some of those things. Although this is
something that that Molly and I did have
to work on with one text I believe I had
emailed you about a couple of different
ones but there was an older text it was
in the public domain but there are some
translations of it that were not and we
were trying to figure out how we kind of
work around that issue cuz especially
with you know mythology or religion or
what have you these are a lot of
translations and so you have to find the
ones that are freely accessible
but I did want to jump in and and maybe
it's only tangentially related cuz I did
mention artificial intelligence and LLMs
already.
One of the ways that I have used them
that has been useful and this is also
sort of a tricky thing because
you don't want to put people's stuff
into AIs that have explicitly said no
and this is something that is being
added into a lot of um creative commons
things. So if you are an AI user and you
are thinking you're going to use that
for your your text definitely check the
licenses before you just start throwing
people's stuff in there. Um but with the
public domain stuff I mean it's already
been scraped by all of the LLMs anyway
so you you know you're probably safe
there question mark it's probably a gray
area. Um but I have used um AI for to
help with translations and
accessibility. So I just if is it okay
if I just briefly talk about that?
>> Yes, please. That's such a good Mhm.
Yeah, so for example, um there
In some of the cases, there's an older
way, and I'll just talk about Mandarin
for a moment, an older way of
translating um Chinese text was using
the Wade-Giles form of um pronunciation.
And we've largely moved away from that
on a a global scale. Now things uh it's
partially cuz it's inaccurate and and a
little bit colonial. Um so you use
Pinyin now, and Pinyin actually include
the tonal qualities that go along with
the language. It's more accurate. Um and
so I have had cases where I've used a
text and asked the AI to provide the
Pinyin uh translation for the names and
things of that nature. And that has been
really helpful because it cuts down a
lot of time for me to have to manually
go into that process. And of course I do
check everything cuz you know, AI does
make mistakes. Um but it can be a way to
maybe rectify or correct some of those
things, too. I've also have that happen
um with some indigenous languages. Um
I'm trying to remember there was maybe
one or two other ones. Um Hmong Hmong
was another language that I had it help
with, and I was able to get that checked
by someone who actually speaks the
language, right? So they could say like,
yes, this is accurate. Um and so that's
that's a positive thing to use, but of
course it gets complicated with the
licenses and with all of these other
elements that already make um maybe
building your OER a bit more
challenging, but it is also an option.
Thank you for sharing. I'm I was hoping
you you'd talk about this cuz I think
the work you've been doing there is
pretty awesome. Um
yeah, um I'm I'm just going to ask our
panel just two more quick questions, and
then I want to make sure we get to all
the questions in the chat. So we've You
guys have mentioned a little bit about
institutional supports that are helpful.
Can you just quickly talk about like
what has been most helpful to you, and
what kind of supports do you wish you
had as a faculty member?
So what's really helpful? What what
would you love to I mean, Molly, you are
really helpful. So, [laughter]
having having a faculty librarian who
who listens and then just like finds
amazing resources, like oh my gosh. Um I
could never I don't know that I ever
would have started the journey or
completed it or wanted to do more of it
without you. So, so that that is huge.
Um I'm sorry. Now I just got distracted
because I'm like, what else do you need?
You just need Molly and then you're
fine.
>> [laughter]
>> Um time. And I mean again, and our
institution has made the choice to to
not give you so much of the time and to
give you money, which is better than
nothing. Like I like
Um I don't want to discount that. Um and
honestly, I should also probably add up
all the time that I've saved because you
know what? The textbook company people,
like they don't come to me anymore. And
they used to spend they used to eat up a
lot of time in my hallway. They would
come to my office and oh my gosh. And
anyway, so there's a little bit of time
saved
there.
Then I guess I I can use all that time
to build OERs.
And I'm sorry. Now I'm forgetting all
the questions again.
>> No. No, you're good. I said, what would
be more helpful? And you said, time.
That's perfect. So, go ahead, Kate. Oh,
I was just going to add on to that. If
you are a faculty lead and you have
other faculty or part-timers, it also
saves them time when you make these
things because they're usually pretty
easy, right? To pick up and integrate
them into You know, I got mine are like
a Google Doc file and we're going to
migrate them into Pressbooks and all
that good stuff. But they're super
simple, right? So, there's nothing you
need to add in. There's nothing you need
to integrate into Canvas necessarily
unless you want to.
Um and so, that saves them a lot of time
cuz they can just pick it up and use it.
Um
and so,
it's a perk.
Yeah. Delilah. Um I think reiterating
having a information expert is really
really helpful. Like uh I feel like as
faculty I'm a content expert in my
world, but I'm not necessarily a
book-making expert or a copyright
expert. So, having all of those things,
um and I think also, uh giving yourself
permission, and I know this is hard for
educators to do, uh but your first draft
should not be an A+.
Right?
>> That's such a good point. Yeah.
>> Like, giving yourself that freedom of
like, I'm going to write something.
Period. I'm going to write something,
and then I can try to make it good as I
keep going and refine it in doing it.
But, trying to, I think, undertake I'm
going to build the perfect thing at my
first time, you and every first-year
writing student ever, right? It's like,
no. We need to be able to give ourselves
the freedom to write a okay OER and then
turn it into an amazing OER.
That's so good. I love it. Um
one sentence each, maybe. What advice
would you give to a faculty member who's
like, OER curious, but hasn't quite
taken the leap yet?
Or two sentences. It doesn't have I just
mean like a We'll just do a quick round
robin on that one.
What advice would you
>> You you just you just got to try it.
It's like, you know, try a new food.
Like, just give it a try. Give it a
little taste. Like, just Yeah.
I like that. Like a toddler. Just just
taste [laughter] it.
So, in my house, we have a saying that
is, if it sucks, we'll leave, right? So,
just give it a shot. If you hate it, you
can always go back to something else or
choose something else, but you'll never
know unless you try.
I like I like that, that you don't you
don't have to stick with it if it's not
working for you. That's such a good
point. Josiah?
Uh I would say, yeah, trying to get me
to one to two sentences is crazy. Um
but,
uh no, I would say that uh,
it's
not working now,
so
it's worth trying to make something new.
That is That's good advice, too. I love
that. Yeah, it doesn't hurt to try to
try to make it better.
Um,
Heather, I want to make sure you've been
tracking questions or someone's been
tracking questions in the chat.
Or
Um, let me see. I don't know. Heather,
were you tracking the questions? I I was
so engaged in the conversation.
>> I know. Yeah.
We [clears throat] We have a We have a
couple people that were tracking
questions, but um, I can jump in and
say, let's see.
Um, I'm going to go to the first one.
As Hold on while I scroll down here.
>> chat. I put it in the chat. Sorry.
>> Okay. Oh, I see I'll I'll ask this first
one I see here. What makes OER work
sustainable instead of becoming one more
thing faculty are asked to do?
Uh, I'll hop in here. I
My answer is just really quick. Don't do
it alone.
Right? A shared burden is always easier
to carry. Um, I cannot imagine trying to
do one of these by myself and I think it
would just be something else to do, but
doing it in partnership, um, which is
something I like about the model we have
here when you write an OER, you need to
have a second reader and other people to
give you some feedback and I think
that's uh,
while some people might see bureaucracy
there, I see like uh, community uplift.
Right. And I think for me I see it so
tied to curriculum, but like I know
something's not working either because
something in the field has changed or my
students are like, what's going on with
this? And they're You know what I mean?
Like they're not getting what I need
them to get out of the existing OER
readings or whatever. And that that's
just I mean, that's just teaching Like
that's my job. Like literally. Like if I
can't respond to their needs, then um,
it it you know, it But again, that's the
great thing about OER is it can be just
a little tiny thing. It doesn't mean you
have to like get a whole new textbook.
Like, I just have to like precision cut
like what's wrong and fix that one
little piece. Mhm.
Um, back to the fierce commitment of
teaching, what gives you hope when you
think about the future of teaching and
learning?
Um, my students give me hope. They're
amazing.
Um,
they're just amazing human beings, and
getting to be human with my students and
and getting to create a
a caring community
is the only buffer I know of to to
to counteract all this madness.
There's another question here. If you
could tell another institution one thing
about building this kind of culture,
what would it be?
That it takes institutional investment,
not just faculty passion.
I would echo that. It has to come from
the top. I mean, the bottom can can
advocate for it, but the top has to
support it, and it's it's better if they
also can support it with funding or
release time or something, right?
Because um, people should be compensated
for their labor and um, experience in
education.
Absolutely. I agree with that
wholeheartedly.
I think we have time for another
question. What is the most important
point to make OER a success?
So, I think just briefly, in addition to
just trying it out, I would also say be
okay with piloting the thing that you've
made, right? Like, the first the draft,
I mean, it can be a little rough around
the edges,
but try it out because you won't know if
it's going to work until you've tried
it, right? And some of the most profound
kind of takeaways on whether or not
something is going to land right or
um you know, that choice of reading was
the correct one is by piloting it with
some students and seeing how they
respond to it and then saying, "Okay,
yes, that went exactly how I wanted it
to or even better or oh, maybe we need
to make some some adjustments, right?"
And you know, you take time between
terms to do that and then that is how I
typically have refined my OERs and each
time they get a little bit better.
Yeah, that's that's awesome.
Well, thank you so much. It was such an
amazing conversation and and let me just
say that I think you all are so fierce
and I know what Heather meant that she
wanted to bring you all to to this
community and share your story because
um just as important as our you know,
our students' voices are, I think
faculty voice who are
who are advocates of OER are just as
important. Um we need to hear more from
our faculty. And so, thank you so much
for such an amazing conversation, for
the amazing work that you're doing at
your institution. I I'm I'm just so
inspired. So, thank you so so much.
Um and I'm going to go back and share
our presentation really quick and
kind of draw us to a close.
Um so,
just so that you know, this was our
final webinar for the spring semester
and wow, right? What a way to close our
spring um webinar series. Um but you can
certainly visit our uh website for
upcoming webinars and and future
webinars and I think um one of the
ladies will post that in the chat.
Um and just like always, we'd love to
hear your thoughts, how we can improve,
what things you liked, um what your
thoughts are about today's webinar. Um I
I think hearing from from this community
helps us to improve the work that we're
all doing. And so, by all means, please,
um share your thoughts.
And just a quick thank you for everybody
who joined us today. I'll ask Heather to
jump back in and kind of give the final
thoughts to close out our webinar. But
thank you again to this amazing group of
a faculty who shared their story today.
Truly inspiring and very fierce.
>> [laughter]
>> Thank you so much Elizabeth.
I don't know how I can how I can top
your closing because I think that
they're fierce as well. And I just want
to thank the entire panel and and Molly
for being the moderator.
I just appreciate all of you so much for
being here today. And thank you all of
the attendees for being here. We we love
having you here and we love if you pass
on the recording to other people and we
can spread the word. Thank you so much
and
we'll see you next time.